tag:blogger.com,1999:blog-4539541721943557992024-02-18T22:27:18.205-08:00Reflective Discontent: an artist's journalPeter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.comBlogger51125tag:blogger.com,1999:blog-453954172194355799.post-66231335974914960912021-03-21T10:04:00.005-07:002021-03-22T00:18:29.016-07:00Making new opportunities for artists - Beyond Otherness<div style="background-color: #fafafa;"><span style="font-family: verdana;">I said in my last post that the next one would be about the other Arts Council grant for which I successfully applied. So here it is.</span></div><div style="background-color: #fafafa;"><span style="font-family: verdana;"><br /></span></div><div style="background-color: #fafafa;"><span style="font-family: verdana;">People who know me, will know that I enjoy making connections with artists and am particularly motivated to make opportunities for recent graduates and emerging artists. This drive sparked an idea last summer that has developed into a project I am facilitating on behalf of <a href="https://ohos.org.uk/">Open Hand Open Space,</a> Reading (OHOS), where I'm now part of the (voluntary) management committee. </span></div><div style="background-color: #fafafa; color: #656565; font-family: Helvetica; font-size: 12px;"><span style="font-size: 14px;"><br /></span></div><div style="background-color: #fafafa;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: #656565; font-family: Helvetica; margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIINLIob7RSlRiWagjLO3Cnm1Kw0RDVVjJkn_BFaUbtEX25pXgpFgFxecUwlC5MHiGe6EcnMmGLSShv8tPqXlL4MOFBUXV2E8RN9sMqcerHkENq7ZBP1X5H4k9vicfZg_9CBo8w7f9QEMW/s2048/Nacheal+-+Recollection+BO+Promo+pic.jpg" style="margin-left: auto; margin-right: auto;"><span style="font-size: x-small;"><img border="0" data-original-height="1475" data-original-width="2048" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIINLIob7RSlRiWagjLO3Cnm1Kw0RDVVjJkn_BFaUbtEX25pXgpFgFxecUwlC5MHiGe6EcnMmGLSShv8tPqXlL4MOFBUXV2E8RN9sMqcerHkENq7ZBP1X5H4k9vicfZg_9CBo8w7f9QEMW/w640-h460/Nacheal+-+Recollection+BO+Promo+pic.jpg" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: left;"><div style="text-align: center;"><span style="color: #666666; font-family: verdana;"><span style="font-size: x-small;">Nacheal Catnott: </span><span id="docs-internal-guid-dbb5f3f1-7fff-b173-1d20-d0ca5c9d74d1"><span style="background-color: transparent; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: x-small;">Recollection , 2019 - Film, Sculpture, Performance. </span></span></span></span></div><span id="docs-internal-guid-dbb5f3f1-7fff-b173-1d20-d0ca5c9d74d1"><div style="text-align: center;"><span style="color: #666666; font-family: verdana;"><span style="background-color: transparent; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: x-small;">A Yam filled utopia that sees a black womxn embody mother nature.</span></span><span style="background-color: transparent; font-size: 11pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"> </span></span></div></span></td></tr></tbody></table><div class="separator" style="clear: both; color: #656565; text-align: center;"><span style="font-family: verdana;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div style="text-align: left;"><span style="background-color: white;"><span style="font-family: verdana;">I'd been thinking about OHOS in the light of the Black Lives Matter movement, the widespread responses to the killing of George Floyd last summer, and the absence of justice for Breonna Taylor and Ahmaud Arbery among others. These are yet more tragic consequences of the chronic, systemic racism that is present, not only in US society but also in the institutions and structures of British society. </span></span></div><div style="color: #656565; text-align: left;"><span style="background-color: white; color: #262626;"><span style="font-family: verdana;"><br /></span></span></div><div style="color: #656565; text-align: left;"><span style="background-color: white; color: #262626;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPzO9Laxcrt9ztkrkIwir_VfAaynPQ7LNFg90Bmik1IwD8X5UopVCtzM2_X4T70s6elLWtMilMe5R2wusggE-tyj6OkXL5xy8LVraHAKvAHr4QSc1HsxyaQgcNH3Bi-jZaEs4mRNFSA9tL/s2048/Its+About+Damn+Time+_Tomilola+Olumide_2018.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2046" data-original-width="2048" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPzO9Laxcrt9ztkrkIwir_VfAaynPQ7LNFg90Bmik1IwD8X5UopVCtzM2_X4T70s6elLWtMilMe5R2wusggE-tyj6OkXL5xy8LVraHAKvAHr4QSc1HsxyaQgcNH3Bi-jZaEs4mRNFSA9tL/w640-h640/Its+About+Damn+Time+_Tomilola+Olumide_2018.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #666666; font-family: verdana; font-size: x-small;">Tomilola Olumide - It's About Damn Time, 2018, performance still <br /><div style="text-align: center;"><span style="background-color: transparent; white-space: pre-wrap;">Birthed from the frustration of a creative block at University,</span><span style="background-color: transparent; white-space: pre-wrap;"> IADT discussed themes of emotionally situated challenges in a space that served as a cage to confront the subject and live audience. </span></div></span></td></tr></tbody></table></span><span style="background-color: white; color: #262626;"><span style="font-family: verdana;"><br /></span></span></div><div style="text-align: left;"><span style="background-color: white;"><span style="font-family: verdana;">I am aware of the privilege we have at OHOS as custodians of artists' studios and exhibition space. Artists need access to these resources, particularly when they're starting out and particularly when the odds are stacked against them because of prejudice and inequality in the allocation of opportunities and resources. This applies not only to issues of race but also of class, age, sex, gender-identity and sexuality. And I was aware that at OHOS our membership is almost totally white European, middle-class, middle aged, cis-gendered, and straight. We want to diversify our membership and audience, and it is one of our new organisational objectives to do so. W</span></span><span style="background-color: white;"><span style="font-family: verdana;">e want to do more with what we have and make more opportunities for artists, including those from communities who have been underrepresented in our programme and membership in the past.</span></span></div></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: #656565; font-family: Helvetica; font-size: 12px; margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm5rtsjraCUskPqH1Ifh7x18HXhBlp1Gfi1hKSETjyem4mZ9XkJP1uTJxos4cuKfx7JlJxfwRcjG1HlD4AwWa5z3tkxQQhyphenhyphenMSftOxzk0qwNNfsNT4pmts9PLlyfx8dHsL37_HtkwtV9qEt/s2048/Oren+Shoesmith+-+They+taught+us+how+to+go+into+the+wilderness+and+come+back+a+god.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2048" data-original-width="1447" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm5rtsjraCUskPqH1Ifh7x18HXhBlp1Gfi1hKSETjyem4mZ9XkJP1uTJxos4cuKfx7JlJxfwRcjG1HlD4AwWa5z3tkxQQhyphenhyphenMSftOxzk0qwNNfsNT4pmts9PLlyfx8dHsL37_HtkwtV9qEt/w452-h640/Oren+Shoesmith+-+They+taught+us+how+to+go+into+the+wilderness+and+come+back+a+god.png" width="452" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div style="text-align: center;"><span style="color: #666666; font-family: verdana; font-size: x-small;">Oren Shoesmith - <span id="docs-internal-guid-92a33f8f-7fff-de7c-5358-cfeb38e11bcb">They taught me how to go into the wilderness and come back a g, o, d, <br /></span></span></div><div style="text-align: center;"><span style="color: #666666; font-family: verdana; font-size: x-small;">Digital Collage, Text and Performance, 2019<span style="background-color: white;"> </span></span></div><div style="text-align: center;"><span id="docs-internal-guid-10ed28ae-7fff-5cbc-a7e3-2f34310928b3"><span style="background-color: transparent; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="color: #666666; font-family: verdana; font-size: x-small;">The culmination of a rite performed on the Fal river bed, Cornwall. </span></span></span></div><div style="text-align: center;"><span><span style="font-family: verdana; font-size: x-small;"><span style="background-color: transparent; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="color: #666666;">The rite invokes a reimagining of the biblical Temptation of Christ through a trans body.</span></span><span style="background-color: transparent; color: black; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"> </span></span></span></div></td></tr></tbody></table><span face="-apple-system, system-ui, "Segoe UI", Roboto, Helvetica, Arial, sans-serif" style="background-color: white; color: #262626; font-size: 14px;"><div class="separator" style="clear: both; font-size: 12px; text-align: center;"><br /></div></span><span style="background-color: white;"><span style="font-family: verdana;">I hope that sufficiently explains the context behind the project I'm facilitating: The artists decided to title it 'Beyond Otherness'. It will be an exhibition and ten-day programme in July 2021 showcasing the work of seven recent graduates and emerging artists (some examples of their past work is illustrating this post). </span></span></div><div style="background-color: #fafafa;"><span style="background-color: white;"><span style="font-family: verdana;"><br /></span></span></div><div style="background-color: #fafafa;"><span style="background-color: white;"><span style="font-family: verdana;">The artists are:</span></span></div><div style="background-color: #fafafa;"><span style="background-color: white;"><span style="font-family: verdana;"><br />Nacheal Catnott</span></span></div><div style="background-color: #fafafa;"><span style="background-color: white;"><span style="font-family: verdana;">G.K. Field</span></span></div><div style="background-color: #fafafa;"><span style="background-color: white;"><span style="font-family: verdana;">Thirsika Jeyapalan<br />Maryam Kazimi</span></span></div><div><span style="font-family: verdana;"><span style="background-color: white;">Ollie Musson</span></span></div><div><span style="font-family: verdana;"><span style="background-color: white;">Tomilola Olumide</span></span></div><div><span style="font-family: verdana;"><span style="background-color: white;">Oren Shoesmith</span></span></div><div style="background-color: #fafafa; color: #656565;"><span style="background-color: white; color: #262626;"></span></div><div style="background-color: #fafafa; color: #656565; font-family: Helvetica; font-size: 12px;"> </div><div style="background-color: #fafafa;"><span style="font-family: verdana;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: #656565; font-family: Helvetica; font-size: 12px; margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBnYKOHzE2mhQHFQOuEekzZjXRU3yYHLcZhyHAgDqzXqxKbqCoUIbbBa0YNnTLcKR1KT-Q0CQEFwRwQ6jx5GJlQb0-nQ6-WqLUl7_ss_mw82RUOFuXcccxFGW1kjX8kiJiCAU6NnP0N_5p/s2048/Thirsika+J+over+the+red+sea+is+my+homeland.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2048" data-original-width="1611" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBnYKOHzE2mhQHFQOuEekzZjXRU3yYHLcZhyHAgDqzXqxKbqCoUIbbBa0YNnTLcKR1KT-Q0CQEFwRwQ6jx5GJlQb0-nQ6-WqLUl7_ss_mw82RUOFuXcccxFGW1kjX8kiJiCAU6NnP0N_5p/w504-h640/Thirsika+J+over+the+red+sea+is+my+homeland.jpg" width="504" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div style="text-align: center;"><span style="color: #666666; font-family: verdana; font-size: x-small;">Thirsika Jeyapalan - <span id="docs-internal-guid-0ed3c808-7fff-1245-a86b-2dc3e18492a2">over the red sea is my homeland, 2019 - Mixed Media. </span></span></div><span id="docs-internal-guid-0ed3c808-7fff-1245-a86b-2dc3e18492a2"><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: center;"><span style="background-color: transparent; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="color: #666666; font-family: verdana; font-size: x-small;">An Eelam Tamil girl by the Marina Beach in India watching the shores.</span></span></p><div><span style="background-color: transparent; font-family: Arial; font-size: 11pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><br /></span></div></span></td></tr></tbody></table>I spent weeks writing the funding application and was delighted to receive an Arts Council grant for the project. It is the most ambitious project I've been involved in and I am excited to see the way the artists are developing the programme. My role is to enable/facilitate the programme, with curatorial control and agency staying with the artists themselves. I am acutely aware of the problematic nature of my role, as I'm not a member of a minority community so I have been at pains to just open the door, give the artists a free-hand and help where needed. Primarily this is for them, for their careers and audience development and hopefully the first of many projects with similar objectives.</span></div><div style="background-color: #fafafa;"><span style="font-family: verdana;"><br /></span></div><div style="background-color: #fafafa;"><div style="background-color: #fafafa;"><span style="font-family: verdana;">We've received amazing support from the Arts Council and six project partners. But we now need to raise a further £3,500 to complete the budget for the project. If you would like to help support the project, please donate at this link:<a href="http://gofund.me/25d78029">http://gofund.me/25d78029</a> (Full transparency, although we have the money to pay the artists' fees, several other costs, including my fee won't be covered unless we raise these funds).</span></div></div><div style="background-color: #fafafa; font-family: Helvetica; font-size: 12px;"><span style="font-size: 14px;"><br />(That link also gives you more information about the project and our wonderful partners.)</span></div><div style="background-color: #fafafa; font-family: Helvetica; font-size: 12px;"><span style="font-size: 14px;"><span style="color: #656565;"><br /></span></span></div><div style="background-color: #fafafa;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-family: Helvetica; font-size: 14px; margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGFkoblZN1QZ6EdgfWnzEMarmHjiP72Fs9BQBZcPlvgiqjs3i2OKyju87QXX6rcwABxA9iWsV7LfrftYIEyAVnrYPYu-A8Cp66vQEwo8xj2RKD7ME_wM4W3gseCGYx-_INBpKRC8dUqN9h/s2048/Ollie+Musson+-+tonsillitis+sux%2521.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1365" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGFkoblZN1QZ6EdgfWnzEMarmHjiP72Fs9BQBZcPlvgiqjs3i2OKyju87QXX6rcwABxA9iWsV7LfrftYIEyAVnrYPYu-A8Cp66vQEwo8xj2RKD7ME_wM4W3gseCGYx-_INBpKRC8dUqN9h/w640-h426/Ollie+Musson+-+tonsillitis+sux%2521.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #666666; font-family: verdana; font-size: x-small;">Ollie Musson - <span id="docs-internal-guid-04ae8fbb-7fff-b9ff-4978-8163109e3217"><span style="background-color: transparent; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">’tonsillitis sux!’, 2018, installation and performance at Womp space in Sheffield.
A surreal drag narrative exploring body parts, gender, health and recovery.</span></span></span></td></tr></tbody></table><br /><span style="font-family: verdana;">We sincerely hope that by July we'll be able to put on a physical exhibition, performances and symposium. But we have contingency plans in place to live-stream and put online as much content as possible if lockdown gets extended. </span><span style="background-color: white; font-family: verdana;">This will be one of the first activities in our reimagined gallery space at </span><a href="https://www.571oxfordroad.org/" style="background-color: white; font-family: verdana;">571 Oxford Road gallery</a><span style="background-color: white; font-family: verdana;">, in Reading, UK. </span></div><div style="background-color: #fafafa;"><span style="font-family: verdana;"><br /></span></div><div style="background-color: #fafafa;"><span style="font-family: verdana;">I am also thrilled that the great international artist <a href="https://www.haroldoffeh.com/">Harold Offeh</a> has agreed to be the guest chair of the project symposium on 17th July, when the artists will discuss the themes in their work. </span></div><div style="background-color: #fafafa;"><span style="font-family: verdana;"><br /></span></div><div style="background-color: #fafafa;"><span style="font-family: verdana;">I'll keep you posted as the programme develops but meanwhile, please donate to the <a href="http://gofund.me/25d78029">GoFundMe</a> if you can. <br />Love and Peace</span></div><div style="background-color: #fafafa;"><span style="color: #656565; font-family: verdana;"><br /></span></div><div style="background-color: #fafafa;"><br /></div>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-34548585576007664722021-02-14T03:09:00.024-08:002021-02-14T03:32:20.113-08:002021 - a year of creative development<p><span style="font-family: trebuchet;">I spent about five solid weeks in late 2020 writing two Arts Council applications, one on my own account and the other on behalf of OpenHand OpenSpace, Reading's main studio provider and its only contemporary art gallery. This post is about my personal application. The next post will be about the other one. </span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBNds_Pd6XbZT2fvyAycGsiF70RYWfFbAO9q1Kd9_ELIFbNbRzwiDD2AbJdh7cwztAxNrNpZ1sfu1EQg6FfMsk8KQ3R7jwd6DAO2ywfmaBh20qIUvBNkpBqnuD9Ha2TgxfuG5hGKJK66xs/s1267/Screen+Shot+2021-02-14+at+09.42.44.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="403" data-original-width="1267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBNds_Pd6XbZT2fvyAycGsiF70RYWfFbAO9q1Kd9_ELIFbNbRzwiDD2AbJdh7cwztAxNrNpZ1sfu1EQg6FfMsk8KQ3R7jwd6DAO2ywfmaBh20qIUvBNkpBqnuD9Ha2TgxfuG5hGKJK66xs/s320/Screen+Shot+2021-02-14+at+09.42.44.png" width="320" /></a></div><span style="font-family: trebuchet;"><p><span style="font-family: trebuchet;"><br /></span></p>I was successful in applying for a Developing Your Creative Practice Grant. It felt like the right time for me to make a step change. Friends and regular readers will know that o</span><span style="font-family: trebuchet;">ur daughter Alice died in 2019, aged 28, after nine years of serious illness with a </span><span style="font-family: trebuchet;">brain tumour. The caring duties were traumatic particularly in the final months of Alice's life and took their toll on me and Liz. Our</span><span style="font-family: trebuchet;"> emotional energy and creativity were at a low ebb, with caring duties naturally taking precedence over everything </span><span style="font-family: trebuchet;">else. </span><p></p><p><span style="font-family: trebuchet;">I carry that bereavement with me into a renewed commitment to my </span><span style="font-family: trebuchet;">practice, which Alice always encouraged and inspired. I feel that now I </span><span style="font-family: trebuchet;">have both the time and the commitment to pursue my art practice like never </span><span style="font-family: trebuchet;">before. I want to revisit the socially-engaged core of my motivation for making </span><span style="font-family: trebuchet;">art; to strengthen my network of connections with artists and art organisations </span><span style="font-family: trebuchet;">whose work I admire; and to have focused research and development time to </span><span style="font-family: trebuchet;">create new work.</span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;">I intend this year to build a stronger base from which to make well-considered, transformative work that reaches new audiences. </span><span style="font-family: trebuchet;">Ultimately, by the end of 2021, I want to have built a body of new work that fully expresses what I want to share with the world; to have a stronger understanding of my own practice and artistic identity; to have strengthened my network of </span><span style="font-family: trebuchet;">artists and galleries; and to have found opportunities to exhibit and create participative projects in new places for new audiences.</span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;"><br /></span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;">My application was based on a month-by-month activity plan to turn 2021 into a year of creative development, involving dedicated studio time, research trips, studio visits, and a short residency. But then shortly after getting the grant we went into another Covid19 lockdown, which has meant the research trips and studio visit elements of the plan have had to be pushed back towards the second half of the year.</span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;"><br /></span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiecetppCHkQctlsPdqAVqrtl2PPHxYmlSn1I7pYtpeuzo4kCLxQ3sUDQvbN1aMjryogQxXcpn8aWcoDdsf3X8luXQiPLy-B2mHsPsZBzVI5kHmym_lidf3OgDZZ1FqBcYVhgkkqEvodobi/s980/received_696988617684526.jpeg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="980" data-original-width="696" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiecetppCHkQctlsPdqAVqrtl2PPHxYmlSn1I7pYtpeuzo4kCLxQ3sUDQvbN1aMjryogQxXcpn8aWcoDdsf3X8luXQiPLy-B2mHsPsZBzVI5kHmym_lidf3OgDZZ1FqBcYVhgkkqEvodobi/w284-h400/received_696988617684526.jpeg" width="284" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Watch the interview here: <br /><a href="https://www.instagram.com/tv/CJy5hs5lMgG/?igshid=1usnums891fbh">https://www.instagram.com/tv/CJy5hs5lMgG/?igshid=1usnums891fbh</a></td></tr></tbody></table><span style="font-family: trebuchet;"><br /></span><p></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><br /></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;">I started with a week-long Instagram takeover of the Chapel Arts Studios Instagram account. (I've been an associate artist there since 2014). This included an online interview, during which I wittered-on for forty minutes or so about my life experiences, painting, woodcut, walking, marching and birding.</span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;"><br /></span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;"><br /></span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;"><br /></span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;"><br /></span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;"><br /></span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;"> </span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;"><br /></span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><br /></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span style="font-family: trebuchet;"><br /></span></p><p class="p1" style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><br /><span style="font-family: trebuchet;"><br /></span></p><p><br /></p><p><span style="font-family: trebuchet;">At the same time, I relaunched my website, <a href="https://peterdriver.art" target="_blank">https://peterdriver.art</a> </span><span style="font-family: trebuchet;">designed by my friend the designer Matthew Luke.</span></p><p><span style="font-family: trebuchet;">So it has been a time to focus on studio practice. Studio time is always hard-won. I still teach two days a week at Winchester School of Art (all online at the moment), I'm secretary of OpenHand OpenSpace and leading on changing its legal form and applying for registered charity status, and I still want to be at home with Liz and helping our son renovate his new home, three miles down the road from us. So from a busy life I have managed to carve out more studio time and have been experimenting with new directions. </span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizMrFZDfs-LU11zRb3jIR_bsLeC3a5xVIVHtvKKaQ446IjFWDVcUqLFeJePzwk8tSNfZC8x4FP6cYwoxeOHNWm66LoUyhTofUHLViT8sh2IQH6AHE8-2uJPRbKdOaO12fXiRgfhBC8OQ9h/s2048/wallpaper.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizMrFZDfs-LU11zRb3jIR_bsLeC3a5xVIVHtvKKaQ446IjFWDVcUqLFeJePzwk8tSNfZC8x4FP6cYwoxeOHNWm66LoUyhTofUHLViT8sh2IQH6AHE8-2uJPRbKdOaO12fXiRgfhBC8OQ9h/w300-h400/wallpaper.jpg" width="300" /></a></div><p></p><p>We discovered this wonderful 1970s vintage wallpaper on the kitchen wall of our son's new house, it was preserved behind the kitchen wall-cupboards. I was instantly transported back to my childhood in the houses of me and my friends on our council estate in Littleport. And childhood memories always include the birds I saw and heard. I was reminded of balmy summer days and the purring of Turtle Doves around the village, Spotted Flycatchers perched on the gravestones in the churchyard. Just two species that have declined dramatically in numbers since those days. The summer population of Turtle Doves has declined by over 90% in the UK since their purring filled my childhood summers. The Spotted Flycatcher population has plummeted to a similar degree over the same period. </p><p>These declines are linked to habitat loss, changes in farming practices, use of agro-chemicals and the massive reduction in the availability of food for these two species. We have ripped-up thousands of miles of hedgerow and paved our gardens or tidied away the plants that provide the seeds that Turtle Doves eat and that feed the aerial insects that the Flycatchers eat. </p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirceDR5eIPeq4kQ79m_px_jl9C1GyG-HKc0cLraJhvgbxS_0mxQxK6yWeuiD8CEkAVmQwl_nj_Y_LFKUJQtc5Cvks1RutGkRa_FId7by_GQdusnhOwIheY4cFBmJQiXhpgIrzAocJ0WVf3/s2048/woodcut.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirceDR5eIPeq4kQ79m_px_jl9C1GyG-HKc0cLraJhvgbxS_0mxQxK6yWeuiD8CEkAVmQwl_nj_Y_LFKUJQtc5Cvks1RutGkRa_FId7by_GQdusnhOwIheY4cFBmJQiXhpgIrzAocJ0WVf3/w300-h400/woodcut.jpg" width="300" /></a></div>I decided to make a woodcut to print over the scraps of vintage wallpaper. The first one will say 'bring back Turtle Doves'. I just need to work out what colour to use and how best to print onto the resistant surface. <p></p><p>I have started painting again. </p><p>When Alice painted, she used colour as her subject matter. I feel that I want to do that too, as a commemorative act, to carry on Alice's work or to carry the bereavement with me into making new things, in the same way that we carry on her work of supporting Reading Refugee Support Group and LGBTQ+ causes.</p><p>These are stumbling steps in painting at this stage, hesitant and tentative. I feel like an imposter, and a dabbler, faced with the prolific and accomplished output of current painters I admire like Tim Stoner, Katie Pratt, Karolina Albricht or Tahmina Negmat. </p><p>But pushing down the familiar imposter syndrome, which seems to be endemic among council house kids, I carry on. It begins with mixing colour - maybe just two colours plus white and seeing how many distinct tones and hues they can make. This is an approach I learned from Daniel Preece at the Slade evening courses in painting I attended before I went to art school. Daniel is inspired by Euan Uglow and I have to admit some of that approach feeds into what I do.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKtRfUOT_j3XqE7oaqJtFq8Yegbk18sxJmLP5GgowP39BqKo-VuugORzbrzsV3ilRhKRHDW6PnI2WExKeu5r1NkkbIcVoiVQJcykCwuMz7pVtmRGXEpqVVPuOrsrvml3Q2AhFc-Ra-nV6j/s2048/Colour+2.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1721" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKtRfUOT_j3XqE7oaqJtFq8Yegbk18sxJmLP5GgowP39BqKo-VuugORzbrzsV3ilRhKRHDW6PnI2WExKeu5r1NkkbIcVoiVQJcykCwuMz7pVtmRGXEpqVVPuOrsrvml3Q2AhFc-Ra-nV6j/w336-h400/Colour+2.jpg" width="336" /></a></div><p><br /></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJkR1ocYq82TrIM-OQSjqi7BdxAH1cBL7dcyAOQJWn_WeAIcQJIkvXQsobR6wl5wlRp91tTAFq90pUg3IcHjAzEscskoVCjsq5NC8Qh1txO93UO8jrbZ8I_UDvcFhtRvIZTZVOee4aWPzP/s2048/IMG_20210126_134520_332+%25281%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1638" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJkR1ocYq82TrIM-OQSjqi7BdxAH1cBL7dcyAOQJWn_WeAIcQJIkvXQsobR6wl5wlRp91tTAFq90pUg3IcHjAzEscskoVCjsq5NC8Qh1txO93UO8jrbZ8I_UDvcFhtRvIZTZVOee4aWPzP/w512-h640/IMG_20210126_134520_332+%25281%2529.jpg" width="512" /></a></div><p><span style="font-family: trebuchet;"><br /></span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwdlkvpqv243YfbN7ilzu0XdOiUsFn1CkeN5KI3-ug3oMPCJUmOE1G5Y5DuhiD0NfBnAe66UpQe0m_bCV_HJ4DKnTj8dPl5gWXznPsu5GAyS2WXcrtVJI3qZ1r_fUOpoWGHQymOWzfkymZ/s2048/Colour+1.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1783" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwdlkvpqv243YfbN7ilzu0XdOiUsFn1CkeN5KI3-ug3oMPCJUmOE1G5Y5DuhiD0NfBnAe66UpQe0m_bCV_HJ4DKnTj8dPl5gWXznPsu5GAyS2WXcrtVJI3qZ1r_fUOpoWGHQymOWzfkymZ/w349-h400/Colour+1.jpg" width="349" /></a></div><span style="font-family: trebuchet;"><br /></span><p></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><br /><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZK4UlAoRV5NgTFUxmn7EB0bMVEitgR8ZCO7gcyq1j7YyFkuk4zeTdexmCzwQnBHjP7W5iF1yiwlHeqG44Gy1tqPgjdBOhVasq9Y-9_XMhR1Fuv5K6rsM106FLZIaIH7MihMAyMLcZUS6H/s1875/IMG_20210211_170120+%25281%2529.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1875" data-original-width="1585" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZK4UlAoRV5NgTFUxmn7EB0bMVEitgR8ZCO7gcyq1j7YyFkuk4zeTdexmCzwQnBHjP7W5iF1yiwlHeqG44Gy1tqPgjdBOhVasq9Y-9_XMhR1Fuv5K6rsM106FLZIaIH7MihMAyMLcZUS6H/w339-h400/IMG_20210211_170120+%25281%2529.jpg" width="339" /></a></div><p></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWMHLXzAjeAmANzdBONo2oFE2bEc40CEfgy0kOKUPVbOHU3omxdDifkOIEx1DtFOZhMznEzBNge2VzStRRILLjwIAUbP7oQxvYxFO_LrnP-JNXdhVfrxp7WoV3rjwrGlBCWu0bu5ITnG3j/s2048/canvas+rolls.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1909" data-original-width="2048" height="373" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWMHLXzAjeAmANzdBONo2oFE2bEc40CEfgy0kOKUPVbOHU3omxdDifkOIEx1DtFOZhMznEzBNge2VzStRRILLjwIAUbP7oQxvYxFO_LrnP-JNXdhVfrxp7WoV3rjwrGlBCWu0bu5ITnG3j/w400-h373/canvas+rolls.jpg" width="400" /></a></div><p></p><p><span style="font-family: trebuchet;">Another thing that seems to stay with me is the desire to reuse and incorporate discarded byproducts of previous works. I have this box of painted canvas strips, which were still on the edges of some second-hand stretchers I bought. I plan to stick them to a board in strips and use them as a surface for a new painting about colour-play.</span></p><p><span style="font-family: trebuchet;">I will post updates about my progress over the coming months. </span></p><p><span style="font-family: trebuchet;"><br /></span><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><br /><p><br /></p><p><br /></p>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-58271445564342127532020-09-05T11:03:00.000-07:002020-09-05T11:03:23.965-07:00I am for an art that loves everybodyOver the last few weeks I have been reflecting on my practice. Looking back to the blog post from 2014 entitled 'Searching for the grit' I realise that this examination is a cyclical process. Here I am again, trying to work out why I make art, who it is for, and what I want to say. I came across a poor quality photo of this acrostic manifesto I made in my first year on the BA Fine Art course at Winchester, in which I grappled with the same questions. With a big nod to Claes Oldenburg's 'Ode to Possibilities' (1961), I came up with this:
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguzWA8oPTza0rswXw1XpHpAAwUCRnytNRMj_JwP4jVJxftJbv8BxGTZs9ZtK6mC3CqH62NgcGpKnP7VcmXcN3O5-lYlzytuj9yMuU0AJXXOAX9B2UvIE0H3of6tWH2UKVot_llCEu1QvvV/s2048/IMG_20200828_084340.jpg" style="display: block; padding: 1em 0px; text-align: none;"><img alt="" border="0" data-original-height="1444" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguzWA8oPTza0rswXw1XpHpAAwUCRnytNRMj_JwP4jVJxftJbv8BxGTZs9ZtK6mC3CqH62NgcGpKnP7VcmXcN3O5-lYlzytuj9yMuU0AJXXOAX9B2UvIE0H3of6tWH2UKVot_llCEu1QvvV/s600/IMG_20200828_084340.jpg" width="600" /></a></div>Despite the manifesto's brevity and apparent naivety, it covers all the bases. Looking back, it pretty-well characterises my work for the last nine years. The March (and prints) for Optimism and the psychogeographic walking practice, are all seeded in this manifesto. The attention to birds and words, the generosity of freely-distributed woodcuts and zines - these are all in line with the sentiments I articulated back in 2011. I want my work to 'make a difference' - a little contribution to changing the world, maybe one person at a time.
I shared this old photo on Instagram, explaining I was revisiting the basis of my practice. A good friend from my studio said 'hang on to those'. I mean to. <div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheejdyDToOngS9Gn6cmmPKBE9zKqShWpl5BJpBmqYp0qt5CnnclsG6EAJlqj2fdAGiaGtXlCQt95cPBGxmVEQvqQ0E0qcI7VGG4yi0NcFckWjOBfMPSTMrn9Vy_eh0eiw91F3qUq_H-Kex/s2048/March+for+optimism+Andover+front+page+05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1832" data-original-width="2048" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheejdyDToOngS9Gn6cmmPKBE9zKqShWpl5BJpBmqYp0qt5CnnclsG6EAJlqj2fdAGiaGtXlCQt95cPBGxmVEQvqQ0E0qcI7VGG4yi0NcFckWjOBfMPSTMrn9Vy_eh0eiw91F3qUq_H-Kex/w400-h358/March+for+optimism+Andover+front+page+05.jpg" title="Directing Andover March for Optimism, 2015" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;">But it's all well and good stopping for a chat when I buy the Big Issue. Isn't it more urgent to address the societal conditions that enable homelessness and poverty to persist, both here in the UK and beyond, which look set to worsen over the coming years? Well yes, and that's covered by the manifesto too. I have long been convinced that all artwork is political, because being an artist is to take a political position. It stakes a claim on our time and resources and puts them to use for a mainly non-commercial end. Artists are either complicit with the current systems of power and distribution of resources, both within the art-world and the 'real' world, globally and locally, or they are agitating for change. As we are learning from the Black Lives Matter movement, silence is violence. </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6uPPkS4MYYXoTsLA5AzCJmPQGjqLMJ1Af7VHTq2WTfvH_WMFbSAmzNPNY34YnBo3Z-iCMw8N0F6SgL1RnVmaUp8JyImzHUZsGumhPiBCs2iT0bTpG2ywoJzAe3hbTPiK-Os-sEtEdpv7s/s2048/Imagined+futures+05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="469" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6uPPkS4MYYXoTsLA5AzCJmPQGjqLMJ1Af7VHTq2WTfvH_WMFbSAmzNPNY34YnBo3Z-iCMw8N0F6SgL1RnVmaUp8JyImzHUZsGumhPiBCs2iT0bTpG2ywoJzAe3hbTPiK-Os-sEtEdpv7s/w625-h469/Imagined+futures+05.jpg" width="625" /></a></div><br /><span style="text-align: left;"><br /></span></div><div><div style="text-align: justify;"><span style="text-align: left;">The status quo is not working. Society is set up with an unsustainable dependency on growth, which enriches a tiny number while oppressing and exploiting huge numbers of people and trashing, negligently, the biosphere that keeps us all alive. Inequalities of wealth and opportunity, corruption and greed blight our societies. Fear and hatred of 'the other' are manipulated by power-seeking people to keep the population feeling divided and powerless. In my experience of the UK, we are a more divided society now than ever before in my lifetime.
I take a position against ignorance, against exploitation, and for the human. I don't subscribe to misanthropic, malthusian tropes about humans being the virus infecting the planet. I believe a better, fairer, sustainable world is possible, that the global population of humans is stabilising, and that there are sufficient resources for everyone if we use them fairly. Life is a constant shifting of the balance between species and habitats and nothing we do will bring about the global harmony we might imagine, if we're hoping for stasis. Change is one of the constant factors of the natural world. So let my artwork express life and change in all its ridiculous complexity. Let it confront prejudice and abuse of power. Let it present love and generosity, in opposition to fear and mean-spiritedness. Let it appear foolish and mischievous as it punches you, gently, on the nose. Let it dive into the world as a journeying pilgrim, discovering its overlooked corners and bringing you along for the journey. </span></div><div style="text-align: justify;"><span style="text-align: left;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCvM4Qv_AJ2YCxnnPGuSAo2kDepjFl9Y4C-6DKJxK9ofW_N_Q-ffOgcAmtOp1Mey7e89ec5CZZWrGhia0a8vkDcfnnwpZtvTz2_COcIAO5cuH9AN0Jt06XjH3VQvNjMZJ6e-Bkuh9W8EIi/s731/Screen+Shot+2020-08-23+at+09.46.48.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="731" data-original-width="599" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCvM4Qv_AJ2YCxnnPGuSAo2kDepjFl9Y4C-6DKJxK9ofW_N_Q-ffOgcAmtOp1Mey7e89ec5CZZWrGhia0a8vkDcfnnwpZtvTz2_COcIAO5cuH9AN0Jt06XjH3VQvNjMZJ6e-Bkuh9W8EIi/w524-h640/Screen+Shot+2020-08-23+at+09.46.48.png" width="524" /></a></div><br /></div><div>If those are the heady reveries of my worldview and values, what are the specific issues I'm grappling with as an artist? My job as an artist is to create work, and more work, and more work that expresses my values and experience. For me, it starts with drawing and ideas in equal measure. These are necessary ingredients but not outcomes in themselves. I enjoy the hand-made and analogue qualities of woodcut printing, and it's distributive potential. And my time-based, durational walking practice is at the core of what I do. I hope there is a sense of love and generosity embedded in all that I do, even when it involves a provocation or rebuke - but I am seeking the grit that creates the pearl that I can pass on to an audience. I want the work to embody my values in a way that can transport people to a transformational experience. </div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7MO5_3EAzIEaBsxZJ8Tw2H8BqVv8MA-YJFreybL_g4k0tGD5ESidlyoXPrq7TvbY8IEQBHMizHBmg08cm9Ulb9X7rmCawdabapTXXb-09hduJy7SHbPRth0UzNK_-4WfdiwCEE5qI_LGH/s1200/PeterDriver_1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="803" data-original-width="1200" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7MO5_3EAzIEaBsxZJ8Tw2H8BqVv8MA-YJFreybL_g4k0tGD5ESidlyoXPrq7TvbY8IEQBHMizHBmg08cm9Ulb9X7rmCawdabapTXXb-09hduJy7SHbPRth0UzNK_-4WfdiwCEE5qI_LGH/w640-h428/PeterDriver_1.JPG" width="640" /></a></div><div><br /></div><div>I am aware looking back over my work that it has sometimes tended towards the safe and familiar, the birds and the trees, without any of the transformational grit I want to communicate. The poetics and mischief of a performative practice should never feel safe and familiar, it should be unsettling and discombobulating. So I will focus on the work that asks questions and provokes responses. I will avoid the comfort zone of making nice prints of pretty scenes. I will aim to connect my core values into my practice as an authentic expression of myself, including the contrasts of light and dark. For me, that will always involve supporting and promoting the work of other artists, whose work I love and who are on similar journeys. </div><br class="Apple-interchange-newline" />Questioning my practice online in this way feels like quite a vulnerable position to take - but that is also part of my job. My practice is a process of constant trial and error working out these issues from different angles, using different media, surprising people with incongruities that may challenge their unexamined beliefs (as well as my own).</div></div>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-28860397333006646722020-08-16T06:14:00.001-07:002020-08-16T06:14:35.722-07:00Getting back in the saddle<p>It is impossible to describe what it feels like to lose a child. Alice's illness with a brain tumour was the dominant presence in my life all the way through my journey back to art school and establishing my practice. Her death had been approaching relentlessly for a decade and everything else in our lives happened around the edges of that. All my artworks, including the public artwork March For Optimism, and the ongoing distributive woodcut 'I'm Glad You're Alive!' are all responses to the world that squeezed out round the edges of the fact of Alice's impending death. <br /><br />Alice died in the Duchess of Kent Hospice, Reading on 6th June 2019. Over a year later Liz and I, and her brother Joe, carry the loss daily. It is like learning to live in a home with the back-wall blasted away. We are functioning and doing things day to day when they seem possible. I returned to my teaching job at Winchester School of Art last October and in my more lucid moments have probably contributed a little to my students' recent degree successes. I'm immensely proud of all of them.<br /><br />Artistic output dwindled to a trickle over the last couple of years, as the creative urge has been at a low ebb. But the stuff that squeezes out around the edges has included my book, <a href="https://www.peculiaritypress.com/awalkforstanley" target="_blank">A Walk For Stanley</a>, published a month after Alice's death and some paintings and drawings which have found appreciative audiences (buyers!)<br /><br />During the Covid-19 Lockdown all teaching, tutorial and assessment activity was conducted online. I wanted to make something to encourage my students so I created this simple woodcut:</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdGtuO4hXuWwCAFJAVtzOFXZzxmDaNCjM95N09E67PadJiLBWQHUY3KulC5CPt-631rVbbKhc4okqQe8CFDImJWN7RWPJ41E5LfZ5xlsohQsOwn5wyMq3DbPM-Y3B3WGuB-muB2zmlNmVE/s2048/IMG_20200613_120936.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdGtuO4hXuWwCAFJAVtzOFXZzxmDaNCjM95N09E67PadJiLBWQHUY3KulC5CPt-631rVbbKhc4okqQe8CFDImJWN7RWPJ41E5LfZ5xlsohQsOwn5wyMq3DbPM-Y3B3WGuB-muB2zmlNmVE/s640/IMG_20200613_120936.jpg" width="640" /></a></div><p><br /></p><p>I made an edition of 110, giving them to my students as part of an art exchange and selling the excess for £15 each. I passed all the proceeds to two local charities: Reading Refugee Support Group and Sue Ryder, Duchess of Kent Hospice. Both charities are close to our hearts because Alice volunteered for RRSG and was cared for at DOK for the last six weeks of her life. The sales raised £480 each for the charities. <br /><br />Another nationwide response to the Covid-19 crisis was #portraitsfornhsheroes, initiated by portrait painter Thomas Croft. Artists offered free portraits for NHS workers, who were putting their lives on the line daily to tackle the impact of the pandemic. I ended up doing two such portraits. Mine were made as woodcuts and I think the recipients were happy with the results. This one is Kerry, a trainee pharmacist (and Joy Division fan). </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKecDwRO5-7RjSGtwdXuypVV_KusWDGZBsL9d6yQemfdObv01IsFvfPVLg2qkT47SypQvNGwWXEhrZ0yVrGQsI11jmPEBW48gPR09tPG9amFSjYalEMmBFcPxfg1nYAhMGIsFZCaxIQ-mh/s1630/IMG_20200513_153747.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1630" data-original-width="1336" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKecDwRO5-7RjSGtwdXuypVV_KusWDGZBsL9d6yQemfdObv01IsFvfPVLg2qkT47SypQvNGwWXEhrZ0yVrGQsI11jmPEBW48gPR09tPG9amFSjYalEMmBFcPxfg1nYAhMGIsFZCaxIQ-mh/s640/IMG_20200513_153747.jpg" /></a></div><p><br /><br />A third lockdown project came in the form of an online auction organised by ArtAgainstCovid in the North West. My friend the artist and curator <a href="https://www.instagram.com/keziagraceheledddavies/">Kezia Davies</a> was involved in organising this and I was happy to donate a print. It was bought by a collector in New York who did well to get this for the bargain price of £70.<br /><br /><br /><br /><br /><br /><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikkjkmWjSb7e6mh7XAFB96D-AJvg1PQe2atNDQ0FzkB4JFeK8dpHSGiuI_zozImE_tdFzQXQe8eQlnh67-olzW2y922xpcAqvwe_UlCYYnmQZnqb2FF-bfKq2vnrrnAxLsocVIoFeWTXxF/s1500/Woodcut1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1122" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikkjkmWjSb7e6mh7XAFB96D-AJvg1PQe2atNDQ0FzkB4JFeK8dpHSGiuI_zozImE_tdFzQXQe8eQlnh67-olzW2y922xpcAqvwe_UlCYYnmQZnqb2FF-bfKq2vnrrnAxLsocVIoFeWTXxF/s640/Woodcut1.jpg" /></a></div><p>So Lockdown has seen me getting 'back in the saddle', getting back to the studio at OpenHand OpenSpace. I am making new work and developing plans for future projects - watch this space for more news about them soon. </p>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-61647998585106385052018-06-24T07:36:00.000-07:002020-08-16T06:36:17.527-07:00Only The Sunny Hours: contemporary photography with a Brownie 127<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">I put four photos into an exhibition curated by <span style="color: #ead1dc;"><a href="http://www.callytrench.co.uk/"><span style="color: #0b5394;">Cally Trench</span></a></span><span style="color: blue;">.</span> <i>Only The Sunny Hours; contemporary photography with a KODAK Brownie 127. </i>At OpenHand OpenSpace, Reading, 20-24 June 2018.</span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;">I'm very grateful to Cally for including me in the <span style="color: #0b5394;"><a href="http://www.callytrench.co.uk/brownie127.html">project</a>.</span> </span><span style="font-family: "times" , "times new roman" , serif; font-size: large;">I haven’t often used
photography in my practice and it has been an interesting experiment for
me. </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyGuTg4oZCitHVDCn6duzukBIVfc8INzLd9w2jorh6B6rhd6xANYG9HeChZzne-LtlflPmZTcLVNMcXqf0PH3ioP03NrajBia7abnso3bSDSPchcnWbN3CBbQpdhYIjlVg5XT9E9jYdSI_/s1600/rsz_1towards_the_control_tower-_dartford_warbler_copy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="968" data-original-width="1500" height="411" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyGuTg4oZCitHVDCn6duzukBIVfc8INzLd9w2jorh6B6rhd6xANYG9HeChZzne-LtlflPmZTcLVNMcXqf0PH3ioP03NrajBia7abnso3bSDSPchcnWbN3CBbQpdhYIjlVg5XT9E9jYdSI_/s640/rsz_1towards_the_control_tower-_dartford_warbler_copy.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Greenham Common: towards the control tower - Dartford Warbler [Peter Driver 2018]</span></td></tr>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><span style="text-align: justify;">My four photos were made on Greenham Common. I am fascinated by the place, its history and what it has become. </span><span style="text-align: justify;"> </span><span style="text-align: justify;">Because of its history and particularly the
activism of the Women’s Peace Camp it has been used as subject matter by a
number of contemporary artists over the last twenty years or more</span><span style="text-align: justify;"> </span><span style="text-align: justify;">[for instance Margaret Harrison, and Jane and
Louise Wilson's ‘</span><i style="text-align: justify;">Gamma</i><span style="text-align: justify;">’]. </span><span style="text-align: justify;"> </span><span style="text-align: justify;">My work involves
making drawings, prints and photographs on the site.</span><span style="text-align: justify;"> </span><span style="text-align: justify;">And thanks to Cally I have discovered
something about the quality of the photos from a Brownie 127 that adds to the poetic
sensibility of the work.</span></span><br />
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;">People of my generation and older will recall that during
the Cold War, in the 1980s, when NATO powers were locked in a nuclear arms race
with the Soviet Union, the British Government agreed to site United States
tactical inter-continental nuclear weapons in Britain. From 1983, over ninety
ground-launched Cruise Missiles, with nuclear warheads, were sited at RAF
Greenham Common, which was used by the United States Air Force.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Between 1981 and 2000 a Women’s Peace Camp was maintained at
Greenham Common by a changing cast of many thousands of women. They were
protesting against siting nuclear missiles on the base.<span style="mso-spacerun: yes;"> </span>Some of the women camped around the perimeter
long-term (the longest-serving protesters camped there for nineteen years);
others visited as often as they could to offer support. <o:p></o:p></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Throughout the duration of the peace camp women were routinely evicted, assaulted by police and military, abused by passers-by, arrested, imprisoned, and vilified in the press. Undeterred, they maintained their protest. In December 1982, 30,000 women came together to surround the entire base in a hand-holding chain entitled ‘embrace the base’. The women staged a continuous range of non-violent actions, chaining themselves to the fences, blockading the entrances, cutting through the fences and invading the silos where the missiles were stored. </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvy2Ufn_Q1H6u0WbXN5gZuRqIVNb_4jX2F4nqTM3ITulqWBr8e2X_WyWlh7L1Q_Z2Esuop5W4mcW1tI-r9p3fno5vd_6EToA3P3DXi4Chjzv3FSaAq702BVt0x8XDOaSOYalwYD0X4GxsV/s1600/rsz_missile_bunkers_-_ring_ouzel_copy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="942" data-original-width="1500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvy2Ufn_Q1H6u0WbXN5gZuRqIVNb_4jX2F4nqTM3ITulqWBr8e2X_WyWlh7L1Q_Z2Esuop5W4mcW1tI-r9p3fno5vd_6EToA3P3DXi4Chjzv3FSaAq702BVt0x8XDOaSOYalwYD0X4GxsV/s640/rsz_missile_bunkers_-_ring_ouzel_copy.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Greenham Common: missile bunkers - Ring Ouzel [Peter Driver 2018]</span></td></tr>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;">There are many documentary sources for the study of the
Greenham phenomenon, including Sasha Roseneil’s sociological study, Disarming
Patriarchy: feminism and political action at Greenham (Open University, 1995), and the film
‘Carry Greenham Home’, by Beeban Kidron and Amanda Richardson.</span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Many people, probably the majority of people at the time, disagreed
with their stance and certainly disapproved of their tactics. But, love them or loathe them, the Women’s
Peace Camp stands as one of the most significant acts of durational dissent in
British history. Their achievement was
to bring radical feminist direct action and civil disobedience into the public
discourse. Greenham left a global legacy of activism, inspiring people and
especially women, worldwide to new forms of critical engagement, protest and
direct action. The Peace Camp and its repertoire of creative forms of resistance became the inspiration for later
campaigns - including the Twyford Down and Newbury Bypass environmental protests, and the
Occupy Movement.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">The Cruise missiles were eventually removed in 1991 as part
of arms reduction agreements between Gorbachev and the West, and the base was
decommissioned. It isn't possible to
demonstrate any causal link between the protests and the decommissioning but with hindsight, public opinion about nuclear weapons has changed and has been informed by the courageous protests at Greenham. </span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYONQySwd7QMfDgXXZUopIE3-vnzJkDaeQRsF2AzylZUH3Sn0f_EdmiLhLm-H42cODJZD_BJgd4q8z_SDzhcneFUqUEiPl0egyQle-v6bFq9Z4kN2q7Y93hCwD0mK8kXXjPhnBp6pfmD-E/s1600/rsz_remnant_of_fence_-_woodlark_copy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="970" data-original-width="1500" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYONQySwd7QMfDgXXZUopIE3-vnzJkDaeQRsF2AzylZUH3Sn0f_EdmiLhLm-H42cODJZD_BJgd4q8z_SDzhcneFUqUEiPl0egyQle-v6bFq9Z4kN2q7Y93hCwD0mK8kXXjPhnBp6pfmD-E/s640/rsz_remnant_of_fence_-_woodlark_copy.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Greenham Common: remnant of the fence - Woodlark [Peter Driver 2018]</span></td></tr>
</tbody></table>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">The commons were officially re-opened to the public in 2000. The two-mile length of concrete runway was broken up and the huge site has now largely reverted to natural heathland habitat. It provides a haven for wildlife alongside cyclists, joggers, grazing cattle, and dog-walkers. Several endangered bird species have returned to nest on the site.</span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">About a dozen pairs of Woodlark are now present. Wheatear and Ring Ouzel stop-over on passage
to and from their upland breeding grounds. And for me, the most notable
returnee is the Dartford Warbler. A
species that was on the brink of extinction in Britain when I became a
birdwatcher in the late Sixties, at the age of eight. </span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">By this time last year numbers of Dartford Warblers had
risen to over three thousand pairs in Britain, with eleven territories on the
Common – a massive success story.<span style="mso-spacerun: yes;">
</span>Unfortunately, this year, the picture is different. The horrendous cold
snap, dubbed ‘The Beast from The East’ almost wiped out some local populations
of Dartford Warblers.<span style="mso-spacerun: yes;"> </span>The harsh weather
came right at the end of the winter when birds were on the brink of perishing
from starvation. <span style="mso-spacerun: yes;"> </span>Repeated surveys on
Greenham Common have found only one breeding pair this year.<span style="mso-spacerun: yes;"> </span>Personally I have seen one bird all
year.<span style="mso-spacerun: yes;"> </span>It’s a similar picture on the
Thames Basin Heaths on the Berkshire/Surrey border. <span style="mso-spacerun: yes;"> </span>This is a major set-back from which there is
just a glimmer of hope for another slow recovery.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">So my work holds together these two themes of the social-historical
significance of the site and its current ecological importance.<span style="mso-spacerun: yes;"> </span>I see the act of birdwatching and drawing on
the site as a way of responding to what it once was, and now is.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">I think it's important to recognise a risk for my work that I
could be co-opting the history and the activism of those fierce and defiant women
in an effort to make my work seem more radical or interesting, by
association.<span style="mso-spacerun: yes;"> </span>But the urgency and power
of direct action will always be more discomforting and demanding of a response
than any artwork in a gallery.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><span lang="EN-US" style="color: #24302f;"><br />
</span>My work alludes to the traces and memories of things that
are no longer there and the fact of my presence to apprehend that absence.<span style="mso-spacerun: yes;"> </span>There is a kind of poetic dissonance created
between the different times and their different uses of the site. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">The work also carries my memory of living under the threat
of nuclear annihilation I grew up in the ground-zero zone around RAF Mildenhall
in East Anglia, and the nuclear threat was as an ever-present, but generally
unacknowledged backdrop to my childhood and adolescence. Those memories remain part of my relationship
with Greenham Common. In a way, this makes the act of birding on the site a celebration
of human survival just as much as it celebrates the return of the Dartford
Warbler. </span><span style="font-size: large;">I am interested in presenting the
social history, in a tangential rather than didactic way, reflecting on it,
inviting others to do the same and in their own ways, to consider what
implications there might be for their own lives and comforts.</span></span><span style="font-family: "times new roman"; font-size: medium;"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times new roman";"><br /></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLDepTA-vQHrSmmThgbHFNuBiVOz-05-oFQw2oZKP48ILXouGVUTnDD5LTQtU79CMJxEWsXEL-wXsxM5es73FmyqRgHPEcJc5aRtLSKRuR49inSohgl6kAQIwq752tV_yuG-NwenaGZfs5/s1600/rsz_fire_plane_-_wheatear_copy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="967" data-original-width="1500" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLDepTA-vQHrSmmThgbHFNuBiVOz-05-oFQw2oZKP48ILXouGVUTnDD5LTQtU79CMJxEWsXEL-wXsxM5es73FmyqRgHPEcJc5aRtLSKRuR49inSohgl6kAQIwq752tV_yuG-NwenaGZfs5/s640/rsz_fire_plane_-_wheatear_copy.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Greenham Common: fire plane - Wheatear [Peter Driver 2018]</span></td></tr>
</tbody></table>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">I have great respect for the Women’s Peace Camp movement that stood opposed to an unassailable global power at Greenham. <span style="mso-spacerun: yes;"> </span>I recognise my work's inadequacy
to address such issues, or to affect any change. But I hope it can point towards what can be achieved by people united in common
cause and collective action. <span style="mso-spacerun: yes;"> If</span> all
else fails it could just highlight the changing fortunes of the bird populations, as
a gesture of helplessness.</span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">If art is able to achieve anything in the world then I
hope the work can operate as a small beacon for the forms of resistance that
we're all going to need in the impending future.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyMQiFB4rNZOjO8PPaTu110MnvBO5x8-RZ2XBEVfLsRszvzHyYMH82hDqPtEBP79i6tQkZAUcBEhfgjQarO4UWCD8C6Auku7CRFeCVq_Tni271divKKEu0ghhIhVh_4FftHQy3k4VAJ5pb/s1600/IMG_20180624_092928_275.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="864" data-original-width="864" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyMQiFB4rNZOjO8PPaTu110MnvBO5x8-RZ2XBEVfLsRszvzHyYMH82hDqPtEBP79i6tQkZAUcBEhfgjQarO4UWCD8C6Auku7CRFeCVq_Tni271divKKEu0ghhIhVh_4FftHQy3k4VAJ5pb/s400/IMG_20180624_092928_275.jpg" width="400" /></a></div>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span></div>
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Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-11150567845591436542017-09-10T03:26:00.000-07:002020-08-16T06:37:34.802-07:00'Imagined Futures' at K6 Gallery 1 September - 1 December 2017<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I was delighted to be approached by K6 Gallery,Southampton back in June, about showing some work in their unique public exhibition space. K6 Gallery is located in two decommissioned K6 model telephone kiosks in the centre of Southampton. Here's a link to the gallery webpage: <a href="http://k6gallery.com/exhibitions"><span style="color: #3d85c6;">http://k6gallery.com/exhibitions</span></a></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg11lYAsFoasFWCLAI7LjCHq_kg2w2vBcHTqNpINcwl5htFxO0A6H_kaa-xqwiiF3l5Jrs79Z4DnF-BBjpT4__2w5lzS4bvF95uaJDxFNCXhg7-VcMRltRsVtLq8ode9LQrfWQnN7I2TDEL/s1600/8.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1143" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg11lYAsFoasFWCLAI7LjCHq_kg2w2vBcHTqNpINcwl5htFxO0A6H_kaa-xqwiiF3l5Jrs79Z4DnF-BBjpT4__2w5lzS4bvF95uaJDxFNCXhg7-VcMRltRsVtLq8ode9LQrfWQnN7I2TDEL/s640/8.JPG" width="456" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">photo: Kate Aries</td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">This
show is the product of a focussed period of work. Everything was made
specifically for this site to work within the physical parameters of the phone
boxes but also using the windows to engage people passing by. </span><span style="font-size: 14.0pt;"><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWJZPwRLl_92SQWKrPHPhioIC3VQ7xhqENUeF7fxH5q7fegO6ooN0wYawDDZUxw5-bkSR6JJXI3NQz3Fz6RqFqhV__cZBfmNWsUf6jovuDKSfzDZgjfTYh5nV3K9KYjU7GcybeQey1RUKu/s1600/6.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWJZPwRLl_92SQWKrPHPhioIC3VQ7xhqENUeF7fxH5q7fegO6ooN0wYawDDZUxw5-bkSR6JJXI3NQz3Fz6RqFqhV__cZBfmNWsUf6jovuDKSfzDZgjfTYh5nV3K9KYjU7GcybeQey1RUKu/s640/6.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo: Kate Aries</td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I
often find it difficult talking and writing about my work - and I feel that my works should
be able to speak for themselves. I am interested in the idea that the viewer is
a participant in the creation of meaning. The work should be able to stand
alone without me there to explain it. Explanation limits the power of the work
to create new meanings.<o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxNrEIOnFPnz8HWE4HWcARqR8WErggmlGu0Z6-NGkqlR2fqRiRguJsIWSXKyD5UoEywIt2QZVsQXSGcconNjjO5XGVCklquc95JZ05Qk8pkRxDwaEAvVJe71n0EMjDvSEcd_dFz1Wi2Aqj/s1600/3.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxNrEIOnFPnz8HWE4HWcARqR8WErggmlGu0Z6-NGkqlR2fqRiRguJsIWSXKyD5UoEywIt2QZVsQXSGcconNjjO5XGVCklquc95JZ05Qk8pkRxDwaEAvVJe71n0EMjDvSEcd_dFz1Wi2Aqj/s640/3.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo: Kate Aries</td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Unusually for me, this collection of work is clearly
subject-specific in its content. It addresses a particular area of public
policy.<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Now I don't claim to be a
political artist. I am not necessarily in favour of artists trying to promote a
specific 'message' because that can be very problematic and potentially fatal
for the work. But the very interesting artist Susan Hiller has said - <b>" my work isn't about specific
political or ethical positions, yet like all art it is the result of them and
allows or even provokes the formation of new positions"</b>. I think it is
interesting to consider how all art is the result of political and ethical positions.
One way to consider any art work is to ask whether it supports the status quo -
the current hegemonic settlement - or if it is agitating in some way for new
perspectives.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihSu9W_TfnmbvzwT23j2GfFIscbBr_9VB6DvQVvi7RYcnnpsppuPJYhVs1NUKzkqz8OorL_9yJkKogwbFAmkmOErOB93hyphenhyphenyvIXK2YQ_SBUImYR8Wmzrb8Brsm35hoFN8ADzmXXL27Y0L4G/s1600/IMG_20170830_114218_985.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1529" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihSu9W_TfnmbvzwT23j2GfFIscbBr_9VB6DvQVvi7RYcnnpsppuPJYhVs1NUKzkqz8OorL_9yJkKogwbFAmkmOErOB93hyphenhyphenyvIXK2YQ_SBUImYR8Wmzrb8Brsm35hoFN8ADzmXXL27Y0L4G/s640/IMG_20170830_114218_985.jpg" width="610" /></a></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: large;">The work addresses the
subject of primary education policy. I
wouldn't claim to be an expert on this subject or to have any more
knowledge than anyone who reads the newspapers or takes a general interest in
public life. But it is something I am
concerned about. I think the signs are that we as a society are failing our
children by imposing on them a curriculum that is skewed towards what is
measurable. This in turn feeds a rigid and highly stressful testing and
assessment regime. In a survey of primary school leaders earlier this year, 80%
of them reported increased levels of stress, anxiety and mental health issues
among their pupils. They attributed this increase to the national testing
regime. </span><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwZtFCc27t2xDCeptyJht7JyfsAaB-Gc8dJrR810bBgCd-NXSHqDY5TowZvdavuOGEUo8v8cWa_c5r6OJYvkEb_g7NUtQdDjIqDtODzJjvKX8XRjmwHSEkPGV56thwTsSPhY6rLtyX74dr/s1600/20170831_134616.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwZtFCc27t2xDCeptyJht7JyfsAaB-Gc8dJrR810bBgCd-NXSHqDY5TowZvdavuOGEUo8v8cWa_c5r6OJYvkEb_g7NUtQdDjIqDtODzJjvKX8XRjmwHSEkPGV56thwTsSPhY6rLtyX74dr/s640/20170831_134616.jpg" width="480" /></a></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I am equally frustrated that
the main opposition parties are offering no alternative and that their
education policies seem to have been reduced to throwing free food - often
inedible food - at children rather than addressing the fundamental problems
with the curriculum, inspection and assessment which have been raised
by the teachers unions. <o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">The concept of <b>Imagined Futures</b> comes from the simple
premise that everything in our environment has its origin in somebody's
imagination (particularly so for the theists among us, but for everyone else this is true at least of our human-made environment). Imagination is the genesis of every progressive idea, invention,
design and object we encounter.<span style="mso-spacerun: yes;"> </span>As such
the present world is the product of multiple imaginations and the same is true
of the potential future world.<span style="mso-spacerun: yes;"> My point is that i</span>f
education policy restricts and withers the scope of children's imaginative play, that in
turn restricts and withers the kind of world those children will create,
produce or endure - and their role in it. <o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV_cvWcZWHeVTooIa5cFuDse4EtxitBRNdvu3mqsGwoUEKnHwXVoV6raosN339WLL4suBPTNzMKWNUnRAoGkjDiAeSk7okrr_d54PADN6_NbJknppMELNCyMvvnPms0k4eb_fmq0RjDB-H/s1600/5.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV_cvWcZWHeVTooIa5cFuDse4EtxitBRNdvu3mqsGwoUEKnHwXVoV6raosN339WLL4suBPTNzMKWNUnRAoGkjDiAeSk7okrr_d54PADN6_NbJknppMELNCyMvvnPms0k4eb_fmq0RjDB-H/s640/5.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo: Kate Aries</td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">There is a stack of free
woodcut prints in the show. It's a limited edition of 400 prints and I hope visitors will all
take one. The print incorporates the text 'Imagine Better', which I hope
carries something of the ideas in a way that is open to different
interpretations - it might sug</span><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">gest that imagination can be improved with
practice; and that we might imagine a better way of doing things.</span></div>
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<span style="font-size: large;"><span style="font-family: "courier new" , "courier" , monospace;">Susan Hiller suggests that as
artists we are involved in the social construction of the visible world. It is
what we do. And we are able as artists, in our small way, to change how things
are seen or to provoke new thinking. </span><span style="font-family: "courier new" , "courier" , monospace;"> If there is a goal in making this body of work
then I think that is it - and what I have produced probably misses it. There is
a kind of knowing tension at play between contributing to a public debate and
the pathetic impotence of shouting inside two phone boxes. But whether it's
impotent or not, I am really grateful for the opportunity to say something.</span><o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I am grateful to Liz Driver, my wife and partner in the production of the four banners in the show. She did all the practical bits of the banners that involve skill with a sewing machine and also helped me shape my ideas through discussion of the content of the show.</span></div>
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<span style="font-size: large;"><span style="font-family: "courier new" , "courier" , monospace;">K6 Gallery is open all day every day and my show runs until 1 December 2017. </span><span style="font-family: "courier new" , "courier" , monospace;">The curators are Alex Batten and Eloise Rose and they are both a joy to work with. All the prints are limited edition woodcuts on Somerset Satin. They are for sale on the K6 website while stocks last: <a href="http://k6gallery.com/shop"><span style="color: #3d85c6;">http://k6gallery.com/shop</span></a></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK5On85fmApj4lJL2okI3xpT9rTw-CHkbsPzId5iqCckZhPR0_OtZvFseryqMKGiMgJ-vJdKktWs6_WJod7XR1vhd79ScI82I5taWt8SA5ChtJgq7kDUim9XaezAEOdcC4xueJ2uu7CamQ/s1600/IMG_20170901_224119_137.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1280" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK5On85fmApj4lJL2okI3xpT9rTw-CHkbsPzId5iqCckZhPR0_OtZvFseryqMKGiMgJ-vJdKktWs6_WJod7XR1vhd79ScI82I5taWt8SA5ChtJgq7kDUim9XaezAEOdcC4xueJ2uu7CamQ/s640/IMG_20170901_224119_137.jpg" width="512" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">After the p.v. launch on 1 September.</td></tr>
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<br />Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com1tag:blogger.com,1999:blog-453954172194355799.post-72579984592648251792015-04-03T07:41:00.002-07:002020-08-16T06:38:22.730-07:00Hit the North<span style="font-size: large;">One of the best things about art school is that you get to know and love a bunch of new, exciting and creative people who form a network for sharing ideas, mutual support and collaboration long after the course finishes. One of my best friends and collaborators from art school,<span style="color: #3d85c6;"> <span style="color: #ea9999;"><a href="http://www.ellylanglois.co.uk/"><span style="color: #ea9999;">Elly Langlois</span></a>,</span> </span> is mid-way through a six-month residency at <span style="color: #0b5394;"><a href="http://in-situ.org.uk/"><span style="color: #ea9999;">In-Situ</span></a>,</span> based in Pendle District in Lancashire. Last week, I teamed up with another friend, <span style="color: #3d85c6;"><a href="http://www.guyblundall.co.uk/"><span style="color: #ea9999;">Guy Blundall</span></a>, </span>to go and spend a few days with Elly in The North. </span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">On arrival, we headed straight up Pendle Hill to make the most of the Sunday afternoon sunshine: </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHw2LDNU9eKA3o3KPanC2j5mmQbKFpORwf-CFP3lOmfs3Qo0JamU-tsfiMw-8Z2240v3cm1_gyj5r6MOe1rjXNULgMsWWf3WsWWOehV2Dohqw0j988-PX4Cqu6OJp-L5ith7qnuAWBGqpV/s1600/SAM_1346.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHw2LDNU9eKA3o3KPanC2j5mmQbKFpORwf-CFP3lOmfs3Qo0JamU-tsfiMw-8Z2240v3cm1_gyj5r6MOe1rjXNULgMsWWf3WsWWOehV2Dohqw0j988-PX4Cqu6OJp-L5ith7qnuAWBGqpV/s1600/SAM_1346.JPG" width="400" /></a></div>
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<span style="font-size: large;">The In-Situ ethos is based on the concept of artists being embedded in their local community, being 'in the mix' and being just part of ordinary community life like the baker or the newsagent. Artists don't have all the answers but they have a contribution to make. In-Situ has a space/office/exhibition area in Brierfield Library and is also located in Brierfield Mill. They offer funded artist residencies of various lengths for artists to come and work in the area. They don't 'deliver community art' or 'run community workshops' or 'work in community settings' - they just do their work as artists, within the community they are part of. I find this really refreshing.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4z6d1JJVym-P34ixDvISNTInW3I9Zje9QPEFzxPm2yPXL9gmmGMRlc8uMLcFrF7noWHy8goaLVNCGLZ7n7Io13XI8JTTStBQ4iqFufuAQTkDQHyjNq2WrS5_pMdCtzlwMOelhfaMokDzu/s1600/2015-03-23+14.51.36.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4z6d1JJVym-P34ixDvISNTInW3I9Zje9QPEFzxPm2yPXL9gmmGMRlc8uMLcFrF7noWHy8goaLVNCGLZ7n7Io13XI8JTTStBQ4iqFufuAQTkDQHyjNq2WrS5_pMdCtzlwMOelhfaMokDzu/s1600/2015-03-23+14.51.36.jpg" width="300" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiODielh6kgjAJmiej-IlgGLaEIyr7_enq_d5KE9yQ3ZIxayLIiEhC9O-oK6q3g8yVxWBZ90uI6-Jdcnu-jkj-1WmmP3YEuIldOaroKSWhsWWamPMZ5vkJQjld33BUcnig3jq8u3R4zzKCg/s1600/SAM_1349.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiODielh6kgjAJmiej-IlgGLaEIyr7_enq_d5KE9yQ3ZIxayLIiEhC9O-oK6q3g8yVxWBZ90uI6-Jdcnu-jkj-1WmmP3YEuIldOaroKSWhsWWamPMZ5vkJQjld33BUcnig3jq8u3R4zzKCg/s1600/SAM_1349.JPG" width="400" /></a><span style="font-size: large;">Elly had invited us up to be part of a 'test run' for a project she is planning for later in the year at Brierfield Mill. The Mill is immense. There are two huge buildings, each with four floors. At its height there were thousands of cotton looms running here and when it finally closed down in 2006 it was a severe blow to local employment. </span><br />
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<span style="font-size: large;">Five of us spent a morning just exploring all the spaces in the mill. </span><br />
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<tr><td class="tr-caption" style="text-align: center;">Red shoe installation at Brierfield Mill - Elina Chavet</td></tr>
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<span style="font-size: large;">Then in the afternoon we chose one space and worked collaboratively to make something. The room was massive, with a twelve-second echo. Jamie, one of our number started working with the constant rainwater drips which were a feature of the room. (The gigantic roof sheds about 20 tonnes of rainwater a day, on average). By setting up objects under each drip, the space was soon filled with an orchestra of raindrops all at different pitches and timings. It was quite magical. We also used objects and feet to print/paint rainwater patterns on the vast concrete floor and make sound recordings</span>. <br />
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<span style="font-size: large;">In the next room, Jamie and I found a sheet of plastic film and made a quite traditional drawing with Posca pens. </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiTud42scFs6p8SEDtX1zkfdWxEMTZ3dKssofI95Agt-eogvTEWD5N9QX6XtoRqU8ZYSCXzMHMbmueHhTrLLrvhtaQTUplRc2smWM2qQ4gpbdcj4J99ZXimsn91RxcE-qXXreBho9TNglv/s1600/SAM_1360.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiTud42scFs6p8SEDtX1zkfdWxEMTZ3dKssofI95Agt-eogvTEWD5N9QX6XtoRqU8ZYSCXzMHMbmueHhTrLLrvhtaQTUplRc2smWM2qQ4gpbdcj4J99ZXimsn91RxcE-qXXreBho9TNglv/s1600/SAM_1360.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rain-powered battery-charging turbine made by Paul the resident genius.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">A collection of all the keys found laying around Brierfield Mill after it had been abandoned. </td></tr>
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<span style="font-size: large;">At the end of the day we retired to 'The Shop' in Nelson, where we discussed our impressions of the place, our reflections on the activities of the day - and filled an A1 sheet with ideas of what we would like to do with the place the next day. </span><br />
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<span style="font-size: large;">By a democratic process involving each ticking our five favourite ideas, we settled on 'building a house' as our main project for the next two days. And so we did. Using the enormous amount of scrap materials laying about in the derelict mill, a couple of hammers and a few nails, we constructed a house within the mill. </span><br />
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<span style="font-size: large;">After a day we had four walls and a door in place. I had to leave the next morning but the rest of the team managed to get the roof on and complete the house.</span><br />
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<span style="font-size: large;">Reflecting on the project, I was trying to reconcile what we had done together with my practice as an artist. Was this art? Did it matter if it was art, or not? Had we built a microcosm of the role of art in late-capitalist society? If the mill represent the crumbling ruins of a manufacturing-based economy did our intervention represent artists' contribution - making something new out of the rejected materials of a wasteful society, or maintaining cultural output, like the orchestra playing while the Titanic sank?</span><br />
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<span style="font-size: large;">I am not particularly interested in whether or not it was a work of art. It was an experience and we were the audience and collaborators in bringing something into existence. Maybe we just spent two days playing at making dens. We also spent two days getting to know and trust each other, building relationships that will still stand once the mill is regenerated and the 'house' is no more. We developed a process and way of working. We exchanged ideas and experiences, explored our motivations for making art and for being in this place at this time. We grew to love Brierfield, and In-Situ, and ate a lot of amazing curries. It was an experience I will never forget. Bring on the next project.</span>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com1tag:blogger.com,1999:blog-453954172194355799.post-64979885395352403422014-12-29T08:16:00.000-08:002020-08-16T06:38:44.974-07:00Searching for The Grit<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">The post-Christmas sunshine gave the rare opportunity for a morning walk around the 'green block' - a two mile circular walk from my front door across the border into Hampshire and back into Berkshire. </span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Walking creates space to think - and for me, 'thinking' means worrying about making art. I am trying to process all the stuff I have been grappling with during my first semester of the Fine Art MA. My thinking owes a huge debt to course leader Nick Stewart, who has been meditating on this stuff since the seventies and whose ideas have got under my skin.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">A flock of Fieldfare flies over, and in the distance a Buzzard is circling.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">If making art is about exploring what excites you, what you experience - your authentic voice. Then what is it that I want to say through my art that people don't already know, or don't know how to know, or don't want to know? I'm thinking about this in relation to an interview with Marina Abramovic I read in Third Way magazine over the Christmas break: </span><br />
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<span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">"For me, the purpose of doing anything is to lift the human spirit. It's so easy to put the human spirit down - you can do it in three seconds - and I'm fed up with art that shows how shitty reality is, because we already know how shitty it is. I want to know what I can do change it. Even if it is the smallest contribution, It's still a contribution. And if everybody had this kind of idea, the world would be a different place."</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">A Dunnock sings from a hedge-top. A Great Spotted Woodpecker flies towards Admiral's Copse; a silent undulating flight.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I try making a mental list of the things I care about, that excite me and that I want my work to be about:</span><br />
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<li><span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">uses of power and control that perpetuate inequality</span></li>
<li><span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">ambiguity, interpretation, hermeneutics - fundamentalist belief systems within a complex, nuanced, unstable and diversified society</span></li>
<li><span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">The idea of embracing 'the other'</span></li>
<li><span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">The non-material aspects of existence, of consciousness - the sense of there being 'something more'</span></li>
<li><span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">kindness, generosity, gift, optimism</span></li>
<li><span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">the simple pleasure of enjoying birds in nature</span></li>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Some or all of those things have been referenced in my recent work but how have people experienced it - and how do I move my work forward? Working mainly with woodcut prints, I find that there is a tension in the stuff I make between art and craft, or between art and design. Concept and representation. </span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">A Jay flies over - that's the fifth crow species I've seen this morning.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Art needs to break the rules of craft and design - there is power lurking in the spaces at the edge where there is an absence, a lack or a brokenness. Moving forward, I want my art to break the rules. To create 'feedback' like Hendrix playing the Star-Spangled Banner. </span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">A female Chaffinch hops quietly in a hedge. Blue Tit and House Sparrow flit around a feeder outside a cottage.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Woodcut is such a slow, laborious process - but I love it. Can I make it more raw, immediate, energetic, free and instantaneous? Kiefer's recent show at the RA included messy, energetic woodcuts that were sloppily made but brimmed with vitality. I need to push to find the edges of the woodcut medium within my own practice. </span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">And I want to push my drawings too - towards a place where I feel they are doing something real.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">It's about finding the grit that creates the restless irritation that forms the pearl. </span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Watch this space for progress.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><br /></span>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com1tag:blogger.com,1999:blog-453954172194355799.post-78303248944412097712014-11-17T01:52:00.001-08:002018-06-24T08:27:20.880-07:00What is Art To You?<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I spotted a little notice this morning with a question - 'What is art to you?' and an email address: ed2g13@soton.ac.uk</span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><br /></span>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Here's how I replied:</span><br />
<span style="color: #3d85c6;"><span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;"><br /></span>
<span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">"Art is about shared experience. It is a way of being in the world, a way of expressing something to other people about the experience of being human, hoping to connect soul to soul.</span></span><br />
<span style="color: #3d85c6;"><span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;"><br /></span></span>
<span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">So for me:</span><br />
<span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">If there is no audience, it isn't art. (The audience may be oneself, or God, if the artist believes in her.)</span><br />
<span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">If it isn't true to the artist's experience, it isn't art.</span><br />
<span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">If it is made as product or commodity, it isn't art.</span><br />
<span style="color: #3d85c6; font-family: "courier new" , "courier" , monospace; font-size: large;">If it isn't straining to attain the best possible expression of the artist's idea, using all the necessary skills and energy they possess, it isn't art."</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I didn't know this was what I thought until I wrote it down. There may be better ideas, which are still incubating. </span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Perhaps you would like to email 'ed2g13' to say what 'art' means to you:ed2g13@soton.ac.uk</span>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-18362691054781148302014-09-05T03:22:00.001-07:002018-06-24T07:49:11.337-07:00Still Under Construction: Degree Show and beyond<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">It has been over nine months since my previous blog post - mostly because I have been busy getting a fine art degree and all the things that has led to. But it has also been a time for reflection - so this post will be a marathon update-cum-essay (it even has a bibliography at the end). Feel free to skip, or just look at the photos.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOD4sLSgcFsCp-DM3287HFjRAz-JnLidwdhny-aD0YAUQMoB0hFqPQqlvv1FstyVQRHQeQEPQBVE-Xdz75gfHy38Vz1sE7y1tRdJ9Nr05AmMdG5lva3CGx1__VKIGM17GclgkIfIFJmOLu/s1600/Degree+Show+PWD6.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOD4sLSgcFsCp-DM3287HFjRAz-JnLidwdhny-aD0YAUQMoB0hFqPQqlvv1FstyVQRHQeQEPQBVE-Xdz75gfHy38Vz1sE7y1tRdJ9Nr05AmMdG5lva3CGx1__VKIGM17GclgkIfIFJmOLu/s1600/Degree+Show+PWD6.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver, degree show installation (detail) June 2014</span></td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">In my final year as an undergraduate at Winchester School of Art, I began to think about why I make art and to grapple with the realisation that my work is politically motivated. When challenged to define my political position, I came up with this work:</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6tskAVn3FDDpXSzEjj2DqXrKoFSIA_lykXsJGZ4BkQmXbNYugmGbzAO2meTO0sp5Jp0tZXr8fnJ5e5gt30dPxCr5MPqq17_0_OErrHJZlIHzV9A6PnJw0PSFiPe3ByrquCHpct9XIErLR/s1600/Glad.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="404" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6tskAVn3FDDpXSzEjj2DqXrKoFSIA_lykXsJGZ4BkQmXbNYugmGbzAO2meTO0sp5Jp0tZXr8fnJ5e5gt30dPxCr5MPqq17_0_OErrHJZlIHzV9A6PnJw0PSFiPe3ByrquCHpct9XIErLR/s1600/Glad.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">One of the 'infinite' edition of woodcut prints 'I'm glad you're alive!' <br />So far 1,555 prints have been produced and 1,383 have been distributed to people on five continents.</span></td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"> My work
is primarily about making space for dialogue with an inclusive audience. The “I’m glad you’re alive!”
print, for example, is an on-going work of production and distribution. I am giving the prints away free of charge to
anyone who wants one, as a performative act; a love-letter to all humanity. So far I have given away 1,383 prints and plan
to keep producing and distributing prints until the woodblock wears out (or I do). In this way, the work continues to grow and
expand, geographically, temporally, and through social connections.<o:p></o:p></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTZ12ULqiTtd1Qzhq8lw8ARitrocOdYj5-nbFTlBYJLrG1JUeJDDQnzzXCZpj5p1_pvNiMQdiiRUt-ZJyrRdZo9efvzzYCbcbldk_o6WTqw-Jl0ebNbK2TsGF4XKcxbuJEyBvJNHcEg9cD/s1600/2014-03-28+11.21.10.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTZ12ULqiTtd1Qzhq8lw8ARitrocOdYj5-nbFTlBYJLrG1JUeJDDQnzzXCZpj5p1_pvNiMQdiiRUt-ZJyrRdZo9efvzzYCbcbldk_o6WTqw-Jl0ebNbK2TsGF4XKcxbuJEyBvJNHcEg9cD/s1600/2014-03-28+11.21.10.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Making 'I'm Glad You're Alive!'<br />on the Alexandra Press at WSA</span></td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">The
optimism and generosity of my project attracted my colleague, WSA graduate
Lydia Heath to propose a joint exhibition where we would seek to create a
dialogue between our two bodies of work.<span style="mso-spacerun: yes;">
</span>Lydia’s work uses found objects and <o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;">“…assemblages that explore ideas of
dystopia. I am interested in the role art plays in imagining alternative
futures, and the various social action groups discussing the possible end of
capitalism and what will replace it.”</i> (Heath: 2014, p3)<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Heath’s
work creates an interesting contrast to my printed multiples.
Our vision of a joint exhibition was realised at<span style="color: #ea9999;"> <a href="http://openhandopenspace.blogspot.co.uk/"><span style="color: #3d85c6;">OpenHand OpenSpace</span></a><span style="color: #ea9999;"> </span></span>in Reading
in January 2014 and, judging by the feedback from visitors, we were successful
in staging a thought-provoking show.</span><span style="font-family: "adobe hebrew";"><o:p></o:p></span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9q93etM-kwgOmzfdMJYteZN-3IGAIY1w9Uk_IKB3oKMK5pNrKDgeq0gukEP221Cj_cLyrFshMkXh4ky-7gGPs4DP-UwspSW5nyrE5lb8I1NU-0mUv99052SxINAyA9vgbXMT6zmTOiT6L/s1600/I'm%2BGlad%2Byou're%2Balive%2B-%2BA4%2BPoster%2Bv3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9q93etM-kwgOmzfdMJYteZN-3IGAIY1w9Uk_IKB3oKMK5pNrKDgeq0gukEP221Cj_cLyrFshMkXh4ky-7gGPs4DP-UwspSW5nyrE5lb8I1NU-0mUv99052SxINAyA9vgbXMT6zmTOiT6L/s1600/I'm%2BGlad%2Byou're%2Balive%2B-%2BA4%2BPoster%2Bv3.jpg" width="450" /></a></div>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><br /></span></div>
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<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">John
Newling’s work has been an influence on my ideas. He explores many of the aspects of human experience that I am looking at. <span style="mso-spacerun: yes;"> </span>Davey (2013) describes Newling’s interest in <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNoSpacing" style="margin-left: 35.45pt; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="mso-tab-count: 1;"> </span>“…transactions, the nature of faith and belief, the
natural world, community and love, trust, mementoes, the sacred, the body,
theatre, prayer and uncertainty.”</i> (Davey: p13)<o:p></o:p></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><br /></span>
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOpiQYMB9bKhxmdMrC0bQ5ZbwWmOYCa5tUsUinGUs336BbG9CfGR9p2uQOee0rFbuod8cem2mVSAnCLLn3iK0wUyAxm6avrIJ89aqkS_zNduNQjNk46OWdgcsaD3PrAiXIX2iuFu4IbWXg/s1600/j-newling-market0018.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOpiQYMB9bKhxmdMrC0bQ5ZbwWmOYCa5tUsUinGUs336BbG9CfGR9p2uQOee0rFbuod8cem2mVSAnCLLn3iK0wUyAxm6avrIJ89aqkS_zNduNQjNk46OWdgcsaD3PrAiXIX2iuFu4IbWXg/s1600/j-newling-market0018.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">John Newling, Preston Market Mystery Project, 2007 (source JohnNewling.com)</span></td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">A
typical example of Newling’s work is ‘<i style="mso-bidi-font-style: normal;">Insurance
Stall’</i> at Preston Market Mystery Project (2007), where in a covered market
in Preston, Lancashire,<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"> <span style="color: #0b5394;"><i>“…for three days he ‘sold’ insurance against
loss of [a sense of] mystery, giving a decorated certificate to 280 members of
the public who provided him with their own examples of mystery…”</i> (Davey:
p15)</span></span><span style="font-family: "adobe hebrew";"><o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">There
are parallels here with my ‘<i>I’m glad
you’re alive!’</i> project, although mine does not involve a direct exchange
with people but rather seeks to question the idea of transaction and looks
towards older systems of gift economy.
Lewis Hyde (2006) has written about <i>The
Gift</i> and how it operates within various aboriginal societies as a circular
convention, where the receiver of a gift gives an equivalent gift to another;
the expectation being that eventually things come full-circle - a bit like the
British pub culture of ‘standing your round’.<o:p></o:p></span><br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYDbejYbdPSAXbw13FDHtpqGLSIIO2aa6rX3iz9qSUgGyhz7bW1nNuUtI44AONupP-5QxqiWKQ6GiuWXrJY9UoPNsr2bWiiEcAJnbWv5p2VJwU9P91VtQvPEB8QgKKRM77fy9jHrpuiGGk/s1600/SB3.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYDbejYbdPSAXbw13FDHtpqGLSIIO2aa6rX3iz9qSUgGyhz7bW1nNuUtI44AONupP-5QxqiWKQ6GiuWXrJY9UoPNsr2bWiiEcAJnbWv5p2VJwU9P91VtQvPEB8QgKKRM77fy9jHrpuiGGk/s1600/SB3.JPG" width="428" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Giving away 'I'm glad you're alive!' prints on London's Southbank, 10-12 July 2014</span><br />
<span style="font-size: small;">(photo: Guy Blundall)</span></td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">In a
letter to Elizabeth Presa (University of Melbourne), about the terms he uses to
describe his work, Thomas Hirschhorn states that a <i>“work of art is always an assertion, and as an assertion, it is a gift”
</i>(Lee & Foster: p92). The idea of
art as gift has a long tradition and it is one that I am interested in. There is a tension between treating art as a
currency within the gift economy and as a commodity within a capitalist
financial system, where art <i>objects</i>
can be treated as an investment, or store of value.</span><span style="font-family: "adobe hebrew";"> </span><span style="font-family: "adobe hebrew";"><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7Fi1LFA6Pnr3kfj1s_8oV_ETbFkLkgzr8gblLXnIgSv4LKGc5z3BS0lMmqSy7QkGJ6tP1GPSNXDjRbvaPrWlfYrripRFOeaYFOeBAqeYCjfDWda0nC7YqKl9mCHUpCsOTnTTLzuLaX9k8/s1600/2014-01-14+12.39.42.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7Fi1LFA6Pnr3kfj1s_8oV_ETbFkLkgzr8gblLXnIgSv4LKGc5z3BS0lMmqSy7QkGJ6tP1GPSNXDjRbvaPrWlfYrripRFOeaYFOeBAqeYCjfDWda0nC7YqKl9mCHUpCsOTnTTLzuLaX9k8/s1600/2014-01-14+12.39.42.jpg" width="476" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Installation view from Heath and Driver's 'I'm Glad You're Alive!' exhibition, OHOS, Reading 2014</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6pVpPQlwyhi7lh-kMU14dJXtsmbPPn0cNGyo4x_OV-XWDl-1svDxAjNnuYA_5ZKD2eoDUdzUkUedMIZyZoDGYsAXxMPjeeXPLtk26LI4gZTVXBfv4mUNQ_1wr2m3IV9Fw7gk6X_z650YU/s1600/2014-05-19+16.49.36.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6pVpPQlwyhi7lh-kMU14dJXtsmbPPn0cNGyo4x_OV-XWDl-1svDxAjNnuYA_5ZKD2eoDUdzUkUedMIZyZoDGYsAXxMPjeeXPLtk26LI4gZTVXBfv4mUNQ_1wr2m3IV9Fw7gk6X_z650YU/s1600/2014-05-19+16.49.36.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Drying-rack full of 'I'm Glad You're Alive!' prints</span></td></tr>
</tbody></table>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">When I
began promoting and distributing ‘I’m glad you’re alive!’ it was very soon met
with the inevitable comment on social media asking if I would have given one to
Hitler. After pointing out that Hitler is no longer alive and therefore it was
a hypothetical position, I asserted that every human life has the potential to
develop and to change and therefore my statement applies equally to every person.
I accept that this is an outrageously optimistic view of human beings but I
find this position more exciting and fruitful as a thought experiment, than any
of the alternatives. In taking it, I want to provoke people to think about
themselves in relation to others.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKBqTmYGB7qKU4LJENs0CKgEHsZo5Nsh_AijIpsSTSBO5r9h5gnqJL4byDid66efBkAVfgaZvjpQPKUCeL3Te4sIPVeZIol_QJ27-Sm5e-mUVnTnaiUD65B4oxFTB4k0AkqGgN78BIvgif/s1600/8+Peter_Driver_Together.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="443" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKBqTmYGB7qKU4LJENs0CKgEHsZo5Nsh_AijIpsSTSBO5r9h5gnqJL4byDid66efBkAVfgaZvjpQPKUCeL3Te4sIPVeZIol_QJ27-Sm5e-mUVnTnaiUD65B4oxFTB4k0AkqGgN78BIvgif/s1600/8+Peter_Driver_Together.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver, <i>We Are All In this Together</i>, reduction woodcut, 2013</span></td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><span style="text-align: justify;">My work
has explored the territory of optimism from the standpoint of an interest in
individual variances in interpretation. The study of hermeneutics, or the ways
in which people interpret texts, and particularly sacred texts, seems to me to be
a valuable subject in a world where people, despite several centuries of
enlightened thought and scholarship, still kill each other over differences of
interpretation.</span><span style="text-align: justify;"> </span><span style="text-align: justify;">For example, with my ‘We
are all in this together’ woodcut print, I have met with a range of responses.
Some assume that the work is an ironic comment about the hypocrisy of the post-2010
UK cabinet of millionaires, inflicting unprecedented reductions in service and
benefits cuts upon people with no other means of support. Others have taken a
more generous reading – that the text relates to the interrelatedness of all humankind
and our need to accept and cooperate with each other if we are to survive for
much longer on our finite planet, i.e. that we really are all in this together.</span><span style="text-align: justify;"> </span><span style="text-align: justify;">These are quite different readings of a text
and that interests me.</span></span></div>
<div class="MsoNoSpacing" style="text-align: justify;">
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">There is
an expectation that informed art audiences will actively question the <i style="mso-bidi-font-style: normal;">prima facie</i> meanings of an artwork; and the
signification of a text. Things are not always what they appear to be and do
not necessarily mean what they appear to say.<span style="mso-spacerun: yes;">
</span>This is not a new idea. A century ago, Kester reminds us, avant garde
art was engrossed with ‘<i style="mso-bidi-font-style: normal;">formalist
linguistic theories’</i> and <i style="mso-bidi-font-style: normal;">‘the
characteristic call to make art difficult: to thicken and complicate its formal
appearance in order to focus the viewers’ attention on the materiality of
language itself”. </i>Shklovesky, for example, believed this was necessary “<i style="mso-bidi-font-style: normal;">because our dependence on existing
linguistic conventions encourages a ‘habitual’ form of perception that prevents
us from knowing the world in its full complexity</i>” (Kester: 2004, p82-83).<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="text-align: justify;">
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8Cl0cowGiAyxljcPoUHz8Ge5l9LHPpeYm9-tSH-BiOqaWldZ4NoqH50-vxpSpwB4GTGoC9z6Y29gOuwxV-CeFKVFcFeG9pUZ68-C3_6jI42XkvPIBUOnzlNK552o3oqEnAU_D-y8MJ8UP/s1600/Loving_The_Alien+2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8Cl0cowGiAyxljcPoUHz8Ge5l9LHPpeYm9-tSH-BiOqaWldZ4NoqH50-vxpSpwB4GTGoC9z6Y29gOuwxV-CeFKVFcFeG9pUZ68-C3_6jI42XkvPIBUOnzlNK552o3oqEnAU_D-y8MJ8UP/s1600/Loving_The_Alien+2013.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver, <i>Loving The Alien</i>, reduction woodcut, 2013</span></td></tr>
</tbody></table>
<br /></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">In other
recent works I have tried to open up the layers of meaning and association
within simple phrases about social relations.
My woodcuts ‘<i>Loving the Alien’</i>
(not referring to the Bowie song but to an injunction in the Hebrew Law regarding treatment of
foreigners); and ‘<i>You Are Welcome Here’</i>
were both inspired by the atmosphere of xenophobia that pervaded the British
public discourse around the extension of economic movement rights to EU citizens
of Bulgaria and Romania in 2014. The
texts obviously have far wider application than the situation that inspired
them and I am interested in what responses they provoke within people.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1G33rQOGGxMztunFZB_ckPTS1goD1kSQ9HRTHAalbPHZUf4XwhrTDNATTeb9Z-yVqDx1_OLxF-3rwqiNAOeuQTlWBMV_IPp6RuQiy34NB9ZKzf8MbBKlL9oysnupEDGanFD-D5nzhNZMX/s1600/Welcome.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1G33rQOGGxMztunFZB_ckPTS1goD1kSQ9HRTHAalbPHZUf4XwhrTDNATTeb9Z-yVqDx1_OLxF-3rwqiNAOeuQTlWBMV_IPp6RuQiy34NB9ZKzf8MbBKlL9oysnupEDGanFD-D5nzhNZMX/s1600/Welcome.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver, <i>You Are Welcome Here</i>, reduction woodcut, 2014</span></td></tr>
</tbody></table>
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<br /></div>
<div class="MsoNoSpacing" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><o:p></o:p>One fact
underlying these works is the ‘<i>fear of
the other’</i>: a fear inherent in most people, if not all. I intend to trigger an internal dialogue in
the viewer: <i>Which aliens? What about
those I don’t like, or who hate my culture, or are dangerous, violent,
fundamentalist, paedophile? Who is welcome? Who would I not welcome?</i></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I found
it helpful to exhibit this group of works together, as multiples arranged at
random, so that the phrases began to have an internal conversation with each
other. </span><br />
<br /></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirXOnyn2Jd_3Fh-RzQ26v8rozPdaZraL6kMlk9EcBUcplKjn3a7H0p-s9OSj2EUzAqmQyPFGEps0A4fMRqT2_aN83XvKllQR_U7-zrmkZR69fqBZBOtNU_MucQxo18IQVCjj0snEAithE0/s1600/IMG_0460.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirXOnyn2Jd_3Fh-RzQ26v8rozPdaZraL6kMlk9EcBUcplKjn3a7H0p-s9OSj2EUzAqmQyPFGEps0A4fMRqT2_aN83XvKllQR_U7-zrmkZR69fqBZBOtNU_MucQxo18IQVCjj0snEAithE0/s1600/IMG_0460.jpg" width="458" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Installation view: WSA Print Salon 2014 (photo, Katie Evans)</span></td></tr>
</tbody></table>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">It was
suggested to me that it might be helpful to consider the ‘darker side’ of the
issues my work addresses, and to make something that contrasts with these
apparently optimistic statements. I was not convinced about this. I think we all know
the darker side of our own fears and the prejudices that these statements
unearth within us. But in the end I did make a companion work expressing
my own misgivings and despair about the impossibility of the statements I
present in these prints. I called the work 'Greek Chorus'.</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Cutting the wood for 'Greek Chorus'</span></td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">So far, I have discussed the content of some of my woodcut
works, but not the form. I am using a
peculiarly personal version of woodcut printing, based on a reduction process
where the same block is cut-away further between each successive layer of
ink. Many other media options are open
to me so why do I stick with an out-moded process, which is slow,
labour-intensive, and difficult? There
is something of the romanticism of William Morris’ revival of traditional craft
in the way I have chosen to adhere to the hand-crafted art object.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfjC_oALPKzzPa2Do2WQg1VWh-4OxgfCALfXgDSH6Aj6GijCswU8m0Y8yjJRjHIpnaCmkFidYpnT68Y5D05nvS9xrYEWiCuOHUVCUVUfPdOz1oE2rPr23POQcRgUGjCqXgGkPvXrpxuDEi/s1600/2013-12-12+11.56.53.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfjC_oALPKzzPa2Do2WQg1VWh-4OxgfCALfXgDSH6Aj6GijCswU8m0Y8yjJRjHIpnaCmkFidYpnT68Y5D05nvS9xrYEWiCuOHUVCUVUfPdOz1oE2rPr23POQcRgUGjCqXgGkPvXrpxuDEi/s1600/2013-12-12+11.56.53.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Making a woodcut print on the Littlejohn press at WSA</span></td></tr>
</tbody></table>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I have looked at other artists who have found their own ways of
incorporating text. British artist Mark
Titchner (b. 1973) makes large-scale works with texts that bear a resemblance
to the ones I am using. He often gives them intricate and fantastical
backgrounds, using high-quality graphics and machine-like components. Clark (2006:
p93) observes that in his background patterns, Titchner is quoting William
Morris and the banners used in Trade Union parades. They look spectacular and
won him a Turner Prize nomination in 2006.
In the work “I WE IT” (2004), he derived texts from <i>“the top ten global brands. I wanted to contrast this new form of
economics with utopian socialist ideas from the early 20th century”</i> (Clark:
p93).</span><span style="font-family: "adobe hebrew";"><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrk4c34S5nB7Fsk46FydHaLRgCIjqV1X62GtoYo9bGLnSwdFIclaEThBIpAXvba3UVHAnD7uJVREELVjUMO7l7q5bb8gm_L3-mN0pg3Tp1668YrOgFX9L1XiNFD0OAmmHktQg-iT1E0r7d/s1600/works_1_a.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="454" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrk4c34S5nB7Fsk46FydHaLRgCIjqV1X62GtoYo9bGLnSwdFIclaEThBIpAXvba3UVHAnD7uJVREELVjUMO7l7q5bb8gm_L3-mN0pg3Tp1668YrOgFX9L1XiNFD0OAmmHktQg-iT1E0r7d/s1600/works_1_a.png" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Mark Titchner (source marktitchnerstudio.com)</span></td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><br /></span>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Tom Trevor, in his foreword to a Titchner monograph (Clark:
2006), considers the content of the work: “…</span><i style="font-family: 'Courier New', Courier, monospace; font-size: x-large;">the
purpose is unclear. All we are left with is the formal means of exhortation,
and our own unrelenting desire for meaning. It is this fundamental human need
that Titchner’s work exposes so succinctly.”
</i><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">This creates a strong link with my work, where I am seeking to
explore meaning and individual interpretation.
In a way I am highlighting the emptiness of such utopian statements,
while at the same time dealing with my own ambivalence and the residues of an
eroded belief in a systematic ‘truth’.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNNL6eZtUyjUTqVajV95TDk5EQnPXwpE_3MSNNs03vXgL0yXe3ahoPGoH5totlZ1uxmJcqXywEmmiVnwZF4lGqWkpbVa9h4b_1riuC_z5IgIr7Cc7I4IsEGK_ItJa0p1qMn30wBM0fofxj/s1600/possible.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNNL6eZtUyjUTqVajV95TDk5EQnPXwpE_3MSNNs03vXgL0yXe3ahoPGoH5totlZ1uxmJcqXywEmmiVnwZF4lGqWkpbVa9h4b_1riuC_z5IgIr7Cc7I4IsEGK_ItJa0p1qMn30wBM0fofxj/s1600/possible.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mark Titchner art on the underground ( source http://art.tfl.gov.uk/projects/detail/1126/#5)</td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Titchner also carves wooden objects/texts for some of his
installations. He says there <i>‘is an idea that obsessing over an object by
crafting it, labouring over it, it becomes invested with some kind of power,
even if that is only in the mind of the person making it” </i>(Clark: p90). </span><br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMOMtLO1YTEb-KrmTa8fDu3Rs49Dz-Khqx_VYRk0WXm3NCioQMIFh9EvUGj7AoVarXKjCrZKaT3mMJSp7oqOAZOPWYzolgXeQvHXXE38Kak32yAcy1ksfG-N0F31_BYaE9TFPQCtCubOqh/s1600/2014-01-12+13.03.58.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMOMtLO1YTEb-KrmTa8fDu3Rs49Dz-Khqx_VYRk0WXm3NCioQMIFh9EvUGj7AoVarXKjCrZKaT3mMJSp7oqOAZOPWYzolgXeQvHXXE38Kak32yAcy1ksfG-N0F31_BYaE9TFPQCtCubOqh/s1600/2014-01-12+13.03.58.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver, Woodblocks on display, OHOS 2014</span></td></tr>
</tbody></table>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I found
similar responses to my woodblocks when I decided to include them as exhibits
in my show at OHOS in January 2014. They
received a lot of interest there and I decided to incorporate
them into my degree show exhibit in June. </span><span style="font-family: "adobe hebrew";"><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqju9NCTUJUiJcKYa3O9UYqmDIOrg0CPSgowu6WBIpRrN0P0DbXmhSXaSwDc_9OXIjMgEtLgbjsUHYbvt2xIO6SIlnh1XCjHN7IZAUwFqBiZQqAwFide4MacwYI4UnjwhfNXxKDREcJLnr/s1600/Degree+Show+PWD3.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="490" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqju9NCTUJUiJcKYa3O9UYqmDIOrg0CPSgowu6WBIpRrN0P0DbXmhSXaSwDc_9OXIjMgEtLgbjsUHYbvt2xIO6SIlnh1XCjHN7IZAUwFqBiZQqAwFide4MacwYI4UnjwhfNXxKDREcJLnr/s1600/Degree+Show+PWD3.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver, degree show installation view, June 2014</span></td></tr>
</tbody></table>
</div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">A recent work, the ‘Complete Equality’ woodcut series, attempts to combine many
of these influences and ideas. It shows a developing visual language,
incorporating representational and abstract elements. The text is partly a homage to Hirschhorn’s
political stance and partly an expression of my own interest in the utopian goal of
‘equality’. </span><span style="font-family: "adobe hebrew";"><o:p></o:p></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF_Hdk6h69DdcH1pQsAVGPehr9gwTAF1TSeqmysEbweatraC-46fLgo3s6B-s1-mr3SgUsOrtcXzf90lDygSjMkSnOYS-WpUooD0aIzArmv6lsgTRmeIfXo7orbVo-1cXeDz3lUb78zHcX/s1600/scan_2014-06-02_09-16-26.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF_Hdk6h69DdcH1pQsAVGPehr9gwTAF1TSeqmysEbweatraC-46fLgo3s6B-s1-mr3SgUsOrtcXzf90lDygSjMkSnOYS-WpUooD0aIzArmv6lsgTRmeIfXo7orbVo-1cXeDz3lUb78zHcX/s1600/scan_2014-06-02_09-16-26.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver, over-printed reduction woodcut, Complete Equality, 2014</span></td></tr>
</tbody></table>
<br />
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Having
read around the issue of social inequality, including Wilkinson & Pickett
(2010), and Dorling (2010), I am convinced that it has a corrosive effect in
society and I was interested to make a work that leads people to think about
it.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><span style="mso-spacerun: yes;"><br /></span></span>
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXp3D6jHd_jEVmG3TYrLgyn6hHgsli5IN5FqlK7HLzaN8cukYzvI4bl70N9CpqGshdkdFiAK1uMUD4DyETMIKg4KXPXMWwXSda3xY_abSFiGZlmtk0JexqbX4HIzyquPy74D5b_JkNqHqK/s1600/Complete_Equality_III+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXp3D6jHd_jEVmG3TYrLgyn6hHgsli5IN5FqlK7HLzaN8cukYzvI4bl70N9CpqGshdkdFiAK1uMUD4DyETMIKg4KXPXMWwXSda3xY_abSFiGZlmtk0JexqbX4HIzyquPy74D5b_JkNqHqK/s1600/Complete_Equality_III+2.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver, reduction woodcut, Complete Equality, 2014</span></td></tr>
</tbody></table>
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Kester
(2004) comments on the movement of artists towards new forms of dialogical,
collaborative art from the 1960s onwards. He quotes British artist Stephen
Willats (b.1943), whose work with social housing tenants over protracted
periods is aimed at:<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="margin-left: 35.45pt; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><span style="color: #3d85c6;">“<i style="mso-bidi-font-style: normal;">representing the potential self-organising richness of
people within a reductive culture of objects and possessions. In a society
which reduces people, I’m working to celebrate their richness and complexity. I
see this as a kind of cultural struggle”</i> (Kester: p91).</span><o:p></o:p></span></div>
<div class="MsoNoSpacing" style="margin-left: 35.45pt; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I spent the first 21 years of my life living on a council estate and am aware of the cultural rifts within our society that Willats
was struggling with. <span style="mso-spacerun: yes;"> </span>They have been
documented eloquently by Hanley (2007) and Jones (2012). <span style="mso-spacerun: yes;"> </span>In part, that ‘cultural struggle’ is what I am
interested in: challenging conventional readings of our culture and the status
quo.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><span style="mso-spacerun: yes;"><br /></span></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgunHzyccdDDKgdC-771luWpe_qeWMt2KxVDXovVdsmeeX_9C3393ar_k-mwz8o3f1BOUkF4iI63RRsx_04uqS6nWpyCFd5RF3X5X159XE6x-j9A6McwNBCofL_njv-ljPyxNUWKK9vS59z/s1600/1477679_4183939174849_1342872638_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="484" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgunHzyccdDDKgdC-771luWpe_qeWMt2KxVDXovVdsmeeX_9C3393ar_k-mwz8o3f1BOUkF4iI63RRsx_04uqS6nWpyCFd5RF3X5X159XE6x-j9A6McwNBCofL_njv-ljPyxNUWKK9vS59z/s1600/1477679_4183939174849_1342872638_n.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Public reading of George Thom's poetry, Winchester 2014</span></td></tr>
</tbody></table>
</div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Willats
proposed a <i style="mso-bidi-font-style: normal;">“socially interactive model of
art practice”</i> (Kester: p92) where the artist and audience interact, with
each other and with the artwork, all in relation to their context.<span style="mso-spacerun: yes;"> </span>Through working interactively with audiences,
the artist is able to:<o:p></o:p></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing" style="margin-left: 35.45pt;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><i style="mso-bidi-font-style: normal;">“transform
their consciousness of the world through a dialogical encounter that is
mediated by the production on image/text pieces”</i> (Kester:
p93). <o:p></o:p></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">For Willats, then, the artist, as well as the audience, is
transformed by the artwork.<span style="mso-spacerun: yes;"> </span>This is
somewhat similar to Hirschhorn’s interest in ‘the Other’:<b style="mso-bidi-font-weight: normal;"><br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></b></span></div>
<div class="MsoNoSpacing" style="margin-left: 35.45pt;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><span style="mso-tab-count: 1;"> </span>“<i style="mso-bidi-font-style: normal;">To me, the Other
is my next, my neighbour. The Other is what is unfamiliar to me, what is
strange to me, what I cannot understand and what I am afraid of… I think Art –
because it is Art – can create the conditions for confrontation or direct
dialogue with the Other, from one to one. In this sense Art has political
meaning”. </i>(Hirschhorn: 2007)<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Kester discusses
the emergence of artists in recent years who base their practice: <o:p></o:p></span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="margin-left: 1.0cm; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">“…around the facilitation
of dialogue amongst diverse communities. Parting from the traditions of object
making, these artists have adopted a performative, process-based approach” (Kester:
p1)<o:p></o:p></span></i></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I am
seeking to promote such dialogue and reflection and to stimulate wider
conversations about the meanings of my work.<span style="mso-spacerun: yes;">
</span>Through the ‘March for Optimism’ referred to below, and the on-going
production and distribution of my ‘infinite edition’, I am providing a context
to facilitate that conversation. <span style="mso-spacerun: yes;"> </span>But at
the same time, my practice involves making multiples of aesthetic objects,
using laborious means and traditional techniques, which are centuries old. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfCeOafsnZMwOBT0WjXmS5w98yQ9Vu47DW99tu9R7YojBus7eZ4lxqKry1jBT4pCkycJJR8KE-lvcnuq6Y35ogyBHmay1oRiHfxCuf7xQjvScXMH6pC8ma-WCt1aOIE2AbzPmM7ipn0550/s1600/2014-04-03+12.15.05.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfCeOafsnZMwOBT0WjXmS5w98yQ9Vu47DW99tu9R7YojBus7eZ4lxqKry1jBT4pCkycJJR8KE-lvcnuq6Y35ogyBHmay1oRiHfxCuf7xQjvScXMH6pC8ma-WCt1aOIE2AbzPmM7ipn0550/s1600/2014-04-03+12.15.05.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Woodcut in progress</span></td></tr>
</tbody></table>
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">The
major development of my work in preparing for my degree show was the realisation
that I wanted to engage a wider audience and provide a context for considering
this material. The debate rages within
me when faced with totalitarian statements such as ‘</span><i style="font-family: 'Courier New', Courier, monospace; font-size: x-large;">Complete Equality’</i><span style="font-family: "courier new" , "courier" , monospace; font-size: large;"> and ‘</span><i style="font-family: 'Courier New', Courier, monospace; font-size: x-large;">You
are Welcome Here</i><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">’. It provokes an
inner dialogue about fear of the other and the realisation that the goals of
justice and equality are unattainable on a macro scale. But I still want to put these phrases out
into the world for people to consider and respond to and so I devised ‘The
March for Optimism’.</span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuwQwHbHN5bnvGWdTONa3hUk1zhSJs_phU8LyB_-s_MsGH0mHvXbyLp1L4ibcMV34LVRB3XVBcIYFaZbDNQuJ1qPBQFSykGVNQIu1RQXJHnufJUs2rCtdeHsQwgo2_PzkFPp_tPPs-rQ42/s1600/IMG_4693.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuwQwHbHN5bnvGWdTONa3hUk1zhSJs_phU8LyB_-s_MsGH0mHvXbyLp1L4ibcMV34LVRB3XVBcIYFaZbDNQuJ1qPBQFSykGVNQIu1RQXJHnufJUs2rCtdeHsQwgo2_PzkFPp_tPPs-rQ42/s1600/IMG_4693.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver: March for Optimism, 6 May 2014, Winchester High Street (photo Katie Doyle)</span></td></tr>
</tbody></table>
</div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">The
‘March’ was a public art event. </span><span style="font-family: "courier new" , "courier" , monospace; font-size: large;"> </span><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">It was in the long tradition embracing Guy Dubord’s Situationist actions, Fluxus
street works, and knowingly followed the more recent example of Jeremy Deller’s
‘Procession’ for Manchester International Festival (2009).</span><span style="font-family: "courier new" , "courier" , monospace; font-size: large;"> </span><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">However there were unique elements in its form
and content.</span><span style="font-family: "courier new" , "courier" , monospace; font-size: large;"> </span><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I promoted it as:</span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-justify: inter-ideograph;">
<span style="color: #0b5394;"><br /></span></div>
<div class="MsoNormal" style="margin-left: 35.45pt; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-justify: inter-ideograph;">
<span style="color: #0b5394; font-family: "courier new" , "courier" , monospace; font-size: large;">“<span lang="EN-US">a
colourful procession with banners, placards and balloons - along Winchester
High Street, on Tuesday 6</span><sup><span lang="EN-US">th</span></sup><span lang="EN-US"> May, commencing at 4:15pm. The procession
will be bearing texts, which appear to celebrate optimism, acceptance and
embrace of all mankind.<span style="mso-spacerun: yes;"> </span></span><span lang="EN-US">Asked
to explain the idea, Peter said: “This is not a protest but an art project
involving the most diverse crowd I can muster, in a procession to acknowledge
(and maybe celebrate) the existence of optimism, despite all the reasons for
pessimism.” (Driver 2014)</span></span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizPK1gflMen4pUZiA42kONjwCGRGHerHPvNLq8jt6Ll_GSMk79WaPCmryKdzXl9fzM5OzK7H1KLMRa0MxIszP0cpPwo8XYW_3_IG4UQZCyOIQhrXQ7RqxD2etl0D62blRzauzEHnqT9Ei_/s1600/IMG_4684.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizPK1gflMen4pUZiA42kONjwCGRGHerHPvNLq8jt6Ll_GSMk79WaPCmryKdzXl9fzM5OzK7H1KLMRa0MxIszP0cpPwo8XYW_3_IG4UQZCyOIQhrXQ7RqxD2etl0D62blRzauzEHnqT9Ei_/s1600/IMG_4684.jpg" width="640" /></a></div>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><br /></span>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">The
main banner for the march featured a quote from Dr Martin Luther King Jnr: ‘<i>the arc of the moral universe is long but it
bends towards justice</i>’. I decided to present this text in textiles and colours reminiscent of trade union
banners or gay pride marches. I was not
necessarily standing behind this statement. My position is more ambivalent than that, but
I wanted to present it for people to consider.</span><span style="font-family: "adobe hebrew";"><o:p></o:p></span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><br /></span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAI2BasNv_wQmzIH97m5MBpTpblWPYkIE5N5sQxviyvKzB3UQoqKNUMTU32sSe7R6mE3GiG5y0F0ohyNQZkETDF5wbgo0ZMLbvOS7YZzbw7PWabXMRFfiNFMXQjZFnyPSvVS-8rH9ZGUVY/s1600/2014-04-17+17.16.19.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAI2BasNv_wQmzIH97m5MBpTpblWPYkIE5N5sQxviyvKzB3UQoqKNUMTU32sSe7R6mE3GiG5y0F0ohyNQZkETDF5wbgo0ZMLbvOS7YZzbw7PWabXMRFfiNFMXQjZFnyPSvVS-8rH9ZGUVY/s1600/2014-04-17+17.16.19.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Liz Driver making the banner</span></td></tr>
</tbody></table>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Just as
Jeremy Deller relies upon the services of Ed Hall, banner maker to the trade
union movement, to realise his ideas in fabric, I relied on Liz, my wife,
to make this banner to my design. <span style="mso-spacerun: yes;"> </span></span><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Preparing
for the march, in liaison with the Police, City Council, County Council and
local media, was a positive learning experience.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU368yrKzYg_LlZxghZN_ZJuo9376mDu0ZEYHV07j9n7AFahVRNJYR9UONeqKyFeMQauCGfEqpYyz1-SMnsQBV4Sq1_HnXIe2TpvSrwVh70xyinli8-D1QamBweFXKmvuoNLvZ7R5l6a4X/s1600/IMG_2413.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU368yrKzYg_LlZxghZN_ZJuo9376mDu0ZEYHV07j9n7AFahVRNJYR9UONeqKyFeMQauCGfEqpYyz1-SMnsQBV4Sq1_HnXIe2TpvSrwVh70xyinli8-D1QamBweFXKmvuoNLvZ7R5l6a4X/s1600/IMG_2413.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver: March for Optimism, Winchester High Street, 6 May 2014 (photo Wong Miao Hui)</span></td></tr>
</tbody></table>
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Reflection<o:p></o:p></span></b></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><i style="mso-bidi-font-style: normal;">‘What’s the Point of it?’</i> The
title of Martin Creed’s recent retrospective at Hayward Gallery is pertinent to
my reflection on my own practice. In Creed’s case I think his point is that
there is nothing beyond the arbitrary choices we make in life. <span style="mso-spacerun: yes;"> </span>One of his harshest critics suggests that: <o:p></o:p></span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="margin-left: 1.0cm; text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><i style="mso-bidi-font-style: normal;">“For all the whimsical
humour, this is serious stuff, reductivist, nihilistic, the grinning mask of
the culture of death.”</i> (Halliday: 2014).<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I have
to accept that audiences will draw their own conclusions about my work and its
meanings. <span style="mso-spacerun: yes;"> </span>Nihilism and the cynical use
of irony are almost accepted as the orthodoxy of our post-modern culture and
many will bring this with them to their interpretation of my texts. <span style="mso-spacerun: yes;"> </span>But if my interest in optimism as a phenomenon
is in some way an attempt to redress the balance and present another reading of
reality, it is a problematic position to defend.<span style="mso-spacerun: yes;"> </span>When <i style="mso-bidi-font-style: normal;">Sean
Cubitt</i> (2014) can deliver an eloquent and principled address to the
audience of Transmediale Festival, Berlin, about the relentless destruction of our global environment by shameless ‘cyborg’ energy corporations with 'human chips', where is the ground for
optimism?<span style="mso-spacerun: yes;"> </span>When other speakers at the
same conference can talk, with some enthusiasm, about a future when all that
will remain of the ‘anthropocean epoch’ will be a thin line of plastic waste in
the geological strata - why keep getting up in the mornings? <span style="mso-spacerun: yes;"> </span>Faced with our unrelenting capacity for war,
genocide, exploitation, slavery and oppression, why should anyone imagine we
humans could do anything to improve our plight?<o:p></o:p></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">My
personal history as an artist began in the late 1970s and early 1980s, in the
sub-culture of evangelical Christianity – an insular sub-culture where
Rookmaaker (1970) and Seerveld (1980) were the main serious thinkers writing about
the (potentially redemptive) role of art in society. <span style="mso-spacerun: yes;"> </span>I began separating myself from that
sub-culture some years ago, because of my aversion to dogma and its lust for
certainty in matters that are <i style="mso-bidi-font-style: normal;">unknowable</i>.<span style="mso-spacerun: yes;"> </span>However, I still recognise some of those
foundational myths as the source of my high view of human beings.<span style="mso-spacerun: yes;"> </span>And so, for me, it remains imperative to act
in the world, as far as possible, in a way that does no harm, that honours
every person; that does not deliberately alienate, mock or exclude
anybody.<span style="mso-spacerun: yes;"> </span>In my best moments, my politics
and art are based on this foundation – and in others, I distance myself, presenting
them as extant ideas to be considered.<span style="mso-spacerun: yes;">
</span>That’s the point of it.<o:p></o:p></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHXSbv3NpRxKPZV8E9hstnHHgbmY6Au2ZT3khKC7gnJltoInB67WwHGkmCQGieSE0QvUcGyYCxTf-sBgwb8amrCwJbQqid9v6SMbe-C8iTMQp-7vtM1nfnaUrkJD-_dDqH6kY1ErdmZEII/s1600/IMG_4670.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHXSbv3NpRxKPZV8E9hstnHHgbmY6Au2ZT3khKC7gnJltoInB67WwHGkmCQGieSE0QvUcGyYCxTf-sBgwb8amrCwJbQqid9v6SMbe-C8iTMQp-7vtM1nfnaUrkJD-_dDqH6kY1ErdmZEII/s1600/IMG_4670.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Peter Driver: March for Optimism, Winchester High Street, 6 May 2014 (photo Wong Miao Hui)</span></td></tr>
</tbody></table>
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">In the
extremely helpful book ‘Situation’ edited by Claire Doherty, Mark Hutchinson
considers how different forms of public art deal with the relationship between
the artwork, the artist and potential audiences.<span style="mso-spacerun: yes;"> </span>There are clearly limitations on what art is
able to be and do in a shared public space but locating it there can make
visible an artist’s assumptions and commitments in a way that gallery-based art
might not. Hutchinson also warns (Doherty: 2009, p102) that if the complexities
of the work’s reception are not considered along with the making of the work,
it risks being patronising or authoritarian. <span style="mso-spacerun: yes;"> </span>I tried to consider this in devising the ‘March
for Optimism’ and to be aware that there are different potential audiences for
the work.<span style="mso-spacerun: yes;"> </span>The easiest audience, or
low-hanging fruit, were my fellow students and colleagues at WSA.<span style="mso-spacerun: yes;"> </span>I was confident in their support and willingness to turn out for this event.<span style="mso-spacerun: yes;"> </span>Other
audiences - the non-exclusive audiences I claim to seek - were harder to reach but half a dozen or so came along in
response to the local press coverage and radio interview I organised, or
the social media promotion of the event, or the listing in the City Council’s
‘what’s on’ guide.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0W6vDqoI5i5o9vjMy58NVEb7pI4I142fSn564dL9pz5T9NaA1i8Yyk9CwP7mmmgZlesI-Lz8fiaIDb_Wvl8oijd36pziZCRr-BV1kG_DmXUcjf7UwJDp5q_zNbhsTi83G9TY-RlP4mRfu/s1600/IMG_4681.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0W6vDqoI5i5o9vjMy58NVEb7pI4I142fSn564dL9pz5T9NaA1i8Yyk9CwP7mmmgZlesI-Lz8fiaIDb_Wvl8oijd36pziZCRr-BV1kG_DmXUcjf7UwJDp5q_zNbhsTi83G9TY-RlP4mRfu/s1600/IMG_4681.jpg" width="400" /></a></div>
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">As to
the motivation for the ‘March’: at worst, it could be seen as a vanity project; a
photo-opportunity created to provide a set of impressive images for a degree
show.<span style="mso-spacerun: yes;"> </span>At best, it was an authentic
action in the world that allowed audiences to become participants and gave them
reason to reflect on why optimism exists, despite all the reasons in the world
for pessimism.<o:p></o:p></span></div>
<div class="MsoNoSpacing">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVz2gVufV73dl0ij_-mPcPg2yI2TkGlw5_WZrR_1k0S2yICcMdWxjjmkk3_U4vRmBwlD__FvXlMFPunelcbstZRTVubFSGhxsCR1fwgMviBg939sAcT6lDwA0SLBrDO-7Y8mEq1Nq0a66h/s1600/IMG_4685.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVz2gVufV73dl0ij_-mPcPg2yI2TkGlw5_WZrR_1k0S2yICcMdWxjjmkk3_U4vRmBwlD__FvXlMFPunelcbstZRTVubFSGhxsCR1fwgMviBg939sAcT6lDwA0SLBrDO-7Y8mEq1Nq0a66h/s1600/IMG_4685.jpg" width="400" /></a></div>
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">This
project was dependent on the participation of potential audiences.<span style="mso-spacerun: yes;"> </span>Without them the work would not have come into
being.<span style="mso-spacerun: yes;"> </span>There was risk of failure here <b style="mso-bidi-font-weight: normal;">-</b> and hopefully commensurate rewards
for success: but what does success look like?<span style="mso-spacerun: yes;">
</span>Doherty suggests key tests for a public work: ‘<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="margin-left: 1.0cm; text-align: justify; text-justify: inter-ideograph;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">“Does it move you? Does it
shake up your perceptions of the world around you, or your backyard? Do you
want to tell someone else about it? Does it make you curious to see more?”
(Doherty: 2013, p16)<o:p></o:p></span></i></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I was pleased that people turned out and had an enjoyable experience. <span style="mso-spacerun: yes;"> </span>If they took time to consider their own
responses to the apparently optimistic texts, I was even more pleased. <span style="mso-spacerun: yes;"> </span> <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">March for Optimism Video in WSA degree show 2014</span></td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I was thrilled that my degree show work was selected for the 2014 Graduate Platform programme, leading in the first stage to a group exhibition at Aspex Gallery, Portsmouth. I feel this could be the beginning of
something and I will keep you posted. Meanwhile … I’m glad you’re
alive!</span><span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKoPEOd2tyouRIOSfmtp_95JXKwySLTCZbmiQe_LR0CrDwTCcGpYfe3gSIHFU-w3KERxebqTk4pfylpkza-eQhi1IVzbsm2z6yS7MNPyHw1KzZFv4mcTFq8YjMUuwPjBF37ZO-sDuIlMA7/s1600/Degree+SHow+PWD4.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKoPEOd2tyouRIOSfmtp_95JXKwySLTCZbmiQe_LR0CrDwTCcGpYfe3gSIHFU-w3KERxebqTk4pfylpkza-eQhi1IVzbsm2z6yS7MNPyHw1KzZFv4mcTFq8YjMUuwPjBF37ZO-sDuIlMA7/s1600/Degree+SHow+PWD4.JPG" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Print stack installed for WSA degree show, 2014</span></td></tr>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><i>Bibliography</i><o:p></o:p></span></b></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Bishop, C., <span style="mso-tab-count: 1;"> </span><i style="mso-bidi-font-style: normal;">‘Artificial Hells: Participatory Art and the
Politics of Spectatorship’</i>, Verso, London, 2012<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Clark, M., (Ed.) <i style="mso-bidi-font-style: normal;">‘Mark
Titchner’</i>, Arnolfini, Bristol, 2006<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Cubitt, S.,<i style="mso-bidi-font-style: normal;"> ‘Integral
Waste – Transmediale text’ </i><a href="https://www.academia.edu/5918647">https://www.academia.edu/5918647</a><span class="MsoHyperlink"><o:p></o:p></span></span></div>
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<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Cubitt, S., contribution to panel discussion <i style="mso-bidi-font-style: normal;">‘The Media of the Earth - Geologies of Flesh
and the Earth’</i>, Transmediale Festival, Berlin, 2014. <a href="http://www.transmediale.de/content/panel-the-media-of-the-earth-geologies-of-flesh-and-the-earth">http://www.transmediale.de/content/panel-the-media-of-the-earth-geologies-of-flesh-and-the-earth</a> <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Davey, R., <i style="mso-bidi-font-style: normal;">‘Spinning:
Nature, Culture and the Spiritual in the work of John Newling’</i> Nottingham
Contemporary, Nottingham, 2013<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Deller, J., <i style="mso-bidi-font-style: normal;">‘Joy in
People’</i>, Hayward Publishing, London, 2012<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Deller, J., <i style="mso-bidi-font-style: normal;">‘Procession’,</i>
Cornerhouse and Manchester International Festival, 2010<o:p></o:p></span></div>
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<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Deller, J., email correspondence with the author, 2014.<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Doherty, C. (Ed.), <i style="mso-bidi-font-style: normal;">‘Situation
– Documents in Contemporary Art’</i>, Whitechapel gallery, London, 2009<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Doherty, C., <i style="mso-bidi-font-style: normal;">‘The New
Rules of Public Art’</i>, Situations, Bristol, 2013<o:p></o:p></span></div>
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<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Dorling, D., <i style="mso-bidi-font-style: normal;">‘Injustice:
why social inequality persists’</i>, The Policy Press, Bristol, 2010<o:p></o:p></span></div>
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<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Doyle, C. C., <i style="mso-bidi-font-style: normal;">‘The
Dictionary of Modern Proverbs’</i>, Yale University Press, New Haven, CT, 2012<o:p></o:p></span></div>
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<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Driver, P., <i style="mso-bidi-font-style: normal;">press
release: March for Optimism</i>, 2014 – author’s archive<o:p></o:p></span></div>
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<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Halliday, N., <i style="mso-bidi-font-style: normal;">‘What’s the
point of it’ review of Martin Creed at Hayward Gallery</i>, Third Way vol 37 no
3 April 2014,</span></div>
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<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Hanley, L.,<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">‘Estates: an intimate history’</i>, Granta
Books, London, 2007</span></div>
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<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Harrold, T., <i style="mso-bidi-font-style: normal;">‘Paradise
Postponed: William Morris in the Twentieth Century’</i> in ‘William Morris
Revisited, Questioning the Legacy’ exhibition catalogue, Crafts council,
London, 1996<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Heath, L., <i style="mso-bidi-font-style: normal;">‘notes from
the artists’</i>, text for ‘I’m Glad You’re Alive!’ exhibition, OHOS, 2014, author’s
archive<o:p></o:p></span></div>
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<div class="MsoNormal" style="text-align: left;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Higgins, H., <i style="mso-bidi-font-style: normal;">‘Fluxus
Experience’</i>, University of California Press, Berkeley CA, 2002<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Hirschhorn, T., <i style="mso-bidi-font-style: normal;">‘Where do
I Stand? What do I Want?: Art Review Annual’</i>, Art Review, London, 2007<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Hirschhorn, T., comments in a lecture at the Royal College of
Art, 2014 (author’s notes)<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Hyde, L., ‘<i style="mso-bidi-font-style: normal;">The Gift: How
The Creative Spirit Transforms the World’</i>, Canongate Books, Edinburgh, 2006<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Jones, O., <i style="mso-bidi-font-style: normal;">‘Chavs: The
demonization of the working class’,</i> Verso, London, 2012<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Kellein, T., <i style="mso-bidi-font-style: normal;">‘Fluxus’</i>,
Thames and Hudson, London, 1995<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Kester, G., <i style="mso-bidi-font-style: normal;">‘Conversation
Pieces: Community + communication in Modern Art’</i>, University of California
Press, London, 2004<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Lee, L., & Foster, H., (Eds.), <i style="mso-bidi-font-style: normal;">‘Critical Laboratory: the Writings of Thomas Hirschhorn’ </i>MIT Press,
Cambridge MA, 2013<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Morris, W., <i style="mso-bidi-font-style: normal;">‘On Art &
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Rookmaaker, H. R., <i style="mso-bidi-font-style: normal;">‘Modern
Art and the Death of a Culture’</i>, Inter-Varsity Press, London, 1970<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Seerveld, C., <i style="mso-bidi-font-style: normal;">‘Rainbows
for the Fallen World’</i>, Toronto Tuppence Press, Ontario, 1980<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Smith, B. & R., <i style="mso-bidi-font-style: normal;">‘Make
Your Own Damn Art: Bob and Roberta Smith’,</i> Black Dog Publishing, London,
2005</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Whitley, Z., ‘<i style="mso-bidi-font-style: normal;">The Graphic
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Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-59988628490932837162013-11-12T07:45:00.003-08:002018-06-24T07:51:40.587-07:00I'm glad you're alive!<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">The latest woodcut is taken from a hand-written note. I was challenged recently to think about the philosophy that underlies my politics and having thought about it for a while, I woke up in the middle of the night with 'I'm glad you're alive!' running through my head. </span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMNK6cKMQFrOqjmWnil_ZBqp61haID4RKbZZxuBR2IfOil5v1rWwm65vcKbtXotEmUGmsgo9hXPWByNzAahKRaXC_olwrcne8ws-vPJJtMwxrPZyjCZ66_pawqQJqQbNdnmAyx4DpG3NwB/s1600/Glad+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1011" data-original-width="1600" height="404" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMNK6cKMQFrOqjmWnil_ZBqp61haID4RKbZZxuBR2IfOil5v1rWwm65vcKbtXotEmUGmsgo9hXPWByNzAahKRaXC_olwrcne8ws-vPJJtMwxrPZyjCZ66_pawqQJqQbNdnmAyx4DpG3NwB/s640/Glad+1.jpg" width="640" /></a></span></div>
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<span style="font-family: 'courier new', courier, monospace; font-size: large;">The phrase might seem trite, or twee at first glance but presented as a woodcut print in a formal setting, does it open up a deeper train of thought? Who is 'I' and who is'you' - is it one person, many people, or all people?</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">In my personal philosophy, I place a very high value on the human being: every one is important and has the potential for fulfilment. I once defined my personal artistic manifesto as: "I am for an art that loves everybody". For me, everyone is an expression of the one source of all things, which some call God, although I hesitate to use the word because our civilisation has created a character called 'God', choosing words to put in his mouth to justify our own actions, to condemn others' and conjour all sorts of mean-spirited bigotry. </span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Anyway, as a thought-experiment, imagine treating every person you meet as though you are truly glad they are alive; valuing their lives and abilities, their past and future. It places heavy demands on our politics, priorities, and attitudes. That idea, glimpsed from the corner of my eye is the one I want to explore when I say 'I'm glad you're alive!'.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">This project is only just beginning - watch this space.</span>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-67308333866035518112013-10-30T07:42:00.000-07:002013-10-30T07:45:27.416-07:00New Woodcut<span style="font-family: Courier New, Courier, monospace; font-size: large;">The latest woodcut 'Together', is finally finished. I ended up with an edition of 9 prints. The four colours are all different mixes of French Ultramarine, Poppy Red, Golden Yellow and Opaque White.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpx1C-Vowze4EDtIYvNeLm4PZXox5dZQj5OO0iBcb8bp_wAqYKA2O2HMlBRyLvaFiqQyOvd7nx6EnH9WkAiEIUdRr9p1gGr94iIBYLBCCL1uF44XkTaaKUPkF2dRZvcUfaOyMzr0TjgfJ_/s1600/scan_2013-10-29_18-02-43.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpx1C-Vowze4EDtIYvNeLm4PZXox5dZQj5OO0iBcb8bp_wAqYKA2O2HMlBRyLvaFiqQyOvd7nx6EnH9WkAiEIUdRr9p1gGr94iIBYLBCCL1uF44XkTaaKUPkF2dRZvcUfaOyMzr0TjgfJ_/s640/scan_2013-10-29_18-02-43.jpg" width="640" /></a></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">The text emerging from the colour fields was originally intended as an expression of impotent rage against a government that is imposing savage spending cuts in the name of austerity which impact disproportionately on women and on the poorest people in our (UK) society. The infamous claim by millionaire Chancellor of the Exchequer, George Osborne, was that 'we are all in this together'. He didn't say 'this is going to hurt you more than it hurts me' but he could have done! </span><br />
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">However there is another, deeper, meaning in the text, away from cheap political point-scoring and thinking more holistically about us as a species on the planet: as the human race. There is a real sense in which recognising our shared responsibilities toward each other, our common humanity and interdependence is a prerequisite for a politics that might see human beings survive, in freedom, in the long term. My view of human beings is a high one, and my life and politics are informed by the conviction that all people are important, that human rights are universal, and that we really are 'all in this together'.</span><br />
<br />Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-79120879451771758842013-10-29T09:30:00.002-07:002018-06-24T07:52:34.294-07:00Art&Ride<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">The latest woodcut 'Together', is finally finished. I ended up with an edition of 9 prints. The four colours are all different mixes of French Ultramarine, Poppy Red, Golden Yellow and Opaque White.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpx1C-Vowze4EDtIYvNeLm4PZXox5dZQj5OO0iBcb8bp_wAqYKA2O2HMlBRyLvaFiqQyOvd7nx6EnH9WkAiEIUdRr9p1gGr94iIBYLBCCL1uF44XkTaaKUPkF2dRZvcUfaOyMzr0TjgfJ_/s1600/scan_2013-10-29_18-02-43.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpx1C-Vowze4EDtIYvNeLm4PZXox5dZQj5OO0iBcb8bp_wAqYKA2O2HMlBRyLvaFiqQyOvd7nx6EnH9WkAiEIUdRr9p1gGr94iIBYLBCCL1uF44XkTaaKUPkF2dRZvcUfaOyMzr0TjgfJ_/s640/scan_2013-10-29_18-02-43.jpg" width="640" /></a></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">The text emerging from the colour fields was originally intended as an expression of impotent rage against a government that is imposing savage spending cuts in the name of austerity which impact disproportionately on women and on the poorest people in our (UK) society. The infamous claim by millionaire Chancellor of the Exchequer, George Osborne, was that 'we are all in this together'. He didn't say 'this is going to hurt you more than it hurts me' but he could have done! </span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><br /></span>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">However there is another, deeper, meaning in the text, away from cheap political point-scoring and thinking more holistically about us as a species on the planet: as the human race. There is a real sense in which recognising our shared responsibilities toward each other, our common humanity and interdependence is a prerequisite for a politics that might see human beings survive, in freedom, in the long term. My view of human beings is a high one, and my life and politics are informed by the conviction that all people are important, that human rights are universal, and that we really are 'all in this together'.</span><br />
<br />Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-59861310155621337602013-09-22T07:03:00.004-07:002013-09-22T11:56:19.563-07:00Greenham Common and Eton Wick<span style="font-family: Courier New, Courier, monospace;">On Greenham Common, the concrete runways of the old American airbase have long since been broken up and the land has returned to an extensive swathe of heathland habitat. </span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Greenham Common</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">The heroines of the Women's Peace Camp who refused to be silent at the basing of Cruise Missiles at Greenham Common would, I hope, be pleased to see what has become of their former temporary home.</span><br />
<span style="font-family: Courier New, Courier, monospace;">A short drive from home, a visit was prompted by a text-message report of a <a href="http://www.rspb.org.uk/wildlife/birdguide/name/r/redbackedshrike/index.aspx"><span style="color: #e06666;">Red-backed Shrike</span></a>, a migrant that isn't often found this far inland - (they fairly regularly crop-up on the East Coast). A small group of Newbury birders were already gathered at the spot so it was easy to locate the bird, which continued to fly-catch from the tops of fence posts and bushes, flying up, snatching large, winged insects out of the air and returning to its perch to gulp them down. The Shrike had a supporting cast of <a href="http://www.rspb.org.uk/wildlife/birdguide/name/w/whinchat/index.aspx"><span style="color: #e06666;">Whinchat</span></a>, <a href="http://www.rspb.org.uk/wildlife/birdguide/name/s/stonechat/index.aspx"><span style="color: #e06666;">Stonechat</span></a>, <a href="http://www.rspb.org.uk/wildlife/birdguide/name/w/woodlark/index.aspx"><span style="color: #e06666;">Woodlark</span></a>, and <a href="http://www.rspb.org.uk/wildlife/birdguide/name/w/wheatear/index.aspx"><span style="color: #e06666;">Wheatear</span></a>. This was the kind of day that makes birding a joy and a pleasure. Walking back towards the car park at the old control tower, with one of the other birders, we spotted six <a href="http://www.rspb.org.uk/wildlife/birdguide/name/g/goldenplover/index.aspx"><span style="color: #e06666;">Golden Plover</span></a>, about ten metres away, perfectly camouflaged against the gravelly ground. </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpw5gBuSQf-C7_RDnBbVjq7qcn3oH1-DWwPup92gfD4XnvJv8FxdsI1wggfy3ajB_sLuSfvCctoZyMPIy_lsS6a2Eb6bVs3phTD_12QUAmor0g10d8ypmj5nZf0nfBvQ_CoaL6kYzOFpjG/s1600/SAM_0380.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpw5gBuSQf-C7_RDnBbVjq7qcn3oH1-DWwPup92gfD4XnvJv8FxdsI1wggfy3ajB_sLuSfvCctoZyMPIy_lsS6a2Eb6bVs3phTD_12QUAmor0g10d8ypmj5nZf0nfBvQ_CoaL6kYzOFpjG/s400/SAM_0380.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Eton Wick</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;"><br /></span><span style="font-family: Courier New, Courier, monospace;">Another text-message informed me that further East in the County, a <a href="http://www.rspb.org.uk/wildlife/birdguide/name/r/ruff/index.aspx"><span style="color: #e06666;">Ruff</span></a> had turned up at Eton Wick, where a flooded field has been attracting flocks of geese and a few interesting waders for some time. Located bizarrely within sight of Windsor Castle and Slough Sewage Works, I found the contrasting neighbourhood amusing. </span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Eton Wick</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">The reeds and hedgerow beside the stream contained <a href="http://www.rspb.org.uk/wildlife/birdguide/name/c/cettiswarbler/index.aspx"><span style="color: #e06666;">Cetti's Warbler</span></a> and <span style="color: #e06666;"><a href="http://www.rspb.org.uk/wildlife/birdguide/name/c/chiffchaff/index.aspx"><span style="color: #e06666;">Chiffchaff</span></a>.</span> </span><br />
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<span style="font-family: Courier New, Courier, monospace;">Walking on past the flood, the path came out beside the Jubilee River - a hydraulic flood-relief channel for the Thames. </span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Jubilee River</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">Now about 20 years old, the River and the attractive habitat created at Dorney Wetlands </span><span style="font-family: 'Courier New', Courier, monospace;">have become</span><span style="font-family: 'Courier New', Courier, monospace;"> havens for wildlife.</span><br />
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<span style="font-family: 'Courier New', Courier, monospace;">Crossing the footbridge to Dorney Wetlands, I skirted Slough sewage works (a historic hot-spot for waders and the odd rare passerine), with Windsor Castle over the river to the south east. </span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Windsor Castle</span></td></tr>
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<span style="font-family: 'Courier New', Courier, monospace;">Another bridge brought me back to the Jubilee river cycle path and better views of the Ruff down on Eton Wick.</span><br />
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<span style="font-family: 'Courier New', Courier, monospace;">I found about 30 Snipe and one Ringed Plover were also feeding in the muddy scrape which has held the Ruff's attention for several days now. </span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Snipe and Ringed Plover</span></td></tr>
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<span style="font-family: 'Courier New', Courier, monospace;">A large flock of Lapwing also settled on the scrape but were soon off again, flushed by the shadow of a Red Kite crossing the water. </span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Lapwing flock over Eton Wick</span></td></tr>
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<span style="font-family: 'Courier New', Courier, monospace;">All in all, it was a perfect afternoon's birding. Still feeling reflective - but not so discontent, I made my way home through the rush-hour traffic on the M4.</span><br />
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<span style="font-family: Courier New, Courier, monospace;"><br /></span>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-9651576657105108782013-09-15T09:30:00.004-07:002013-09-15T09:31:33.767-07:00Joining the Mottisfont Residency Team<span style="font-family: Courier New, Courier, monospace; font-size: large;">Anna Heinrich and Leon Palmer (see their website <a href="http://www.heinrichpalmer.co.uk/"><span style="color: #e06666;">HERE</span></a>)are conducting a three-month artists' residency at <a href="http://www.nationaltrust.org.uk/mottisfont/"><span style="color: #e06666;">Mottisfont</span></a>, a National Trust property with a long tradition of making spaces for contemporary art. They have drawn around them a group of artists and students to foster a range of creative responses to the site.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPkVTbbYEFCVEFtLZTEzTZ7pTGouQkIpWs8341lYbAmmXpthFNYunrUdH8jjIv_n0ZL5hdL99VLT0qmO9nHgATTx14bY3LY3TSTHm3bMDe00DFQP7eDSNgC3XMWz1_9aR3Gji-nsYk6iFU/s1600/SAM_0282.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPkVTbbYEFCVEFtLZTEzTZ7pTGouQkIpWs8341lYbAmmXpthFNYunrUdH8jjIv_n0ZL5hdL99VLT0qmO9nHgATTx14bY3LY3TSTHm3bMDe00DFQP7eDSNgC3XMWz1_9aR3Gji-nsYk6iFU/s400/SAM_0282.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">The Mottisfont Plane tree</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">Rather late in the process, I have joined the party, and my daughter Alice (a recent graduate in Cultural Studies) has decided to come along for the ride.</span><br />
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">We arrived at the artists' studio in Mottisfont on 5 September, having never been to this part of Hampshire before.I could tell from the co-creative session we joined that the earlier workshops had already generated a great deal of activity and diverse interpretations of Mottisfont.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4oHFJwRZo-r9Qde9xZcO1Ho7r7fvPnczkwzTWPlQBu34aJaZz4Zg_pjEGpeqAF_wI-ct8dkSuvRb4zPJjNjsQP006xOfmJZbgIXTrx_cAfOEe71S8j1kbSWUKKTGWXmAGzhG1wu76Y_nv/s1600/meeting.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="464" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4oHFJwRZo-r9Qde9xZcO1Ho7r7fvPnczkwzTWPlQBu34aJaZz4Zg_pjEGpeqAF_wI-ct8dkSuvRb4zPJjNjsQP006xOfmJZbgIXTrx_cAfOEe71S8j1kbSWUKKTGWXmAGzhG1wu76Y_nv/s640/meeting.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Drawing of the co-creative workshop, made without looking at the paper</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">When we finally got out onto the site, to explore the house and grounds, my first impression of Mottisfont was of a place insulated from the cares of the world by a genteel cloak of wealth and privilege; a retreat and refuge from the harsh realities of life. If it was that kind of sanctuary in the past, when it was the home of a succession of wealthy families and their celebrity guests, it still seems to retain some of that character today.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijnGww2eJ5Jj6xGSFyfdJNPCMi0XPQweYFxkZ5qPXqVzdsh9-ielPx7zcM7xigUFGVvgCqcY2qDfXDMFUQjSG0VjORv38t3dfzZZ_Yv3Sflli6xQsgiDpqlxL-tGZ7hY96LpKWfVk4inE0/s1600/SAM_0299.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijnGww2eJ5Jj6xGSFyfdJNPCMi0XPQweYFxkZ5qPXqVzdsh9-ielPx7zcM7xigUFGVvgCqcY2qDfXDMFUQjSG0VjORv38t3dfzZZ_Yv3Sflli6xQsgiDpqlxL-tGZ7hY96LpKWfVk4inE0/s400/SAM_0299.JPG" width="300" /></a></div>
<span style="font-family: Courier New, Courier, monospace;"><span style="font-size: large;">The visiting public were predominantly retired, white, middle class couples with the occasional grandchild. I imagined they were daydreaming, as they perambulated in the sunshine, about the luxurious lifestyles of the former owners, admiring the walled gardens, riverside walks and 'great tracts of land'</span>.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Window within the Cellarium <br />around which the current house has been built</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">Now it is owned by the National Trust so I have to wrestle with the paradox of the estate's privileged past and it's ostensibly public-serving present. 'Forever, for everyone' (<i>provided they can pay to get in</i>).</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Scheming with an ice-cream</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">However much I tried, I couldn't get excited about the place on this first visit. The artists, on the other hand - now there was something to get excited about; with their creative ideas buzzing around in a subversive maelstrom of inventiveness.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Alice in the Cellarium</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">I wondered at the task Anna and Leon had taken on, of orchestrating this rich mix of responses into a cohesive presentation within one small and idiosyncratic exhibition space. I wanted to see how this played out and to engage with it, be involved and learn from the experience. I'm in.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">The Cellarium houses a soundscape installation, <br />with overlapping loops of sound composed by Hywel Davies</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Who is this? Pan?</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;"><br /></span>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-36071879897915412512013-08-30T07:13:00.000-07:002013-08-30T07:21:31.019-07:00Seamus Heaney RIP<span style="font-family: Courier New, Courier, monospace;">Quitting Time</span><br />
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<span style="font-family: 'Courier New', Courier, monospace;">The hosed-down chamfered concrete pleases him.</span><br />
<span style="font-family: Courier New, Courier, monospace;">He'll wait a while before he kills the light</span><br />
<span style="font-family: Courier New, Courier, monospace;">On the cleaned-up yard, its pails and farrowing crate,</span><br />
<span style="font-family: Courier New, Courier, monospace;">And the cast-iron pump immobile as a herm</span><br />
<span style="font-family: Courier New, Courier, monospace;">Upstanding elsewhere, in another time.</span><br />
<span style="font-family: Courier New, Courier, monospace;">More and more this last look in the wet</span><br />
<span style="font-family: Courier New, Courier, monospace;">Shine of the place is what means most to him -</span><br />
<span style="font-family: Courier New, Courier, monospace;">And to repeat the phrase, 'My head is light',</span><br />
<span style="font-family: Courier New, Courier, monospace;">Because it often is as he reaches back</span><br />
<span style="font-family: Courier New, Courier, monospace;">And switches off, a home-based man at home</span><br />
<span style="font-family: Courier New, Courier, monospace;">In the end with little. Except this same</span><br />
<span style="font-family: Courier New, Courier, monospace;">Night after nightness, redding up the work,</span><br />
<span style="font-family: Courier New, Courier, monospace;">The song of a tubular steel gate in the dark</span><br />
<span style="font-family: Courier New, Courier, monospace;">As he pulls it to and starts his uphill trek.</span><br />
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">(c) Seamus Heaney 2006, from District and Circle, pub. faber and faber 2006</span></blockquote>
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<span style="font-family: Courier New, Courier, monospace;">So often Heaney's everyday words placed in order fit together like a dry stone wall to make a solid memory of a thing. </span></div>
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<span style="font-family: Courier New, Courier, monospace;">His passing, announced by his family this morning, makes this a sad day. </span></div>
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Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-60645335274498286312013-08-28T10:17:00.003-07:002013-08-29T00:37:27.472-07:00A Blessing by John O'Donoghue and an emerging Artistic Vision<span style="font-family: Courier New, Courier, monospace;">Last weekend was the 40th Greenbelt Festival - <a href="http://www.greenbelt.org.uk/"><span style="color: #e06666;">website HERE</span></a> - an arts festival rooted in the Christian tradition: a collision of arts, faith and justice. I have the honour of being voluntary Company Secretary for the Charity and Company, using some of my skills to support the only expression of Christianity I have found that I can live with. Its ethos is inclusive, open, curious, generous, imaginative and welcoming. It therefore meets with the disapproval of several branches of the church for various things they might see as shortcomings, or aberrations (probably the very same things that allow me to be involved at all).</span><br />
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<span style="font-family: Courier New, Courier, monospace;">Anyway, the festival is run by a small core of dedicated and creative staff and about 1,500 volunteers. This year our creative director opened the volunteers' pre-festival welcome event with a 'blessing' written by the late great philosopher/priest/poet <a href="http://www.johnodonohue.com/"><span style="color: #e06666;">John O'Donoghue</span></a>. The words struck me as an encapsulation of much of my motivation in life and in making art:</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif; font-size: x-small;"><br /></span>
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May the light of your soul guide you.</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May the light of your soul bless the work</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">You do with the secret love and warmth of your heart.</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May you see in what you do the beauty of your own soul.</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May the sacredness of your work bring healing, light and renewal to those</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">Who work with you and to those who see and receive your work. </span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May your work never weary you.</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May it release within you wellsprings of refreshment, inspiration and excitement. </span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May you be present in what you do.</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May you never become lost in the bland absences.</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May the day never burden you.</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May dawn find you awake and alert, approaching your new day with dreams,</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">Possibilities and promises.</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May evening find you gracious and fulfilled.</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May you go into the night blessed, sheltered and protected.</span><br />
<span style="color: #f9cb9c; font-family: Verdana, sans-serif;">May your soul calm, console and renew you. </span><br />
<span style="font-size: x-small;"><span style="color: #f9cb9c; font-family: Verdana, sans-serif;"><br /></span></span><span style="font-family: Courier New, Courier, monospace;">Some of the Greenbelt faithful have spent months wrestling with a definition of its approach to art and what art is. Greenbelt has now published this quite interesting 'emerging artistic vision':</span><br />
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<span style="color: #ea9999; font-family: Courier New, Courier, monospace; font-size: x-large;">WHAT IS ART?</span><br />
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<span style="color: #ea9999; font-family: Courier New, Courier, monospace;">AN ACT OF THE IMAGINATION...</span><br />
<span style="font-family: Courier New, Courier, monospace;">Imagination is more than the impulse to create. It is the ability to see something that is not there, to plan, to hope, to empathise. Politics, social outreach and theology are all rooted in the imagination.</span><br />
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<span style="font-family: Courier New, Courier, monospace;">So, of course, is art. And we believe that...</span><br />
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<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>ART IS DIVINE.</b></span><br />
<span style="font-family: Courier New, Courier, monospace;">Creativity and imagination have their source in God and point us back to their source.</span><br />
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<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>ART IS GIFT.</b></span><br />
<span style="font-family: Courier New, Courier, monospace;">Not a product, but an expression of meaning that is invaluable.</span><br />
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<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>ART IS LIFE-AFFIRMING.</b></span><br />
<span style="font-family: Courier New, Courier, monospace;">Helping is feel more fully human, awakening us to our true value.</span><br />
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<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>ART IS EFFECTIVE.</b></span><br />
<span style="font-family: Courier New, Courier, monospace;">Communicating and connecting in ways words cannot.</span><br />
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<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>ART IS JUST.</b></span><br />
<span style="font-family: Courier New, Courier, monospace;">Challenging the status quo, cutting through convention, subverting power.</span><br />
<span style="font-family: Courier New, Courier, monospace;"><b><br /></b></span>
<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>ART IS TRANSFORMATIVE.</b></span><br />
<span style="font-family: Courier New, Courier, monospace;">Personally and communally, building identity and well-being.</span><br />
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>ART IS COLLABORATIVE.</b></span><br />
<span style="font-family: Courier New, Courier, monospace;">Participating is as important as the end result; art is a shared experience.</span><br />
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>ART IS TRUTHFUL.</b></span><br />
<span style="font-family: Courier New, Courier, monospace;">Enabling us to create meaning, connecting our stories to other stories.</span><br />
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<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>And what we believe about art, we believe about ideas too. </b></span><br />
<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>We programme both.</b></span><br />
<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>We cherish both.</b></span><br />
<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>We celebrate both.</b></span><br />
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<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b><br /></b></span>
<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>Art and ideas.</b></span><br />
<span style="color: #ea9999; font-family: Courier New, Courier, monospace;"><b>Acts of the imagination.</b></span><br />
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Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-69923727966717715452013-08-19T10:31:00.000-07:002013-08-19T10:31:53.186-07:00Basing House Dig: Vols 3, 4 and 5<span style="font-family: Courier New, Courier, monospace;">The second and third week of the dig involved the team in completing the re-opening of the 1960s box-grid excavation. Archaeologists, students, researchers, local volunteers: all working to gather as much information as possible from this little area of ground, giving up its secrets as the different contexts were worked down through.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxH8fyVnfGYLOoxnJb9dxRLIZBE3mWTja2RoG4O0buZtiyIMVIo6sOsty1hIaddji2HDvtn5lDZMBHhtFdXpzS-TfmAIlJq1NUl2rluJk3Y4gOLBXgTK5ZZbs1-4n1ADXMyYT6_aSlZilt/s1600/BH+Drawing+05PWD.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="441" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxH8fyVnfGYLOoxnJb9dxRLIZBE3mWTja2RoG4O0buZtiyIMVIo6sOsty1hIaddji2HDvtn5lDZMBHhtFdXpzS-TfmAIlJq1NUl2rluJk3Y4gOLBXgTK5ZZbs1-4n1ADXMyYT6_aSlZilt/s640/BH+Drawing+05PWD.jpg" width="640" /></a></div>
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<span style="font-family: Courier New, Courier, monospace;">The different layers beneath the turf are called 'contexts'. At Basing House the layers included a burnt-flint layer above a crushed chalk floor of what were probably late iron-age round houses. </span></div>
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<span style="font-family: Courier New, Courier, monospace;">The production of zines consumed a great deal of my time - with some assistance on folding duties from a few of the students,and patient support from the visitor centre staff when the photocopier jammed or needed logging-in. </span></div>
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<span style="font-family: Courier New, Courier, monospace;">The zines aimed to capture some of my thoughts and reflections and to provide a memento/souvenir of the experience for the members of the dig team. I made limited editions of 52 signed copies of each zine. I suppose I did that to make them somehow more 'special' more personal, more 'valuable' to the recipients.</span></div>
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<span style="font-family: Courier New, Courier, monospace;">I was working with limited studio-access and limited media: paper, drawing pens, a b/w printer, my friend's home made pasta-press for producing mono prints, black litho/relief ink, some coloured pencils. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigLkB8j7hAAqkMyvsWTcrh1mpTuTit2fFKuRad2cNXsRhrPeyxmsrEbisWwIMgx3tuDKq08IQlMKgWXVA2CKJqYtO7ZE1iqAntoWtsyLtRWJ9Mi9FiybsL8JRHN44uBzQ5LwitW6e0PS9l/s1600/BH+drawing+16PWD.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="451" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigLkB8j7hAAqkMyvsWTcrh1mpTuTit2fFKuRad2cNXsRhrPeyxmsrEbisWwIMgx3tuDKq08IQlMKgWXVA2CKJqYtO7ZE1iqAntoWtsyLtRWJ9Mi9FiybsL8JRHN44uBzQ5LwitW6e0PS9l/s640/BH+drawing+16PWD.jpg" width="640" /></a></div>
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<span style="font-family: Courier New, Courier, monospace;">My output reflects those limitations but it was more limited by the size of my imagination.</span></div>
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<span style="font-family: 'Courier New', Courier, monospace;">Some students wanted to try mono-printing techniques so I did a number of mini workshops with two students at a time coming to my makeshift studio and producing their first ever </span><span style="font-family: 'Courier New', Courier, monospace;">mono-prints. Some even made work with archaeology themes. A few of their prints appeared in the zines, one commanded the front cover of zine Vol. 5.</span></div>
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<span style="font-family: Courier New, Courier, monospace;">The material excavated and dumped on the spoil heap included beautifully formed flints, crumbling soft chalk, clay, stone, earth, roots, bits of old tyre...all had their own charm. </span></div>
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<span style="font-family: Courier New, Courier, monospace;">The working methods with spade and shovel, mattock and trowel allowed layers to be cleared efficiently and sensitively down to a fine shaving of soil to find the edges of each feature and context.</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Each find was thoroughly documented - from a Carling Black Label can to a stunningly preserved Roman coin.</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Making work in response to all this excitement was a challenge. So many visualising technologies were in use by the team, with meticulous section drawing, formal photography and image capture to enable computer modelling - that I found myself withdrawing to the comfort zone of old technology, pen and paper, glue and scissors and printmaking. </span></div>
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<span style="font-family: Courier New, Courier, monospace;">Perhaps next time I will be braver and engage with some new media expressions. </span></div>
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<span style="font-family: Courier New, Courier, monospace;">It was a privilege to work beside these people and to see the sum total of human knowledge and happiness increased by a notch or two.</span></div>
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<span style="font-family: Courier New, Courier, monospace;"><br /></span>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-48859421074153850962013-08-01T08:59:00.000-07:002013-08-01T08:59:21.834-07:00The Basing House Dig - Zine Vol 2.5Some of the outputs from the Basing House residency silk screen and monoprint workshop, collected into an 8-page foldy-zine. Work by Nicole Beale, Michael Davies, Peter Driver and Lucy Whitehall.<br />
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<br />Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-32328704495167200942013-08-01T04:49:00.002-07:002013-08-01T04:54:26.278-07:00Basing House - Artist in Residence<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Courier New, Courier, monospace;">Assembling the gear (including a lot of borrowed kit) to set up my studio at <a href="http://www3.hants.gov.uk/basing-house.htm"><span style="color: #e06666;">Basing House</span></a>,Hampshire, where I am <a href="http://basinghousecat.wordpress.com/2013/07/02/meet-the-team-peter-driver/"><span style="color: #e06666;">Artist-in-Residence</span></a> for three weeks. </span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #e69138; font-family: Arial, Helvetica, sans-serif; font-size: small;">Makeshift studio set-up in the learning resource centre with my laptop, <br />Andy Reaney's printer and the WSA monoprint kit, including a <br />press improvised from a lasagne press.</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">Basing House was a very grand Tudor House, of similar design to the Tudor parts of Hampton Court Palace. It was owned by Sir William Paulet and visited by royalty including Henry VIII and Elizabeth I. Built on the site of a Norman ring and bailey castle, with evidence of earlier Romano British and Bronze Age activity, it has long been the subject of serious archaeological study. The House was completely destroyed in a 'great conflagration' during the Civil War, with only the Great Barn and a few outhouses remaining.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYpfF7gtnyIon4vtwZt3t5xj26K7GFpSzu-adLhiZZzm9fjv6YaMlV9VHtrg2MTV46BB2qNBnIMamQqXFQlwxeURLVAtlx-Z6sRBEoE8bf5lPoB9AekG8xYPrmeju6GSRa4wbXXCWu5M9Q/s1600/2013-07-22+13.28.16.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYpfF7gtnyIon4vtwZt3t5xj26K7GFpSzu-adLhiZZzm9fjv6YaMlV9VHtrg2MTV46BB2qNBnIMamQqXFQlwxeURLVAtlx-Z6sRBEoE8bf5lPoB9AekG8xYPrmeju6GSRa4wbXXCWu5M9Q/s400/2013-07-22+13.28.16.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #e69138; font-family: Arial, Helvetica, sans-serif; font-size: small;">Interior of the Great Barn at Basing House <br />(complete with Civil War period cannon-ball holes in the walls)</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">The current dig, by archaeologists from Southampton University, Hampshire Museums service and local volunteers, is excavating part of the earthwork defences erected hastily during the English Civil War as a first line of defence against Cromwell's New Model Army.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #e69138; font-family: Arial, Helvetica, sans-serif; font-size: small;">De-turfing the 1960s excavation site - archaeolology about archaeology</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">As Artist-in-residence I have made drawings and photographs, the plan is to create a series of 8-page zines (foldy-zines each made from a single sheet of A3) I am producing them in real-time, during the dig, so far each member of the dig-team has received copies of Vol. 1 and Vol 2.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #e69138; font-family: Arial, Helvetica, sans-serif; font-size: small;">Vol 1 and Vol 2 - limited editions of 52 </span><br />
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<span style="font-family: Courier New, Courier, monospace;">The first volume borrowed some of the style of a Civil War period pamphlet, the second was largely concerned with the team's contextual visit to Hampton Court Palace.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3KGLWwqzIFYAb6nPHU8z_7d89RZvHbnILPc7SOi_cJGshajHGF0NveuCIstM7f3tHAEPPr8ISAAgeiSM8Vx1TdCiqV3cB9B-w9GTvzZpgjBjnFjGzdnXj0dsNfVw-MZ8_Okn2AM44bLMQ/s1600/IMG+zines_0002.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3KGLWwqzIFYAb6nPHU8z_7d89RZvHbnILPc7SOi_cJGshajHGF0NveuCIstM7f3tHAEPPr8ISAAgeiSM8Vx1TdCiqV3cB9B-w9GTvzZpgjBjnFjGzdnXj0dsNfVw-MZ8_Okn2AM44bLMQ/s640/IMG+zines_0002.jpg" width="451" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #e69138; font-family: Arial, Helvetica, sans-serif; font-size: small;">Part of Vol. 1</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcmSg9eYObly1MQfmlSRYqxbWGzOYuLpVSh9Zy6DhYiAtneu-7Mjjh3hVtJvyRBK6MOjcSaP0OC2L0e-vXdKoWfbojxvWKPnKDrdT6SsBSzZc4pDBxUGor7bxT98RFhAZnoO8IAqVYtT9p/s1600/IMG+zines_0003.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcmSg9eYObly1MQfmlSRYqxbWGzOYuLpVSh9Zy6DhYiAtneu-7Mjjh3hVtJvyRBK6MOjcSaP0OC2L0e-vXdKoWfbojxvWKPnKDrdT6SsBSzZc4pDBxUGor7bxT98RFhAZnoO8IAqVYtT9p/s640/IMG+zines_0003.jpg" width="441" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #e69138; font-family: Arial, Helvetica, sans-serif; font-size: small;">Part of Vol. 2</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">Basing House is offering family activity days for two days per week during the dig. The students have created activities related to Tudor games, and archaeology. My artist friends <span style="color: #e06666;"><a href="http://jeffphegley.com/NEWS"><span style="color: #e06666;">Jeff Phegley</span></a> </span>and <a href="http://www.michaeldaviesprint.com/"><span style="color: #e06666;">Mike Davies</span></a>, came to help run silk screen print workshops, mostly for children, and to demonstrate monoprint and woodcut techniques. </span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #e69138; font-family: Arial, Helvetica, sans-serif; font-size: small;">Clear line of white chalk evident below the Civil War embankment level</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">By day nine, the archaelogists had removed most of the infill from the 1960's excavation, revealing the edges of the box-grid digging system which was prevalent back then. This shows clear stratification of the ground level prior to the Civil War earth works and lower levels, where Romano British sherds have been uncovered.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirUpF7uLuUjUWqYt6dedbCNvaJ9BZ-An-eEiDrosU2OfXHkQC7CjHzzgE-1NPf0uzLLBV3OLp8pEvXDZ2OyMD2D1Y7ZpfJFVVbB521auwOoHdHgHWyQyQfm8xcaiJNEFeaJdNAN-9XUhen/s1600/2013-07-31+09.34.05.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirUpF7uLuUjUWqYt6dedbCNvaJ9BZ-An-eEiDrosU2OfXHkQC7CjHzzgE-1NPf0uzLLBV3OLp8pEvXDZ2OyMD2D1Y7ZpfJFVVbB521auwOoHdHgHWyQyQfm8xcaiJNEFeaJdNAN-9XUhen/s400/2013-07-31+09.34.05.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #e69138; font-family: Arial, Helvetica, sans-serif; font-size: small;">Cleaning sherds of Romano-British pottery at the finds desk</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">Watch this space for more updates and some glimpses of the mono-prints and other work generated in response to the dig.</span><br />
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Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-18990058084852854452013-06-18T04:45:00.002-07:002013-06-18T04:53:26.519-07:00New woodcut<span style="font-family: Courier New, Courier, monospace; font-size: large;">Working at a smaller scale, a new woodcut is underway.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6S1zyNYJtNuAuvUmFBzbblBr2Aa8POIFxBSsuc9eWCVUI3C6uWeF25ysDYVzuKAc-c57Vjs93c1QLx71Aduk2evnalBbqBLej3Kja5MvbcpRU7kxCLLNDzedcia0yV8UgNufsw8ppd6hi/s1600/2013-06-12+14.36.17.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6S1zyNYJtNuAuvUmFBzbblBr2Aa8POIFxBSsuc9eWCVUI3C6uWeF25ysDYVzuKAc-c57Vjs93c1QLx71Aduk2evnalBbqBLej3Kja5MvbcpRU7kxCLLNDzedcia0yV8UgNufsw8ppd6hi/s640/2013-06-12+14.36.17.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtlVzU99W13eYHU-R2ozhmfYvfSqYf9QGR6cev1IuGqGq7GxWDMYzOPwj5Ke1e9oFkp54WijJ_b3lpDQQ5V7LGvFQfv2Qp783T6OG7XG5M0fqTz8kFApQEOrXeNnKJO_cWJ3RiUa-YaPa8/s1600/2013-06-17+15.55.38.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtlVzU99W13eYHU-R2ozhmfYvfSqYf9QGR6cev1IuGqGq7GxWDMYzOPwj5Ke1e9oFkp54WijJ_b3lpDQQ5V7LGvFQfv2Qp783T6OG7XG5M0fqTz8kFApQEOrXeNnKJO_cWJ3RiUa-YaPa8/s400/2013-06-17+15.55.38.jpg" width="400" /></a></div>
<span style="font-family: Courier New, Courier, monospace; font-size: large;">After the second phase, with two colours, plus white - mixing precise triangular patterns and letters with more gestural cuts.</span><br />
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">Carefully mixing the relief inks to achieve a gradient of tone from one layer to the next, the third colour is over-printed, and the image begins to take shape.</span><br />
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">With three further colours to go, getting progressively darker, the block is marked-out for the next layer. All the areas to remain deep maroon will be cut out, leaving only the areas for the last three colours. </span><br />
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<span style="font-family: Courier New, Courier, monospace; font-size: large;">Printing is interrupted by the long summer break - until next semester, when the workshop will re-open and the final colours can be printed.</span>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-133786620875627802013-06-02T10:04:00.000-07:002013-06-02T10:04:56.823-07:00The song remains the same - but a bit different<span style="font-family: Courier New, Courier, monospace;">We celebrated Jonathan's 50th birthday last night. I was at art school with Jonathan in 1981-82 and we lost touch soon after but have renewed contact in recent years. Jonathan is a book designer and composer of music and sound installations, who has released over 30 CDs, albums and 7" vinyl tracks. See his stuff <span style="color: #e06666;"><a href="http://www.coleclough.plus.com/index.html"><span style="color: #e06666;">HERE</span></a>. </span></span><br />
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<span style="font-family: Courier New, Courier, monospace;">The party was a mini-festival of music from Jonathan's friends, including me. I dusted-off my old guitar to sing a song I wrote with Jonathan, back in 1982. </span><br />
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<span style="font-family: Courier New, Courier, monospace;">Other performances were from Felicity Ford, Christina Hogg, Nick Arran, Andrew J Lewis, Simon Whetham, Patrick McGinley, and </span><span style="font-family: 'Courier New', Courier, monospace;">the </span><a href="http://www.soniccatering.com/" style="font-family: 'Courier New', Courier, monospace;"><span style="color: #e06666;">Sonic Catering Band</span></a><span style="font-family: 'Courier New', Courier, monospace;"> with a sound-performance based on making a Bloody Mary cocktail. </span><br />
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzBf4Gob1cA3UkLmFcPaeJ4WgIT25sN2VCNt-wA39_gvD2OfL7iDmcpNnYPUK5ixupI3pj_LPrEOF0s__olceGICzQG74JUiqGLaIOVz_kbEJNvgtTBI8Ut0j0dG3GUdpoaCrAhBRELQQ2/s1600/2013-06-01+21.37.43.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzBf4Gob1cA3UkLmFcPaeJ4WgIT25sN2VCNt-wA39_gvD2OfL7iDmcpNnYPUK5ixupI3pj_LPrEOF0s__olceGICzQG74JUiqGLaIOVz_kbEJNvgtTBI8Ut0j0dG3GUdpoaCrAhBRELQQ2/s400/2013-06-01+21.37.43.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dolly and the Clothespegs</td></tr>
</tbody></table>
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: 'Courier New', Courier, monospace;">The 'headliners' of the evening were </span><a href="http://www.myspace.com/dollyandtheclothespegs" style="font-family: 'Courier New', Courier, monospace;"><span style="color: #e06666;">Dolly and the Clothespegs</span></a><span style="font-family: 'Courier New', Courier, monospace;">, who delivered a wonderful set of country/folk and skiffle. Rounded-off by a sensational menu of South Indian food, the evening was a fitting celebration of Jonathan's first 50 years on the planet. </span><br />
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
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<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;">And here's the legendary song:</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">THE LEMONADE SONG (Driver/Coleclough, 1982)</span><br />
<span style="font-family: Courier New, Courier, monospace;">(sing to the tune of The Velvet Underground's 'Waiting for the Man')</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><br /></span>
<span style="font-family: Courier New, Courier, monospace; font-size: large;">I'm waiting for my lemonade</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">Friday's comin', that's when I get paid:</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">Down to the Co-op, a fistful of cash,</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">blow it all away purchasin' my stash of lemonade. </span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">(I love it)</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><br /></span>
<span style="font-family: Courier New, Courier, monospace; font-size: large;">I don't like whisky; </span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">I can't drink gin. I don't like tonic, not even Indian.</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">I don't like beer and I can't drink coke,</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">Lemonade's the only drink dat don't make me choke</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">Lemonade (I need it)</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><br /></span>
<span style="font-family: Courier New, Courier, monospace; font-size: large;">(Take it away) [middle 8]</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">(bring it back)</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><br /></span>
<span style="font-family: Courier New, Courier, monospace; font-size: large;">Lemonade it's er, kinda gaseous</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">If you drink it in a room</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">...it better be quite spacious</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">I don't know how they get that 'gazoom' in it</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">but I just can not help consuming lemonade</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">(hmmm hmm hmmm)</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><br /></span>
<span style="font-family: Courier New, Courier, monospace; font-size: large;">Lemonade - really helps you think.</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">At twenty-nine-and-a half p for 2 litres, </span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">It's an economical drink</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">In the years to come, wherever we go</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">Lemonade's gonna help our creativity flow </span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">Lemonade ... (I love lemonade)</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><br /></span>
<span style="font-family: Courier New, Courier, monospace; font-size: large;">And who would have thought</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">When we were fifty</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">We'd still be drinking this stuff</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">We're so...thrifty</span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;">Lemonade (hmmm hmm hmmm)</span>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-49668517822477171062013-05-29T15:16:00.000-07:002014-09-09T08:45:44.926-07:00'Never Stop Exploring' - an exhibition goes up and comes down again<span style="font-family: Courier New, Courier, monospace;">Regular readers of this blog - all three of you :) - might remember I wrote about the first phase of 'Never Stop Exploring' <span style="color: #e06666;"><a href="http://reflectivediscontent.blogspot.co.uk/2013/02/scaup-installation-and-future-plans.html"><span style="color: #e06666;">HERE</span></a> </span>on 17 February. </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhctRwFUGnoTgxfCDWOQ3fdPuCaJD1zijSzdG1GpXE_HZuK9t-BFEAoJ8lqEtGGOKOpACc4Abi1sWikMtv1x2PWDt7Mz1Q1TcJlwyXf30eJN4WPWp9sNULEzxWaq7MSXV-0fOJatTmpoZ2h/s1600/003.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhctRwFUGnoTgxfCDWOQ3fdPuCaJD1zijSzdG1GpXE_HZuK9t-BFEAoJ8lqEtGGOKOpACc4Abi1sWikMtv1x2PWDt7Mz1Q1TcJlwyXf30eJN4WPWp9sNULEzxWaq7MSXV-0fOJatTmpoZ2h/s400/003.jpg" height="297" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">photo: Elly Langlois</td></tr>
</tbody></table>
<span style="font-family: Courier New, Courier, monospace;">In that first phase,<span lang="EN-US" style="font-size: 12pt;"> forty-two of my works, relics, and by-products, were selected at random,
numbered 1-42, and exhibited together in a random sequence (generated on <a href="http://www.random.org/"><span style="color: #e06666;">www.random.org</span></a></span><span lang="EN-US" style="font-size: 12pt;">). Visitors were invited to write on sheets of paper pinned
between each work, recording their thoughts about how each work related to the
next in the sequence. About forty people participated. The resulting 41 sheets
of descriptive comments were transcribed and became the genotypes to generate the work for this exhibition</span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6QuCY2WeGmxDKasN6yNysgnK8bGwiso28xoxN8b-AdxosX-vvZ5IWt1Lfou2WB4Xth-b-SlZW7X6ZdgYYJ41SeTq351tsR1u5aB9DHOsdECjzRxrPY_mP-xqLEQJQJBE30uwAhCjYPIne/s1600/971895_10200635401480090_1138783233_n.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6QuCY2WeGmxDKasN6yNysgnK8bGwiso28xoxN8b-AdxosX-vvZ5IWt1Lfou2WB4Xth-b-SlZW7X6ZdgYYJ41SeTq351tsR1u5aB9DHOsdECjzRxrPY_mP-xqLEQJQJBE30uwAhCjYPIne/s400/971895_10200635401480090_1138783233_n.jpg" height="296" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">photo: Elly Langlois</td></tr>
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<!--StartFragment--><!--EndFragment--><span style="font-family: Courier New, Courier, monospace;">Forty-two volunteer artists were then recruited at the WSA Book Day, on 16 March 2013. The artists each chose a numbered envelope
(1-42), enclosing a set of insructions and unique pair of the descriptive texts
from Phase 1. The envelopes also contained a small piece of my artwork as a ‘thank you’ for participating. There was no selection process, it was simply
a matter of who came through the door first and agreed to sign-up. (All slots
were filled in 50 minutes). Pleasingly this resulted in contributions from
across the whole of Winchester School of Art (and one esteemed alumnus). </span><br />
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;">Nick Stewart, Head of Fine Art at Winchester interviewed me at the private view for the Fine Art blog. Here's a link to the <a href="http://vimeo.com/67048402"><span style="color: #e06666;">interview</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Courier New, Courier, monospace;"></span></div>
<span style="font-family: Courier New, Courier, monospace;">
After a tense few weeks, with work being made and nowhere to show it, I finally found a space to show the works in one continuous sequence - the foyer of Westside at Winchester School of Art. Unfortunately I could only have the space for four days. The pieces were all delivered to me in time to install on 21 May. </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3D9qmc3KpQfP6eC98HXvClcyfnUfIUo26xPV-SFYGWVipQjpKZugp_-uTOTP7D7xCWYFXadsQJNuXzLNLEt8j-zoh-5dqL2yDLlrDPnu1jHsAuK3JrZSvZxHwkvfs9GQJB53mv1AO4idt/s1600/002.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3D9qmc3KpQfP6eC98HXvClcyfnUfIUo26xPV-SFYGWVipQjpKZugp_-uTOTP7D7xCWYFXadsQJNuXzLNLEt8j-zoh-5dqL2yDLlrDPnu1jHsAuK3JrZSvZxHwkvfs9GQJB53mv1AO4idt/s400/002.jpg" height="400" width="296" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">photo: Elly Langlois</td></tr>
</tbody></table>
<div>
<span style="font-family: Courier New, Courier, monospace;">The work displayed comprised the work created by the
42 artists, together with the descriptive texts their work was responding to. The
artists did not see the original work to which their texts related but some of
those works were included in the show. </span></div>
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<span style="font-family: Courier New, Courier, monospace;"></span><br />
<span style="font-family: Courier New, Courier, monospace;">
</span><span style="font-family: 'Courier New', Courier, monospace;">I placed the texts on the wall first, spaced to accommodate each piece of work precisely between the two texts to which it related. </span><span style="font-family: 'Courier New', Courier, monospace;">Because of the sequential nature of the display I had to do most of the installation single-handedly. My friend Elly took some photos of the install process and then helped with putting the works up (Huge gratitude and several pints of cider are due to Elly). Thanks also to Lesley and Tori for their help with the set-up.</span></div>
<div>
<span style="font-family: Courier New, Courier, monospace;"><br /></span><span style="font-family: 'Courier New', Courier, monospace;">
Each sheet of text was placed precisely 150cm from the floor. I discussed with one of the tutors after the show whether it was a good idea to have a single hanging-line and whether it might have been possible to vary the line and group the works in a more visually engaging way.<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-sT08LduelW4dYN44vRuLeII41B12V1BI4XgZE9vykWoWo2gXzT84hxomnzQQJFZdYAP-xuOrZrjrikIQWCfOTaSNVWtNgIJzK2KNl_I2ak8DSFtjRf53YPP-59aJyyz3xXaUeKbQvmox/s1600/003.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-sT08LduelW4dYN44vRuLeII41B12V1BI4XgZE9vykWoWo2gXzT84hxomnzQQJFZdYAP-xuOrZrjrikIQWCfOTaSNVWtNgIJzK2KNl_I2ak8DSFtjRf53YPP-59aJyyz3xXaUeKbQvmox/s400/003.jpg" height="297" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">photo: Elly Langlois</td></tr>
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<span style="font-family: 'Courier New', Courier, monospace;">On reflection, the whole point of the exhibition was that this was one continuous sequence of texts and works responding to the two texts on either side of it so I am happy with my decision to display it this way.</span></div>
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<br /></div>
<div>
<span style="font-family: 'Courier New', Courier, monospace;">The project investigates how personal responses to visual data are reduced to text, and how people translate and interpret texts, applying personal choices, selectivity, and imagination. </span><br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgad7hKxq07ozij1yQ-40RCIXpl4S5AN3sEsPW2Yd_CwYBCv-w0Vc-kerCMx-3nBKWsAhcJwb5UX6VclrY0VVAH4EkZcnrABEPVBZD7BOzRRcOZZ1c-rwAMm-UE0YGINZolZCx1UQd60xrj/s1600/004.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgad7hKxq07ozij1yQ-40RCIXpl4S5AN3sEsPW2Yd_CwYBCv-w0Vc-kerCMx-3nBKWsAhcJwb5UX6VclrY0VVAH4EkZcnrABEPVBZD7BOzRRcOZZ1c-rwAMm-UE0YGINZolZCx1UQd60xrj/s400/004.JPG" height="257" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Add caption</td></tr>
</tbody></table>
<span style="font-family: 'Courier New', Courier, monospace;">In a way this exercise also had something to do with </span><span style="font-family: Courier New, Courier, monospace;">hermeneutics - an important area of study at a time when various types of fundamentalism threaten civilised discourse and peaceful human co-existence.</span><br />
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<span style="font-family: Courier New, Courier, monospace;">The show took almost a day and a half</span><span style="font-family: 'Courier New', Courier, monospace;">to install but it looked great! It was a privilege to include work by such a diverse and talented group of artists. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNBas8DEwhgrUOhT4Zf3UprAMb42EG9B5F2Nl1aSZJpcnuTR0Om0lzsc454B1Hvos44vKkATcFhUTiAE48u07-RwWsKvbFJ_FAsjWMnAJBj-c2G8SS36is9GJ1QVvsE-pbjs4DF0gFZGnh/s1600/005.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNBas8DEwhgrUOhT4Zf3UprAMb42EG9B5F2Nl1aSZJpcnuTR0Om0lzsc454B1Hvos44vKkATcFhUTiAE48u07-RwWsKvbFJ_FAsjWMnAJBj-c2G8SS36is9GJ1QVvsE-pbjs4DF0gFZGnh/s400/005.JPG" height="300" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjccRKCnfpcWjMQBET37bLT6a7KzLQiVMOUzpTSOFExUpHcbZk7R2kjiwFe88cQvaqDs7x_uSjWrPs7R190U3BaqM45J-LYOnTpEKk4jyhgpl4LDl5prvWuhLWsgKdphItHf_-0wma3T7V/s1600/006.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjccRKCnfpcWjMQBET37bLT6a7KzLQiVMOUzpTSOFExUpHcbZk7R2kjiwFe88cQvaqDs7x_uSjWrPs7R190U3BaqM45J-LYOnTpEKk4jyhgpl4LDl5prvWuhLWsgKdphItHf_-0wma3T7V/s400/006.JPG" height="302" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrO6n2Z9kxZc_pCSv3SNQ6vsNTaax4k-GE82Twp-cIj2C3qg2I8lfDJZRATLQiP11YBWkleNuDrfLfpghYZ6ufIV14oix-Pjv3KTFKca140O-oDhnNNHWmlk0X5MMgjfR2VfKapHJOkKcr/s1600/008.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrO6n2Z9kxZc_pCSv3SNQ6vsNTaax4k-GE82Twp-cIj2C3qg2I8lfDJZRATLQiP11YBWkleNuDrfLfpghYZ6ufIV14oix-Pjv3KTFKca140O-oDhnNNHWmlk0X5MMgjfR2VfKapHJOkKcr/s400/008.JPG" height="288" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpLIJMZ1heE4MoyH-lU5kieafClEBtZiH1PnrSD0-qCjN-F144PXdH1TV3gFJx2MEP0b-wvrcG16knOaM86bYeHXayFSCd59T2EDK5P3m2uFCwK1txtpkDlVC9KcoEVgrycbTxMCi-Qxcy/s1600/001.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpLIJMZ1heE4MoyH-lU5kieafClEBtZiH1PnrSD0-qCjN-F144PXdH1TV3gFJx2MEP0b-wvrcG16knOaM86bYeHXayFSCd59T2EDK5P3m2uFCwK1txtpkDlVC9KcoEVgrycbTxMCi-Qxcy/s400/001.JPG" height="332" width="400" /></a></div>
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<span style="font-family: Courier New, Courier, monospace;">There was some space left over having installed the whole sequence so I was able to include some of my pieces from the original installation - the genotypes that had provoked the descriptive texts.</span></div>
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<span style="font-family: Courier New, Courier, monospace;">The private view/drinks-reception was timed to coincide with the end of second-years' assessment 'vivas' and the 'Fashion Show' on 23 May - ensuring lots of footfall.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgoLvK6LpWnGBtlUzs0xqyLcvM3JO8RdLZe8BZHvbgQ7LZti7bWrHzGYyEDnZh75G-yi_Ez1pMOb93aJalqRh935zXDD1LCjYb5jsvihYJcNULd99sdKAzsRznWOznI-sES1tgK8dkMWii/s1600/012.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgoLvK6LpWnGBtlUzs0xqyLcvM3JO8RdLZe8BZHvbgQ7LZti7bWrHzGYyEDnZh75G-yi_Ez1pMOb93aJalqRh935zXDD1LCjYb5jsvihYJcNULd99sdKAzsRznWOznI-sES1tgK8dkMWii/s400/012.JPG" height="312" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Drinks reception 23 May</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEineIGgt5FG-xzAT4RAbaIkU9_QpYkjNVbLS4KbWFfcaBpL7lp1da3hFtY2qoMJqV2FqM0VA5ZL8LUxAoLxJJALe8CF6UumcCaWPI0i7DIkfSH5kDYB3xoxbq-tFXOwx3otpvzkF0DGLQWj/s1600/014.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEineIGgt5FG-xzAT4RAbaIkU9_QpYkjNVbLS4KbWFfcaBpL7lp1da3hFtY2qoMJqV2FqM0VA5ZL8LUxAoLxJJALe8CF6UumcCaWPI0i7DIkfSH5kDYB3xoxbq-tFXOwx3otpvzkF0DGLQWj/s400/014.JPG" height="296" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times;">Drinks reception 23 May</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times;">Drinks reception 23 May</span></td></tr>
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Some of the photographs didn't come out very well - I need to spend longer learning how the settings work in artificial light - but this is more or less the whole sequence of work:</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwnXbo1cOKqelp7iPqGEup351yL4riZjE_rhoi2IYMQJc3UsRQQRXHS8KOuwO_aPx8oxpBPJJFrLIinIPChr04XihkFQBITzTia6xLlEkS5sE_xrJH20t8Vx3e3vj1A696F3bdX8zkjIDx/s1600/SAM_4318.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwnXbo1cOKqelp7iPqGEup351yL4riZjE_rhoi2IYMQJc3UsRQQRXHS8KOuwO_aPx8oxpBPJJFrLIinIPChr04XihkFQBITzTia6xLlEkS5sE_xrJH20t8Vx3e3vj1A696F3bdX8zkjIDx/s400/SAM_4318.JPG" height="331" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anna Glover</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdtFrRP7gsHaBWJVcho6xTsmbkhHQIhNRCvnZZ8CH0zACjBjxW9luSTCIlhsM1wklFSedgY97PbqAxafkRukI6BovuyXDyfBf4TrWx0AauXGr8wP8EDabfWMTzVWMLNmSWRubkAlvSY4ca/s1600/SAM_4319.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdtFrRP7gsHaBWJVcho6xTsmbkhHQIhNRCvnZZ8CH0zACjBjxW9luSTCIlhsM1wklFSedgY97PbqAxafkRukI6BovuyXDyfBf4TrWx0AauXGr8wP8EDabfWMTzVWMLNmSWRubkAlvSY4ca/s640/SAM_4319.JPG" height="640" width="222" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bronwen Rees</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpOwbjrPnJbzk91p9mh5_Xkrygi1ye_RjIZiuXBmBd4Cyxriq8dT1L28G2FsaTtjESWD79J0IZDLvgeJRBS1QxGrp3ldTXBRNFGklBS_i_DP4IDUUgmrNEMyOIoIxkbn1JoK2y0qnui6g8/s1600/017.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpOwbjrPnJbzk91p9mh5_Xkrygi1ye_RjIZiuXBmBd4Cyxriq8dT1L28G2FsaTtjESWD79J0IZDLvgeJRBS1QxGrp3ldTXBRNFGklBS_i_DP4IDUUgmrNEMyOIoIxkbn1JoK2y0qnui6g8/s400/017.JPG" height="272" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mike Thebridge (left)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTcUL1N4fo-jEt2q20vD0s47m1YKMm9XZFYE6touqsU8AVzxK_oxN8YieCOtfE6w4OG-Xbjm9fgfTmhdgSmUB5BTn6bB9apWxlsXdQ7FhUaWftSCO0rPEs2EAB817WSAIQnQQ5Mj6dr6hl/s1600/SAM_4320.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTcUL1N4fo-jEt2q20vD0s47m1YKMm9XZFYE6touqsU8AVzxK_oxN8YieCOtfE6w4OG-Xbjm9fgfTmhdgSmUB5BTn6bB9apWxlsXdQ7FhUaWftSCO0rPEs2EAB817WSAIQnQQ5Mj6dr6hl/s400/SAM_4320.JPG" height="400" width="292" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anna Stachtiari</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiSVCXkpfzxK5qg5ZLBP_3ZN-FiQC7PpyPD4tKJuj4Bts2uMt-FGP_QpNDOFgTGxTNzOjsVNCQi6fH1JVoeg3QE3ixzCJnLDcRF_FQ6jVPv-Ae_IJvTQvtngq6Z3Pkt25_s_Pn8oDdXIoF/s1600/SAM_4322.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiSVCXkpfzxK5qg5ZLBP_3ZN-FiQC7PpyPD4tKJuj4Bts2uMt-FGP_QpNDOFgTGxTNzOjsVNCQi6fH1JVoeg3QE3ixzCJnLDcRF_FQ6jVPv-Ae_IJvTQvtngq6Z3Pkt25_s_Pn8oDdXIoF/s400/SAM_4322.JPG" height="300" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kimvi Nguyen</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOGpEKivIijRI2dZ7SitsivglupiB7N4mqMyaWh8pmh3dUizx2fW90okQHhkEEcM9AjC-kiNBBx7VZjuqR7RcL4DpeIpFcLR0n168yHhVcZ3yw79Z2Fec2oCWyJ_OOYSrpkr_xmY2Tn86-/s1600/SAM_4324.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOGpEKivIijRI2dZ7SitsivglupiB7N4mqMyaWh8pmh3dUizx2fW90okQHhkEEcM9AjC-kiNBBx7VZjuqR7RcL4DpeIpFcLR0n168yHhVcZ3yw79Z2Fec2oCWyJ_OOYSrpkr_xmY2Tn86-/s400/SAM_4324.JPG" height="378" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Annabel Collins</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLp2PWjEgdH9wva6TBRJ-tt-ZQMVtFWptWledKTqjsnhkVWsZGNK5psEUNUQ_S7JlHmDK-ZNMUfbyfQdGaFLy_Z1NpM-e3ZiE3HO9KkhFOsQn88oLmTQHa7izVEDMgSW_3RIBCkOZNy7nP/s1600/SAM_4326.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLp2PWjEgdH9wva6TBRJ-tt-ZQMVtFWptWledKTqjsnhkVWsZGNK5psEUNUQ_S7JlHmDK-ZNMUfbyfQdGaFLy_Z1NpM-e3ZiE3HO9KkhFOsQn88oLmTQHa7izVEDMgSW_3RIBCkOZNy7nP/s400/SAM_4326.JPG" height="206" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Michael Colegate</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2tSqdSLiKCGc68hvf2uAASk6CeTBV_zSBA0_RzTQYnNCcBG40Wh-BCamP4lrDaQffzOjrt4XLhubc2rE2hLY8p1tLh6KK2_Q9RfPhfCEitpiJoBxHgcfseFA70cmAwcjEa-ltNyQS3eJe/s1600/SAM_4327.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2tSqdSLiKCGc68hvf2uAASk6CeTBV_zSBA0_RzTQYnNCcBG40Wh-BCamP4lrDaQffzOjrt4XLhubc2rE2hLY8p1tLh6KK2_Q9RfPhfCEitpiJoBxHgcfseFA70cmAwcjEa-ltNyQS3eJe/s400/SAM_4327.JPG" height="212" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Helen Brake</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdOCG3G55N82nhS93alakG7FxlYFhY5i-rf4B_6iCqM8hgHGdQ12nQgYReShi011UzPGtFpJENrkXRggVaIV0KOGGZCUn9Zp4KF9urORR8rgYJwmcwWEQ33wYH0kWnDsm8uxiG0Mpq8KfV/s1600/SAM_4328.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdOCG3G55N82nhS93alakG7FxlYFhY5i-rf4B_6iCqM8hgHGdQ12nQgYReShi011UzPGtFpJENrkXRggVaIV0KOGGZCUn9Zp4KF9urORR8rgYJwmcwWEQ33wYH0kWnDsm8uxiG0Mpq8KfV/s400/SAM_4328.JPG" height="297" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sylvester Siani</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVRdzBLTxHPzUW39CYQhK0NWwPNHqZgOV9z3mtkpmNTuAYuNIn8tiOyG5E6qHlh6QJCxzNaZ3wtNNTmbWvwcdmH3yqwznlE3wn-yMdQ_yCANFBeEc3vQtzfV7sKJWPfkUiQYikS_9SGtN2/s1600/SAM_4330.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVRdzBLTxHPzUW39CYQhK0NWwPNHqZgOV9z3mtkpmNTuAYuNIn8tiOyG5E6qHlh6QJCxzNaZ3wtNNTmbWvwcdmH3yqwznlE3wn-yMdQ_yCANFBeEc3vQtzfV7sKJWPfkUiQYikS_9SGtN2/s400/SAM_4330.JPG" height="287" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Elz Vince</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjusjYi3N-wSNtlDiwQ4KHAkyCWDAQzX8cyQEhrt6gDTrD5YwCojk6BEpn-XduhjhLko1YTgEQMmBaN0B3JEs6NImHQ3I7LOZxXmf_zeL3swNAULwt2uDSj4jRBN3p9C4Bub9Cmlk3RK1fo/s1600/SAM_4331.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjusjYi3N-wSNtlDiwQ4KHAkyCWDAQzX8cyQEhrt6gDTrD5YwCojk6BEpn-XduhjhLko1YTgEQMmBaN0B3JEs6NImHQ3I7LOZxXmf_zeL3swNAULwt2uDSj4jRBN3p9C4Bub9Cmlk3RK1fo/s320/SAM_4331.JPG" height="240" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Musfirah Zainurin</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyiCw23ZdJ0sEde3eOMsw766Rcj-g_CnuIsSw-jz65rM5FBkgBEwAndjdP7B-0j_Nb6FoUneXBH_Q1gOABXVYdl2FGcR_HtOY_hy71OMGy6fxxXkstMSJTSP9mYxPu2AWJW2hRi5FpMjZ1/s1600/941396_10151971432888146_161340742_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyiCw23ZdJ0sEde3eOMsw766Rcj-g_CnuIsSw-jz65rM5FBkgBEwAndjdP7B-0j_Nb6FoUneXBH_Q1gOABXVYdl2FGcR_HtOY_hy71OMGy6fxxXkstMSJTSP9mYxPu2AWJW2hRi5FpMjZ1/s400/941396_10151971432888146_161340742_n.jpg" height="266" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rachel Tasker (photo: Kristina Shchetinina)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlhV8zNCEmxLrkeXAXtN5Ntxd2ck6e8UkcazCOWb47cKetUoox8c1f3CEoyu08sY_5X6F7dXZwopYFJqh9eum_4aKb7pn1ZPCehEPh5gpFgA1XYAQ1JNHtTKOIfNFqcqi7xEegOnoaHpSn/s1600/SAM_4295.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlhV8zNCEmxLrkeXAXtN5Ntxd2ck6e8UkcazCOWb47cKetUoox8c1f3CEoyu08sY_5X6F7dXZwopYFJqh9eum_4aKb7pn1ZPCehEPh5gpFgA1XYAQ1JNHtTKOIfNFqcqi7xEegOnoaHpSn/s400/SAM_4295.JPG" height="301" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lauren Maslen (l), Rachel Tasker (c), Musfirah Zainurin (r)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpOxA14a3Z6OpjlTMK5mHhCz8nF2pXwuFc4jgSAz_iB5OihL-CjKkIhdtZWW3blg5DQX_1NwNLQCMWwTgH7dbn_h98TraIYa4sJLfFeME8Ny6AAVONVJaNUebA8ldbCUIMi8OLKnLH2bhb/s1600/SAM_4332.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpOxA14a3Z6OpjlTMK5mHhCz8nF2pXwuFc4jgSAz_iB5OihL-CjKkIhdtZWW3blg5DQX_1NwNLQCMWwTgH7dbn_h98TraIYa4sJLfFeME8Ny6AAVONVJaNUebA8ldbCUIMi8OLKnLH2bhb/s400/SAM_4332.JPG" height="270" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kalisto Bancroft</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjFejm_niNyuiFRpid6gA_QMZe0CLESlZBqmu0T98VaXaks7AfY5iqROvA2-YTXXZ5zbtNv8bzhyphenhyphenLqeSGzMjhs8Y4JqiXtZ2ao4rTZEYH8aRdiRGoWKJ6bo8VvLllerNcMTAVFjzR9geLv/s1600/SAM_4333.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjFejm_niNyuiFRpid6gA_QMZe0CLESlZBqmu0T98VaXaks7AfY5iqROvA2-YTXXZ5zbtNv8bzhyphenhyphenLqeSGzMjhs8Y4JqiXtZ2ao4rTZEYH8aRdiRGoWKJ6bo8VvLllerNcMTAVFjzR9geLv/s400/SAM_4333.JPG" height="225" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Krissie Cossey</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMw04W91WXK_idh5GBh7NNW40wqktK_Km_vmB8QTBga7WYMlS9IT4yfnSj0RNcs_0mwMXjjG5KUWZf_5kuJX9Ak_omvSm34tQ6qC_5TRihcxjm7eiQJD0JxAvyWzAB8xiF24OcQB3ixJ9S/s1600/SAM_4334.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMw04W91WXK_idh5GBh7NNW40wqktK_Km_vmB8QTBga7WYMlS9IT4yfnSj0RNcs_0mwMXjjG5KUWZf_5kuJX9Ak_omvSm34tQ6qC_5TRihcxjm7eiQJD0JxAvyWzAB8xiF24OcQB3ixJ9S/s400/SAM_4334.JPG" height="283" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jessica Taylor</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj7Z3J9YeKZ_wW-5k1BcnuNWAZzo821ZgRAghJvPY5NuweacE73_zTiLK6m_vgrIrISoR0YCCvkfIJhQ_WCN-74X0XGC3ojRPDG29aQDFcteIPHj5ScAP08OC0cXvigQJx676ZNDfbb_kf/s1600/SAM_4335.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj7Z3J9YeKZ_wW-5k1BcnuNWAZzo821ZgRAghJvPY5NuweacE73_zTiLK6m_vgrIrISoR0YCCvkfIJhQ_WCN-74X0XGC3ojRPDG29aQDFcteIPHj5ScAP08OC0cXvigQJx676ZNDfbb_kf/s400/SAM_4335.JPG" height="276" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tessa Atton</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGJUQywV0x2SUJjN9v_ph-yT0eWFof88-jyIM2wPq9De-O9wM5B3DXQDCtQYXKtT06OnnJ4ZLSzbAZZ_cSB6PwwgOvdei22iHAXDFjbTZEw09_4GFHOu0vBQKAg0MoPysEwkzgabgSG8Sp/s1600/SAM_4336.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGJUQywV0x2SUJjN9v_ph-yT0eWFof88-jyIM2wPq9De-O9wM5B3DXQDCtQYXKtT06OnnJ4ZLSzbAZZ_cSB6PwwgOvdei22iHAXDFjbTZEw09_4GFHOu0vBQKAg0MoPysEwkzgabgSG8Sp/s400/SAM_4336.JPG" height="300" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Frieda Peppercorn</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqmnwyWVdw_y8tJ0fxa0giSzo43_YuoiHmAEmLMbG70kOi_j8LNE_ALMfOryAgxlQxAZQQqpziwioi1orji8BK9x0lJFQKmZN4V1RWz6XXF71KxD1m_3cXf45JF5i1YIXM_geSBAMbIhyg/s1600/SAM_4301.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqmnwyWVdw_y8tJ0fxa0giSzo43_YuoiHmAEmLMbG70kOi_j8LNE_ALMfOryAgxlQxAZQQqpziwioi1orji8BK9x0lJFQKmZN4V1RWz6XXF71KxD1m_3cXf45JF5i1YIXM_geSBAMbIhyg/s400/SAM_4301.JPG" height="300" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tori McLean (l)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidx6XtUbqT90W8LwBPyTDvE0T0s8RODs1auGjZnRoVCwy7HPMWB_BQk-9c2r_PmG3qBZmPxc-vvKtuBzZsVXY9IwtAoXRDAa561WNWJU73elQ13pzjA1yaCKPFAf0vZuqSH_7aqwfsCuZf/s1600/SAM_4302.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidx6XtUbqT90W8LwBPyTDvE0T0s8RODs1auGjZnRoVCwy7HPMWB_BQk-9c2r_PmG3qBZmPxc-vvKtuBzZsVXY9IwtAoXRDAa561WNWJU73elQ13pzjA1yaCKPFAf0vZuqSH_7aqwfsCuZf/s400/SAM_4302.JPG" height="316" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Roseanna Jones (l), Ellie Maltby (r)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMlNzwDpnwJ_wtF_Lrf9bfg6lQfB_yYH6Bs0eJ_WC7r636o6B_NHF8LX5q1EkFxEMvxlXKis4T0x0TwTDjJq6mq-mxadiY3xTo4p8U0IRJDFqUBLsIGC3qj68EfjwD2TL5DDD0obDi88u8/s1600/SAM_4337.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMlNzwDpnwJ_wtF_Lrf9bfg6lQfB_yYH6Bs0eJ_WC7r636o6B_NHF8LX5q1EkFxEMvxlXKis4T0x0TwTDjJq6mq-mxadiY3xTo4p8U0IRJDFqUBLsIGC3qj68EfjwD2TL5DDD0obDi88u8/s400/SAM_4337.JPG" height="321" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Roseanna Jones</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivL5mXjk-eKtW5UkyWVBL6pt-mTHGWYH39hLVRR7mrkECKFIcjCmofk2LY57ZsTFPHwHTIs3PB4k46_d98k0f63HrOEQtUgVcTEim6W6jKTe29S9FAoHoT_ZuYisZWSe4WagRoJhge6M1q/s1600/SAM_4303.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivL5mXjk-eKtW5UkyWVBL6pt-mTHGWYH39hLVRR7mrkECKFIcjCmofk2LY57ZsTFPHwHTIs3PB4k46_d98k0f63HrOEQtUgVcTEim6W6jKTe29S9FAoHoT_ZuYisZWSe4WagRoJhge6M1q/s400/SAM_4303.JPG" height="300" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Olly Allen (l), Lauren Goldie (c), Olivia Rowe (r)</td></tr>
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<tr><td style="text-align: center;"><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUKREq6dRl5T97gOQQFTP-dAPaleBKs9WbrbPUY1l7WpuCbF5c44dohGV-TI8Iq_ih7RLtykJjlSaxMnckl3rXfUbGMgpNZa9bk0XuWjKZRpcWVQ9avGwIukaJA7mVZ1OnLgnPv9CfEGv5/s1600/SAM_4304.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUKREq6dRl5T97gOQQFTP-dAPaleBKs9WbrbPUY1l7WpuCbF5c44dohGV-TI8Iq_ih7RLtykJjlSaxMnckl3rXfUbGMgpNZa9bk0XuWjKZRpcWVQ9avGwIukaJA7mVZ1OnLgnPv9CfEGv5/s400/SAM_4304.JPG" height="291" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Amelia Marsh (l), Bekki Ambrose-Moore (c), Emily Evans (r)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8bGcxqhLGQvnhvRHdVWUAeLNtqft94evztbupYp2TgPqnsYPgxEVq2gYLNj0CulVrEusGWcWSj5a4LJZujvWDIIt8tyKgNtKbtI_PRk-o22NfZV8s2jlQttWGV330xD22JIT5j9gbvEVi/s1600/SAM_4305.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8bGcxqhLGQvnhvRHdVWUAeLNtqft94evztbupYp2TgPqnsYPgxEVq2gYLNj0CulVrEusGWcWSj5a4LJZujvWDIIt8tyKgNtKbtI_PRk-o22NfZV8s2jlQttWGV330xD22JIT5j9gbvEVi/s400/SAM_4305.JPG" height="311" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Grace Murphy (l), Hanna-rose Ames (r)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv1jlu-elz7iar3fW06JnBLCvGlqBOLpimbYIinZLv1xOamgIkVVvA4NPdLAW7WHjV7H2eyTqvAAbgX5lMTG9Q6kFdL2_Y0TZkNX_kCyA0c2IdQydZ09D7dAI0nJ-IcE8FQ1GVYLJK-zKa/s1600/SAM_4366.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv1jlu-elz7iar3fW06JnBLCvGlqBOLpimbYIinZLv1xOamgIkVVvA4NPdLAW7WHjV7H2eyTqvAAbgX5lMTG9Q6kFdL2_Y0TZkNX_kCyA0c2IdQydZ09D7dAI0nJ-IcE8FQ1GVYLJK-zKa/s400/SAM_4366.JPG" height="213" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Grace Murphy</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx8Tipr8IhlGYa7RUftJxMayCrSuwXQ2BJSOlKTU3hyXUiFLpQZb8VJWPMWT95VZcy32Kcc_wtmTafaN2eu4zC5zKORLINmEtCBqAD0wPGP3qaNPXhY8Pc917LJ8Q1G8si0coJUrKXV8aH/s1600/SAM_4306.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx8Tipr8IhlGYa7RUftJxMayCrSuwXQ2BJSOlKTU3hyXUiFLpQZb8VJWPMWT95VZcy32Kcc_wtmTafaN2eu4zC5zKORLINmEtCBqAD0wPGP3qaNPXhY8Pc917LJ8Q1G8si0coJUrKXV8aH/s400/SAM_4306.JPG" height="300" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Amy J. Wilson</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Hope Talbot<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxBdfLoxcQX10zYgE27V4xvauBL83-fbsYp7V4uMo3ADby5X0WJ3hhz6-mibL5NzU6Jc4Rfrwiha5PlSjtHNUZQgOGntkjui4WqHMeKsZZux2-G2cousLbyMXgb8CYPBJShb8KWu-U5ZDM/s1600/SAM_4308.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxBdfLoxcQX10zYgE27V4xvauBL83-fbsYp7V4uMo3ADby5X0WJ3hhz6-mibL5NzU6Jc4Rfrwiha5PlSjtHNUZQgOGntkjui4WqHMeKsZZux2-G2cousLbyMXgb8CYPBJShb8KWu-U5ZDM/s400/SAM_4308.JPG" height="291" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Libby Woodland</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDwI_TzBlXhVILbkRaCroVnZ3_xyvjsL43FjrJSlzU_8IY_oh0He9HN0rQLYWvrRtoJHuvtOOR18gbJlJE3X7wyppPsQGSPWIZfRM3-bRPyGQsDr_puPAqmpdxXmeZKs-lyFiP19Cd0S8i/s1600/SAM_4338.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDwI_TzBlXhVILbkRaCroVnZ3_xyvjsL43FjrJSlzU_8IY_oh0He9HN0rQLYWvrRtoJHuvtOOR18gbJlJE3X7wyppPsQGSPWIZfRM3-bRPyGQsDr_puPAqmpdxXmeZKs-lyFiP19Cd0S8i/s400/SAM_4338.JPG" height="400" width="353" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Molly Lemon</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhebxz6cnI2FMHjVNPE2NyYvZsrJGBarcdRIRrKEP_Ge3iUhbsowrkL_WT4AGC3NExZld8cicCn33QEYWEeMGelB2wOs7AJEnPJkRhLxSuEVQrw8pdRb8EHeX_xBT0K3ghC44H5He52Zmzz/s1600/SAM_4309.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhebxz6cnI2FMHjVNPE2NyYvZsrJGBarcdRIRrKEP_Ge3iUhbsowrkL_WT4AGC3NExZld8cicCn33QEYWEeMGelB2wOs7AJEnPJkRhLxSuEVQrw8pdRb8EHeX_xBT0K3ghC44H5He52Zmzz/s400/SAM_4309.JPG" height="300" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Crizzie Salazar (l), Molly Lemon (r)</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Emma Robins</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Lesley Thomas (l), Peter Driver (r)</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Leanne Renshaw</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8oSSRDrvIMxd4w6pM8TWySDytMYLbJjmZGSnkgWC4IhPNx7Lc2PSuC5oWCYZ89VZ-c7MPvCAaWRtaFHvUydka-BUE9MK70WER2TNSpYsN0C8v1-kqJPbsilhN-23GVC8mATlnBZRZgNai/s1600/SAM_4339.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8oSSRDrvIMxd4w6pM8TWySDytMYLbJjmZGSnkgWC4IhPNx7Lc2PSuC5oWCYZ89VZ-c7MPvCAaWRtaFHvUydka-BUE9MK70WER2TNSpYsN0C8v1-kqJPbsilhN-23GVC8mATlnBZRZgNai/s400/SAM_4339.JPG" height="305" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ella-Louise Baldwin (l), Laura Parker (r)</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Suki Liu (l), Ella-Louise Baldwin (r)</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Thanks to Hannah-rose Ames and Anna Stachtiari for helping with the Bar</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Thanks to Grace Murphy and Rebecca Mhairi Judah for being <br />
the poster-girls for the exhibition and for helping on the bar!</td></tr>
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Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com1tag:blogger.com,1999:blog-453954172194355799.post-45215044022004982632013-05-15T07:02:00.000-07:002013-05-15T07:21:42.445-07:00'Outlook Changeable'<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbrxJDJcjEpHq0m31O6Y-3HBX4wXIq_gH6mWj8lvHnkRjIwSnHl6f2RmNx8Df8XNChsz3LyqLzGxHCcjr5uu4vUTLhI60evGPDIzGoretPxvqvbh0xnlGe-_k1tgNBQzdGwt6rik-1-2YA/s1600/C_67_article_2130770_body_articleblock_0_bodyimage.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbrxJDJcjEpHq0m31O6Y-3HBX4wXIq_gH6mWj8lvHnkRjIwSnHl6f2RmNx8Df8XNChsz3LyqLzGxHCcjr5uu4vUTLhI60evGPDIzGoretPxvqvbh0xnlGe-_k1tgNBQzdGwt6rik-1-2YA/s320/C_67_article_2130770_body_articleblock_0_bodyimage.jpg" width="281" /></a><span style="font-family: Courier New, Courier, monospace;">Invigilation and private view for 'Outlook Changeable' - a contemporary art exhibition by OHOS artists at The Keep, in Reading. This is the home of <a href="http://openhandopenspace.blogspot.co.uk/"><span style="color: #e06666;">OpenHand OpenSpace</span></a><span style="color: #e06666;"> </span>an artist-led centre based in an old military building. OHOS provides studio and exhibition space for artists. It has an education and public events programme to give the wider community access to visual arts and artists. Since it was set up in 1980, the facilities have been used by well over 100 artists including Cornelia Parker, Douglas Gordon, Paula Rego and Andy Goldsworthy. I am really pleased to be an associate artist at OHOS.</span><br />
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<span style="font-family: Courier New, Courier, monospace;">The current exhibition 'Outlook Changeable' is a rich and varied showcase of work by fifteen resident and associate artists:</span><br />
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<span style="font-family: Courier New, Courier, monospace;">Prabhat Basu <a href="http://prabhatbasu.wordpress.com/"><span style="color: #e06666;">http://prabhatbasu.wordpress.com</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Sarah Britten-Jones <a href="http://www.sarahbj.co.uk/"><span style="color: #e06666;">www.sarahbj.co.uk</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Emma Curd <a href="http://www.emmacurd.tumblr.com/"><span style="color: #e06666;">www.emmacurd.tumblr.com</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Peter Driver <a href="http://www.peterdriver.info/"><span style="color: #e06666;">www.peterdriver.info</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Robert Fitzmaurice <a href="http://www.robertfitzmaurice.co.uk/"><span style="color: #e06666;">www.robertfitzmaurice.co.uk</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Nick Garnett <a href="http://www.nickgar.net/"><span style="color: #e06666;">www.nickgar.net</span></a> <a href="http://www.redvanman.net/"><span style="color: #e06666;">www.redvanman.net</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Ingrid Jensen <a href="http://www.imjensen.co.uk/"><span style="color: #e06666;">www.imjensen.co.uk</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Ivilina Kouneva <a href="http://ivilinakouneva.wordpress.com/"><span style="color: #e06666;">http://ivilinakouneva.wordpress.com</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Jon Lockhart <a href="http://www.jonlockhart.com/"><span style="color: #e06666;">www.jonlockhart.com</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Kate Lockhart <a href="http://www.katelockhart.com/"><span style="color: #e06666;">www.katelockhart.com</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Bithja Moor <a href="http://www.bithjamoor.net/"><span style="color: #e06666;">www.bithjamoor.net</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Petre Nikoloski <a href="http://www.diary.petrenikoloski.com/"><span style="color: #e06666;">www.diary.petrenikoloski.com</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Julia Rogers <a href="http://www.juliarogers.co.uk/"><span style="color: #e06666;">www.juliarogers.co.uk</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Roxana Tohaneanu-Shields <a href="http://www.rtshields.co.uk/"><span style="color: #e06666;">www.rtshields.co.uk</span></a></span><br />
<span style="font-family: Courier New, Courier, monospace;">Clemens Steigleder <a href="http://csteigleder.blogspot.co.uk/"><span style="color: #e06666;">http://csteigleder.blogspot.co.uk</span></a></span><br />
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<span style="font-family: Courier New, Courier, monospace;">I had a while to document the show before the crowds arrived for the p.v. but my camera failed me for some of the highlights. Here is a taster of the show:</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNVYUKDbMtTKJpFDubu-G4cr3QuGTVbSir78mOxPqCxTl5u8WK-74sxpdZbHVUFePN2_STbat0B5036opEApyrnyAbrddJA3XLf9VhB950f1pAJeiF2n25kMQMGSJ6HZxNpfC0PK9TEMoK/s1600/SAM_4220.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNVYUKDbMtTKJpFDubu-G4cr3QuGTVbSir78mOxPqCxTl5u8WK-74sxpdZbHVUFePN2_STbat0B5036opEApyrnyAbrddJA3XLf9VhB950f1pAJeiF2n25kMQMGSJ6HZxNpfC0PK9TEMoK/s400/SAM_4220.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: small;">Clemens Steigleder: 'Sister' acrylic on canvas; <br />'Self - 4 years of age' oil on canvas<br />Bithja Moor: 'First Nations Girl' polystyrene, plaster, paint and feathers.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR7Err6SpHQ1XeJZh18r34YDabLVh8R7Lng2rzhSWkGm2W1j2r9qAllLA7Yyw9x7IJ7D5a3su58-kMZVa7GvUXFDeU-EwxmlC7mGsRn4oFUorQUobofvd-SIWSVl2KzClEaztsAZbStXGP/s1600/SAM_4224.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR7Err6SpHQ1XeJZh18r34YDabLVh8R7Lng2rzhSWkGm2W1j2r9qAllLA7Yyw9x7IJ7D5a3su58-kMZVa7GvUXFDeU-EwxmlC7mGsRn4oFUorQUobofvd-SIWSVl2KzClEaztsAZbStXGP/s400/SAM_4224.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: small;">Jon Lockhart: 'Easier Said Than Done' <br />glass bottle, rope, metal, paint can.</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaLv7AS7CDKLY0EQ4ripYJ_b9R27UVvFO8xPh8RvAq_LW-Xlh4h-9damV1xLTMeeV3HPN2TkcNoDuC2XSGsn-5hzDu3oNfj6vw1r28Qwvbmz0EVQyqsQHvWuCCyKTkJrbknQXvCFbGOvlM/s1600/SAM_4229.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaLv7AS7CDKLY0EQ4ripYJ_b9R27UVvFO8xPh8RvAq_LW-Xlh4h-9damV1xLTMeeV3HPN2TkcNoDuC2XSGsn-5hzDu3oNfj6vw1r28Qwvbmz0EVQyqsQHvWuCCyKTkJrbknQXvCFbGOvlM/s400/SAM_4229.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: small;">Petre Nikoloski:'DAWN, junction 6, M40' (detail)<br />Painted sculpture: wood, different colours cotton, acrylic paint</span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOnxAkDqqpa9l9Sv6Ijc7iEnNnjvqGS6OkcmFqOkUNrRkynqQtzTo7qeV3TkKJwKCxR5iWD47QycDI2mxZA63lGbogMQv0olO4Q9eyIoij4-8Et7dHOpUoBfU5obFQEdjeUBCo4pewI_F0/s1600/SAM_4242.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOnxAkDqqpa9l9Sv6Ijc7iEnNnjvqGS6OkcmFqOkUNrRkynqQtzTo7qeV3TkKJwKCxR5iWD47QycDI2mxZA63lGbogMQv0olO4Q9eyIoij4-8Et7dHOpUoBfU5obFQEdjeUBCo4pewI_F0/s400/SAM_4242.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: small;">Robert Fitzmaurice: 'The third Quijote' oil and canvas; and 'From here on in' , oil on canvas<br />Emma Curd: 'Lost Gum Method' Bronze and Gold</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhthnIG2Z2ivgc7U1ABVHnHyVht7mRtqqQG1s2idXU9n9FpZv7CRW39ZuQiK5nDC2CjtEeLyWM6ACiR-gPv8OWxf1aZ6eYRqebDh2wb1iQvEMWJG46_fFuDD51TNtiU8fsXQoKS8ptqytk_/s1600/SAM_4235.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhthnIG2Z2ivgc7U1ABVHnHyVht7mRtqqQG1s2idXU9n9FpZv7CRW39ZuQiK5nDC2CjtEeLyWM6ACiR-gPv8OWxf1aZ6eYRqebDh2wb1iQvEMWJG46_fFuDD51TNtiU8fsXQoKS8ptqytk_/s400/SAM_4235.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Courier New, Courier, monospace;">Sarah Britten-Jones: 'A is for Ammo (detail)<br />Installation with carpet</span><span style="font-family: Courier New, Courier, monospace;">.</span></span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH49mvYgyNOD5wxYRZ7iYgTICJGKnop_Up1xlXiItnpkznIOYcmWrNqUDESrsnY9x6kijIA18p44yl137g98RAOfBkUSHVXNzmD2En5rrdtWzue9R8o8UkV64Z2oNkeQy6sl7CcyQnDsYl/s1600/SAM_4240.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH49mvYgyNOD5wxYRZ7iYgTICJGKnop_Up1xlXiItnpkznIOYcmWrNqUDESrsnY9x6kijIA18p44yl137g98RAOfBkUSHVXNzmD2En5rrdtWzue9R8o8UkV64Z2oNkeQy6sl7CcyQnDsYl/s400/SAM_4240.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Courier New, Courier, monospace;">Nick Garnett: 'Annual Daydream Harvest No. 1' (detail)<br />Laser print of participatory daydream</span> .</span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl1hyphenhyphenK-smL4m536Ijw2ZxskNA0c6Rg2YC8nLW4avP95f2ALB90slIp6FVtgU30_d5pgUHcYEICyEY53QIZl4to860bL3op-71Q4OO4N3eklBce6jlDLmIp3fDuOkgegbs5qUD-K81tIC6k/s1600/SAM_4239.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl1hyphenhyphenK-smL4m536Ijw2ZxskNA0c6Rg2YC8nLW4avP95f2ALB90slIp6FVtgU30_d5pgUHcYEICyEY53QIZl4to860bL3op-71Q4OO4N3eklBce6jlDLmIp3fDuOkgegbs5qUD-K81tIC6k/s400/SAM_4239.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: 'Courier New', Courier, monospace; font-size: small;">Nick Garnett: 'Annual Daydream Harvest No. 1' (detail)</span><br />
<span style="font-family: 'Courier New', Courier, monospace; font-size: small;">Laser print of participatory daydream.</span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-yuNpY_hpxPWnJ4I2o7deV19csHl7XNVlPIIkmM-9NY_oPPUmla4rG5Ou0aMC4UX7YsuZeNfE5mX8RKsJRUm2We8cti3kf1gGS0x0xlWJtemX_MrhSoKFDYY9L4S6fUj7kcXpOhmoBzkV/s1600/SAM_4246.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-yuNpY_hpxPWnJ4I2o7deV19csHl7XNVlPIIkmM-9NY_oPPUmla4rG5Ou0aMC4UX7YsuZeNfE5mX8RKsJRUm2We8cti3kf1gGS0x0xlWJtemX_MrhSoKFDYY9L4S6fUj7kcXpOhmoBzkV/s400/SAM_4246.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: small;">Julia Rogers: 'Hung out to dry'<br />Tracing paper, ink, silver leaf, washing line.</span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvoOSL_Mj_eOmMy2czc2bM3X7QdF0O46xy7zp0EGB7bmo0txip0jJzg-nP2QB2I0KU5ANFFH_mzfQzJsYYTadHDHZnmr320fCkRu_YKilYq7isASFCRko0-TeIBmLhETJuK1SmhgnEfZfl/s1600/SAM_4267.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvoOSL_Mj_eOmMy2czc2bM3X7QdF0O46xy7zp0EGB7bmo0txip0jJzg-nP2QB2I0KU5ANFFH_mzfQzJsYYTadHDHZnmr320fCkRu_YKilYq7isASFCRko0-TeIBmLhETJuK1SmhgnEfZfl/s400/SAM_4267.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Courier New, Courier, monospace;">Julia Rogers: 'Piece of me'<br />Performance [viewed through a peep-hole] <br />using board, paper, staples.</span> </span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEd5GEJGaXXnOyqS93CA7fY8bmK9qFyeFqa4aFkiLNaBXWqbwq6q29aMCZ7bdT0EAw0MklGDxuaBUbFGvclDUez2OLUxgHz0vfwEGFXP0r5BVRrhnPHrX3bYuYEiedVhrcKlSZZpnOgztR/s1600/SAM_4275.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEd5GEJGaXXnOyqS93CA7fY8bmK9qFyeFqa4aFkiLNaBXWqbwq6q29aMCZ7bdT0EAw0MklGDxuaBUbFGvclDUez2OLUxgHz0vfwEGFXP0r5BVRrhnPHrX3bYuYEiedVhrcKlSZZpnOgztR/s400/SAM_4275.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: small;">Julia Rogers: 'Piece of me'</span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUE_jeddgyKYumCZvTozIMBJb8xqNV8n4i13xxmNVMvDaKEdMJKxqcwiGvw-86REC2gAOZE2D3V8sOx_Njj_qHWnjCDvvrSy2dENY3vn_OA5QMXWL99PujkCYDS6zMGk0-d6BQevPFRpeK/s1600/SAM_4249.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUE_jeddgyKYumCZvTozIMBJb8xqNV8n4i13xxmNVMvDaKEdMJKxqcwiGvw-86REC2gAOZE2D3V8sOx_Njj_qHWnjCDvvrSy2dENY3vn_OA5QMXWL99PujkCYDS6zMGk0-d6BQevPFRpeK/s400/SAM_4249.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Courier New, Courier, monospace;">K</span><span style="font-family: Courier New, Courier, monospace;">ate Lockhart: 'View from the Southbank'<br />acrylic on canvas</span></span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwnJqiCxZJBg833_fN9PKlFauKhmiXMIzMihEqnw2D6cYIPf-rZVhmfN-JvPlH5BdnY3JMRBrHdy9hMnDNHYz4IsYtuAQCcGn8uZu1Yb5QnXUMqxOiYEFfI6oZCr0cpx5QvlGars2WqfuP/s1600/SAM_4253.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="373" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwnJqiCxZJBg833_fN9PKlFauKhmiXMIzMihEqnw2D6cYIPf-rZVhmfN-JvPlH5BdnY3JMRBrHdy9hMnDNHYz4IsYtuAQCcGn8uZu1Yb5QnXUMqxOiYEFfI6oZCr0cpx5QvlGars2WqfuP/s400/SAM_4253.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: small;">Prabhat Basu: 'Two small paintings' (detail)<br />oil on canvas </span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX2352k8kWIfRrJ700ahHmp1y4SAdVFxKC4DAmCKrnYC5rhtdYESvvXhaNHeiQHmy5RItwwUEFzdV3Ub2t7_mouwTm6yyhUaCnaN48voSgU02vn37pi-vnJZ-IcH_XIPo5Ea_AqcxwPuDX/s1600/SAM_4260.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX2352k8kWIfRrJ700ahHmp1y4SAdVFxKC4DAmCKrnYC5rhtdYESvvXhaNHeiQHmy5RItwwUEFzdV3Ub2t7_mouwTm6yyhUaCnaN48voSgU02vn37pi-vnJZ-IcH_XIPo5Ea_AqcxwPuDX/s400/SAM_4260.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: small;">Emma Curd: 'Lost Gum Method' Bronze and gold<br />Peter Driver: 'Winnall Moors', woodcut print and<br />'Seven Sevens', woodcut prin</span><span style="font-family: Courier New, Courier, monospace; font-size: x-small;">t</span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisXOYil7Nl3GxunM_T-hdV0FblEo_MaKatdYmd6-MqHq90aucxGq0kTSIG6ZskuQtOTE8pIQ-44FXPdSV-C8WI-2xnHOcPXLQZXBt3uLDsUb93YTCpIRjt3QIBVSVMgwYq2ejwYdEu7wzK/s1600/SAM_4261.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisXOYil7Nl3GxunM_T-hdV0FblEo_MaKatdYmd6-MqHq90aucxGq0kTSIG6ZskuQtOTE8pIQ-44FXPdSV-C8WI-2xnHOcPXLQZXBt3uLDsUb93YTCpIRjt3QIBVSVMgwYq2ejwYdEu7wzK/s400/SAM_4261.JPG" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: 'Courier New', Courier, monospace; font-size: small;">Emma Curd: 'Lost Gum Method', Bronze and gold</span><br />
<span style="font-family: 'Courier New', Courier, monospace; font-size: small;">Peter Driver: 'Winnall Moors', woodcut print and </span><br />
<span style="font-family: 'Courier New', Courier, monospace; font-size: small;">'Seven Sevens', woodcut print</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXzfIpwWjmWCmxip5zsnP5laBQ4iHO0t42XUELLUGW9ad-FPZjet-1-7ZRm_L-_d25hDB4ICe81TCoqx59JbQHSE61kxh6BQni5WKmPvp76KQL_HPGCdrOJ5OWe7R2FBFN9Tap5Zvg1BQW/s1600/SAM_4273.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXzfIpwWjmWCmxip5zsnP5laBQ4iHO0t42XUELLUGW9ad-FPZjet-1-7ZRm_L-_d25hDB4ICe81TCoqx59JbQHSE61kxh6BQni5WKmPvp76KQL_HPGCdrOJ5OWe7R2FBFN9Tap5Zvg1BQW/s400/SAM_4273.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: small;">Food organised by Clemens Steigleder</span></td></tr>
</tbody></table>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6N2Kp2P58OgWro22Cwcy7JHMA26IhawhpyFzHjryFVd6sZmaluSQt1PVPFcVDsDsEMJYVDNxumDR_BKdoxjk4Uk2XJSYhTEVf8StaYJ200nPfyOgaM8QzkOd93cLBopyzBG8VXGJomiKD/s1600/SAM_4269.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6N2Kp2P58OgWro22Cwcy7JHMA26IhawhpyFzHjryFVd6sZmaluSQt1PVPFcVDsDsEMJYVDNxumDR_BKdoxjk4Uk2XJSYhTEVf8StaYJ200nPfyOgaM8QzkOd93cLBopyzBG8VXGJomiKD/s400/SAM_4269.JPG" width="400" /></a></div>
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;">It was good to see so many people at the private view and to catch up with other artists and friends from around Reading. </span><br />
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;"><br /></span>Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0tag:blogger.com,1999:blog-453954172194355799.post-35811008136152762522013-05-14T03:11:00.000-07:002013-05-14T03:13:07.293-07:00In which a large collage is finished and cut into pieces again.<span style="font-family: Courier New, Courier, monospace;">A ten-hour 'shift' in the install space saw my collage more-or-less finished.</span><br />
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<span style="font-family: Courier New, Courier, monospace;">The piece incorporates a year's worth of life-drawings along with all my misprints, reject prints and photocopy litho products.</span><br />
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<span style="font-family: Courier New, Courier, monospace;">With time-pressure on the installation space and needing to clear it out by the end of the day, I cut the work into four strips and with the help of friends, erected them in the corridor outside the studio.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKcoyWzombvMUq0XR5qP2vWrkh6p0g9L9t0W7SCb4cvKfiH-8N0zroCVti0LidXzKpIuv3UTF64m2H4qvV7HidrcrqFPw5fs-UjhnkwPBgDqE_90PWAeihyXyS2SajcBn5cDmu_uvL-5Nn/s1600/IMG_0443.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKcoyWzombvMUq0XR5qP2vWrkh6p0g9L9t0W7SCb4cvKfiH-8N0zroCVti0LidXzKpIuv3UTF64m2H4qvV7HidrcrqFPw5fs-UjhnkwPBgDqE_90PWAeihyXyS2SajcBn5cDmu_uvL-5Nn/s400/IMG_0443.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: small;">The collage interacts nicely with one of Chloe Cusse's fabulous bunny prints.</span></td></tr>
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<span style="font-family: Courier New, Courier, monospace;">As I was working, I noticed the sheer joy of playing with colours, trying to make them sing.</span><br />
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Peter Driverhttp://www.blogger.com/profile/06282201013707683083noreply@blogger.com0